Chronicles of The Hardships of Komachi in The Sengoku Era

Though challenges remained for the screw ship, there was no major trouble in all of the sterling engines, blast furnaces and accompanying facilities, and the commissioning was successfully completed.

Shizuko grates her breasts.

I recall the impending inspection time for a facility that had been sent forward because of a paragraph in the critical case that left a little room in my mind.

Since this one is already fully operational, it is not that we must inspect it, but we cannot leave it as the head of the organization, and Shizuko accompanies the Celebrations to the factory.

"Hiu, this one's big too"

The blast furnace facility was huge, but the facility to be inspected this time - the 'yarn mill' set up by the Oda family - was a huge facility in another sense with vast grounds.

The site of the plant consists of four compartments.

It is a residential compartment inhabited by employees, a support compartment also known as a commercial district lined with hospitals, nurseries, shops, restaurants, etc., a silkworm production compartment responsible for the process from raising silkworms to drying cocoons, fibres of hemp and cotton brought in from the outside and a yarn spinning out of dried cocoons.

"Unlike glass, mass production was an absolute requirement, so it took time on a year-by-year basis... but now it's one of Oda's most famous facilities."

Shizuko's line creeps through the factory's main entrance as she talks about it.

A factory of a size that is no longer an exaggeration to say one city, but unlike a city that is a prerequisite for the entry and exit of others, it is not allowed to enter except by the parties concerned.

Among them, only those involved in plant operations, such as Nobunaga and Shizuko, can use the main entrance.

Employees living in the facility, loading and unloading supplies, etc., also use the back and side gates to enter and exit.

"Let me show you from the silkworm room first."

When Shizuko tells him so, the factory manager responsible for the factory himself leads him to an area with a silkworm room.

If Nobunaga is the founder and president, Shizuko is in a comparable position with the sales director, so the factory manager, who is ultimately responsible for the factory, also serves as a runner guide with a loose knife.

In total, there are fourteen silkworm rooms.

Ten buildings that raise regular silkworms, two that hatch silkworm eggs until they reach the age of two (lei), one that researches artificial feed and variety improvement, and the last that breeds a special silkworm variety, Pebble Round.

Silkworms have the term "silkworm age" as an indication of the degree of development.

The silkworms hatched from the eggs are wrapped around the whole body and because they look like hairy silkworms (kegs) and black ants, the condition also called antworms (gisas) is counted as one year old, the ones that have finished the first peel are called two years old, and each time the peel is repeatedly thereafter three or four years old, and the individuals who have matured to the stage of making cocoons are called five years old.

The number of breeds per building ranges from two to thirty thousand. To secure a year's worth of silk yarn for a limited period of time, from May to November, it is necessary to prepare so many cocoons.

Mulberry leaves when it comes to silkworm bait, but artificial feed is also used here on a trial basis.

The artificial feed is a mixture of the main ingredients powdered with dried mulberry leaves, powdered with skimmed soybeans after squeezing corn starch and oil, soba powder to supplement vitamins, and powdered with dried ground grapefruit skins.

There is little need for fresh mulberry leaves in the current situation, but research is being carried out just in case.

Since it is powdered, it has the advantage of withstanding long-term storage and not taking a large storage area.

In parallel with feeding in artificial feed, the ecology of silkworms has also been studied in detail. It is a study that cannot be removed to improve productivity and variety.

And pebble pills, which are usually kept in separate frames from varieties, are silkworm varieties that began to be raised during the Nara period, and are arguably the ancestors of certain varieties today.

Pebble Maru, an ancient native species of Japan, spins very thin but fine yarns. Its yarn combines strong elasticity with an unparalleled sheen and is considered the finest silk yarn in modern times.

On the other hand, there are shorter yarns that can be collected from per cocoon than regular silkworms, and if they are usually varieties, they average between 1300 and 1500 metres, whereas pebble circles can only be as long as 500 metres.

It is also a variety that is not suitable for mass production because it also has a low number of laying eggs and is susceptible to disease, so it must be kept separately from the environment from other silkworms.

This is a pebble circle that stands out for all its disadvantages, but the weave woven with its silk thread has a shine and suppleness that sets it apart from the rest, so there is no constant demand for it as the finest object.

"It's noon, so nobody's here."

Silkworms are exchanged twice in the morning and evening if they are two years old and the feeding box is cleaned.

The silkworm feeding box has a silkworm cage (basket) placed at the bottom of the unlined crate, covered with a silkworm net (kaikoami), and laying the bait mulberry leaves on it, and finally the silkworm on it.

The method of raising silkworms is distinguished by silkworm age, and for silkworms aged 1 to 3, the mulberry leaves are given by cutting them into 1 cm square.

It is also easy to clean and wear a silkworm net with new mulberry leaves on top of the silkworm. After waiting for about thirty minutes in that state, the silkworm moves to a silkworm net with new bait.

After wearing this new silkworm net over another silkworm cage and transferring silkworms that weren't moving, you should clean the silkworm cage loaded with old mulberry leaves, peeled shells and manure to prepare for the next move.

Since the age of 4 years, a method called joe mulberry breeding has been employed. It is a breeding method where mulberries are cut from branch to branch and fed to silkworms as they remain in that state.

Feeding and cleaning are the same as twice in the morning and evening, but keep feeding by avoiding overcrowding and using two feeding boxes because your body lengths will grow from 4 to 5 years at once.

It is necessary to check the amount of bait at noon because the way it is cleaned does not change from two years of age but the amount of bait eaten increases.

If he is also a regular silkworm farmer, he takes care of the silkworms in the morning and evening, hangs them from mulberry trees during the day and is busily killed at work all day except during idle periods.

But not here, where Kuwahata is held externally and fresh mulberry leaves are carried every day.

Morning and evening are busy as usual, but at noon there is little to do to check on the rest of the bait and replenish it to a lesser extent.

If you are five years old, you need to check that there are no silkworms that are frequently replenishing bait and trying to start camping cocoons in order to develop a huge appetite for camping cocoons.

The area that Shizuko and the others are currently visiting is an area where four-year-old silkworms are kept. And from what I could see at first glance, enough food was available in the breeding box by evening.

I have no particular problem with the situation, but the factory manager was sweating disgustingly.

"Ah, haha. How many minutes, it was a sudden story... yes"

The factory manager makes excuses while wiping the sweat. There is no reason for him to be afraid either.

Because Nobunaga, who had somehow inspected the factory by unplugging it before Shizuko's inspection, showed discomfort with the relaxed air drifting in the factory.

Thanks to this, a few of the heads below the factory manager had just received a direct sermon from Nobunaga, scolding him to engage with more tension.

Without a provision in the service regulations set out by Shizuko stating that working attitudes would be unquestionable if certain quality and production numbers were maintained, it was even possible that some necks would have been physically flying.

"I don't care about anything else. If we maintain production, we're talking about."

While stabbing the nail at the appeased factory manager, Shizuko proceeds to the next feeding process.

About three weeks after hatching, the silkworm reaches a time to start a business cocoon.

Back then, silkworms were called ripe silkworms, and they stopped eating food at all. The body looks dark yellow with silk material accumulated in the silk glands in the body, and the body shrinks slightly.

The individual who did so can cover the net from the top after moving each mulberry leaf. Then the silkworm moves up through the eyes of the net in an attempt to escape the narrow space.

When the nets are properly moved, silkworm excrement and mulberry leaves, and silkworms tangled in the nets, can be separated.

When you finish separating the silkworms and garbage that run the cocoon, the next step is to perform the upper limb (ginger). The process involves transferring silkworms to a net called a straw knit (eyelid).

It is not a problem to transfer each by hand for about a few dozen units, but it takes a lot of effort to raise tens of thousands of units. A way to save effort on this is to rotate (Kaitan eyelids).

For rotating pigeons, special pigeons are used.

Stop the two wooden frames, the outer frame and the inner frame slightly different in size, to cross with the fittings, and install therein many steps of a plaid braid like a barrier to secure them with the fittings.

Each and every one of these plaids will have silkworms in it to make a cocoon.

The liver of the spinning pigeon is to hang the pigeon and have the silkworm itself move to the lattice frame. The principle is simple: first hang a certain number of silkworms on a rotating silkworm.

The silkworm enters the mass eye in the vault in search of a safe place to run the cocoon.

The silkworm, which could not be put into the mass eye, moves upwards in search of a place to calm down, and when the silkworm gathers too much at one point, the center of gravity moves with the weight of the silkworm itself, and eventually the rotating silkworm itself halts the outer and inner frames with a glue and half rotation about the fitting and rotating axis.

Then the silkworm, which should have been on top, realizes that it is moving down itself, and again finds the mass eye in the process of going up towards the top and starts the sales cocoon. All silkworms fit evenly into the mass eye with this repetition.

Regardless of the momentum of the rotation, there are silkworms that fall, but under the rotation, the cloth is stretched slightly apart, and even if it falls, it is structured to say that if people transfer it to the rotation, they will do business cocoons without any problems.

It's a task that seems fine to leave aside, except to aid fallen silkworms, but it's very difficult to manage temperature and humidity at this time.

Because the quality of the cocoon is determined from three to four days after the supernatant, this task uses the nerves most.

Although it is necessary to be careful that the appropriate temperature and humidity change during the upward season, work is carried out to remove the silkworm cocoon from the cocoon called the cocoon in approximately seven to eight days.

Because some silkworms are slow to make cocoons, the factory has decided to carry out a cocoon collection ten days after the silkworms begin to make cocoons.

To remove the cocoon, use a machine called a plume remover. This is the machine that removes the cocoon from the cocoon and takes the feathers attached to the cocoon.

Cocoon feathers refer to threads, debris, etc. thrown up on the foothold when silkworms make cocoons on the foot. Leaving this behind can entangle cocoons, so it needs to be removed.

In an era where no machine existed even in historical fact, the cocoon was removed from the cocoon with a tool called a cocoon scratch (mayu) stick, and the feather attached to the cocoon was removed with a hand-wound feather remover.

Efficiency is increasing dramatically because this factory also manually provides a cocoon scratch stick and a feather remover, allowing the process of recovering the cocoon and removing the feathers attached to the cocoon at once.

Removed feathers are boiled and washed before being used for padding futons, etc.

"This is just the time when cocoons are being made, isn't it? I tried to see how it was running, but I had no choice. Let's head to the last drying room."

When I checked the date I put the silkworm on the silkworm, it was not yet the day to collect the cocoon. The set day is a few days from now, so I can't tell you to show it now.

There was no problem with the quality of the silk thread coming up, so we decided that there would be no special problem, and Shizuko heads to the drying chamber, which is his last task.

"Ha!

The factory manager replies with a cold sweat.

Out of the building, Shizuko enters a building with a chimney near the building.

When the cocoon is left intact, an adult comes out of the pupae inside with a hole in the cocoon. We need to hit the hot air approximately 100 degrees for about six hours to prevent this and let it dry.

This makes it possible for silkworms in the cocoon to die and remain in the cocoon for a long period of time. Note that if there is no equipment for hot air, there are also methods for freezing silkworms for a few days and then drying them in the heavens and sun.

"Hmm, you bag the dried stuff here, and at the end of the day, it's stored in a low temperature, low humidity building."

"Yes. It's that procedure, yes."

After drying, the cocoon is stored in storage. Since silkworm farming can only take place between May and November, a year's worth of cocoons is stocked in the meantime so that silk thread can be produced throughout the year.

Therefore, if we only grow silkworms, we also go outside the factory.

The reason why we did not increase our production base to a centralised plant is that consistent production is possible in a completely closed environment, and we can circulate the various things that occur in the production process.

In circulation plants, by-products and waste are reused without excess. Silkworms in particular are not as wasteful as they are called "silkworms".

Leftovers, manure, skinned shells, mulberry scraps when harvested, etc. of bait that are normally discarded, when dried and mixed, become fertilizer and livestock feed.

Especially those that have dried silkworm manure can also be herbal medicine called silkworm sand. Modern ice cream and green gum green dyes are utilized by removing chlorophyll from silkworm sand.

Nothing is just silkworms and mulberries to reuse. Reuse human excrement and excess ingredients as well. Basically reuse as fertilizer. Silkworm pupae that comes out after taking silk thread is used for carp bait.

Fertilizers are used in fields outside the factory or sold at low prices to other villages.

The factory also has other areas for yarn making from silkworm cocoons, cotton and hemp, as well as areas for knitting cloth by machine weaving, etc., but this time only the silkworm farming area was inspected.

Shizuko moves to the factory director's hall where the documents are stored. Therefore, check various documents, such as work reports, logbooks, ledgers, and a summary of causes and measures to be taken in case of problems.

"As long as you check the work environment, tool care and documentation such as cleaning conditions in the factory, there is no particular problem"

At that moment, below the factory manager, the executives lowered their hearts. Some of them exhaled heavily to appease.

I wondered how scared Shizuko was of the last visit to Nobunaga, and Shizuko swallowed up the question because they were in trouble when she asked him in the mouth.

"Only silkworm farming compartment this time, other compartments will be inspected later"

"Yes. We look forward to seeing you."

"Yes, yes. Please give me a sample book at the moment. We'll show the pavilion the design of the texts and patterns."

But once again they are pushed into a state of tension while they are relieved.

A sample book is a sheet of fabric made from silk yarn, cotton, hemp, etc. produced in a factory that is cut into small pieces and affixed to a ledge.

Unlike modern color-printed catalogues and leaflets, it has the advantage of being able to check the shade, the comfort of touch, and the texture of the material immediately because the real fabric is pasted.

No matter how high quality materials are used to make kimonos, it makes no sense not to sell them. But when you wear a kimono, you consume a huge amount of yarn.

Therefore, we prepare several small pieces of the smallest unit that can be checked for shades, textures, patterns, etc., and after indicating them as a sample book, we confirm the design, and then take the order.

By doing so, customers get the kimono they want, and the production side can be described as a mechanism that benefits both sides without wasting consumption.

Therefore, the sample book is considered an important material that shapes the sale of yarn, which is a kimono and hence a material, and is updated at least once a year.

Kimonos of designs that are not in the sample book have also been made, but there was the disadvantage that it took a long time for the ordered craftsman to be delivered to finish from scratch.

"This will be the sample book"

"Thanks."

Shizuko, who received the sample book from the factory manager, gently checks inside. There are already over 200 patterns of designs.

It's a different story about how much it actually sells, but it proves that it has the ability to write at least that many designs.

"That concludes today's inspection."

When he held the sample book, Shizuko said so to the factory managers who were there.

Shizuko, who returned to the mansion, confirms the contents of the sample book. The pattern, of course, is also a specimen book of dyeing.

This is due to the fact that people have different images of "dark" and "light" colors. Using a white fabric and color sample book, a "color mismatch" occurs where the ability to do it is really "different from what you have in mind".

To avoid this, the color sample book is pasted with dyed cloth. But even then, a color mismatch occurs.

There are various methods of dyeing the cloth, thereby subtly changing the shade, which makes it look like a different shade from the one I had in mind.

Also, when people's eyes look at the antimatter after seeing the cloth even in the same color, they feel the dark light is different.

The buyer feels different from what he thought of the antimatter where these things could overlap.

Currently, the reason for buyers to choose finished antimatter rather than white fabric and color sample books is to prevent buyers from feeling different shades for the finishes.

"Ma, it's a different shade in this day and age. I can't tell you what."

I said a color mismatch, but in other words I can also say that buyers have the delicacy to distinguish "slight color differences".

So far, Shizuko's customers don't have so many delicate people, but I can't say for sure that they won't come out in the future.

"In that case, I wonder if you've checked the comfort of the kimono you made during this time."

Shizuko confirms the comfort of the kimono and, to be precise, the small sleeves on which the Japanese garments are based. After a short roar after changing clothes, wear the feathers before checking the condition further.

"Hey, Shizuko. Stay free. Stay free."

As you check the appearance of your kimono in front, the city will not hesitate to open the entrance.

Neither was there any consideration for Shizuko, but from what I've pointed out, it can't be improved. Anyway, Nobunaga has given up on the city's freedom of movement.

"What's that unusual outfit?"

The city looks strange when she sees Shizuko wearing a plain arrow blade (also known as Yagiri) and gold embroidered feathers with cherry blossom petals on top.

When I say gold embroidery, it doesn't have a bright glow, and to put it badly, it has dull shades. Well put, he had a calm shade.

"It's rude to be unusual. It's a fashionable outfit."

"Right. Then I guess it's not fashionable now. That's why you're dressed so strangely."

"Gu, where it hurts. So, what does it look like?

Shizuko, who couldn't argue with the calm penetration, drifts off the subject with a headache.

The city didn't seem to care that much either, meeting their hands with a look that reminded them that they could ask for errands.

"Oh, yeah. Stay with me when you're free."

"I refuse because I'm busy. We're going to have to check the sentences."

"What, I'm bored. Sometimes it's not important to forget your job and play."

"You just want to play, don't you? Anyway, if you don't get the job done, Cai will piss you off, so please find someone else to play with."

"No, my concubine is free."

Where does this absolute confidence in supporting my true self come from, I was a static with a headache.

But I don't think the city will give up even if I ask questions. That can be detected enough by Shizuko, who has been dating for nearly a year.

"If you're free in the first place, please take care of your child and raise him"

"Don't worry about anything, I'll leave it to the nanny"

"Oh... is that right"

Shizuko, who realized she couldn't say anything, decided to give up and hang out with the city's leisure time.

On July 10, Shizuko made her way to Kyo on an errand. Because Shinzhong (Odd Maru) decided on the 19th to clean up the deal between them.

That's a pearl deal. After calculating the quality and production of the pearls, Shizuko determined that a stable supply was possible from the following year.

Until now, it was sold off to merchants and then to temples and martial arts opponents. However, the sales channel that Shizuko wants to get this time is overseas, that is, in European countries.

Pearls are said to be the first gems humanity has encountered. The oldest pearl in the world dates back to the Rope period, roughly 5500 years ago, known as "Trihama Pearl".

Pearl descriptions have also been found in Wei Zhiyan biography, ancient scriptures, Japanese scriptures, Manba collections, etc., and more than 4,000 pearls in good state of preservation are housed in Masakura Yard as a Nara era treasure.

The most famous pearls in the world are the original pearls of natural pearls that can be picked around the Persian Gulf, the Red Sea and Sri Lanka.

This one also has a history since BC and was a major region of pearls until the rise of farmed pearls in the twentieth century.

Other freshwater pearls are famous in the Americas that can be collected in rivers from the California Peninsula to South America Peru and in Europe in Scotland and Germany. The pearls collected were supplied to royal nobles and churches.

In other words, Shizuko's business partner is the Church, in detail, the Jesuit. The reason is that Christianity uses pearls more for religious decoration.

Christianity also has long had the idea of identifying Jesus Christ with the pearl. The Gnosis, a Christian heresy, also made the pearl the most ideal symbol of the finished form.

Christianity is not the only one who honors pearls. Pearls are also treated as a precious treasure in Islam and Buddhism.

Religion isn't the only thing again. The medieval and Renaissance-era royal nobility in European countries considered pearls to be the rarest gems and used them as symbols of power.

It is not just about religion and the authority of those in power. Pearls are considered a long-lived medicine around the world and are believed to have a variety of benefits.

It is not technically an ore, but it is the first gem that mankind has encountered and that has fascinated people since antiquity.

"I don't see how this round ball deserves a South Barbarian offering expensive money."

Nagaka squeaks looking at the pearl she has instead of the antipyretic. I can't help it. Pearls are also used in Japan, but they have rarely been used as ornaments, as in Europe.

Therefore, it is natural not to think of it as something that can be sold at a high price. And in relation to Shizuko's large and small production of many pearls, it really didn't look worth it.

"Pearls have been associated with the moon since ancient times, because they treat it like a water symbol. Many times pearls appear in the congenial scriptures, and they are regarded as spiritually completed substitutes. So I don't think I'm gonna say no."

Shizuko answers Nagako's question. But even though they say it's a spiritual water symbol, it's not perfect for longevity. Within that time, I gave up thinking about whether I had gotten into trouble or stuck a pearl in my lumbar bag.

Shizuko dresses for her usual male outfit the day after she arrived in Kyo. At the same time as I finished dressing, many Jesuit members, including Floyce and the monks, led by Organtino, visited Shizuko's mansion.

I can't help it. Instead of saying hello to the business, I sent about thirty pearls of Special Octopus. If you're a brilliant organtino, that's all you understand what you're talking about.

"Thank you for taking the opportunity to take a look, despite your sudden visit."

Organtino lowers his head on behalf. The boulder was organtino, and Shizuko was impressed. Inside, I want to talk about business, but I don't put that on my face at all. I had the usual soft vibe.

"Please raise your face. It's not a tough story this time. But we're talking business, so we might get a little tough."

"Ha, I know that"

"Okay, good chat, but it's also a problem to keep you waiting too long. Take a look at our products first"

When I tapped my hands and gave the signal, the surnames walked into the room with their meals in one hand.

The meal is filled with a few pearls, and when the maidens place it before the organtinos, they give a token and leave the room behind.

"Take a full look. It is a pearl (...) produced in our country"

Organtino reacted for a moment to the word production, but takes the pearl placed on the meal without a question in his mouth in every cloth laid down below. He thought the colors and luster were more perfect than he had ever seen before.

The shape was also close to the true circle, and when I wrapped it in a cloth and lifted a grain, it rolled corny on the cloth. The pearls I've seen are distorted in shape, and I've rarely seen anything round.

It's a wonderful pearl.

The quality of the pearls was such that even the organtino, neglected by the ornaments, could roar. However, even though they were neglected, they noticed that there was an organtino that looked good at the pearls.

"But this doesn't seem like what I know. And true circles until brilliant, let's say a miracle for one thing. But you can't collect this many numbers without someone's hands."

Because Europe uses freshwater pearls, they differ in colour and luster from seawater pearls. Not only that, but where the shape was almost uniform, he felt uncomfortable.

Normally, the shapes and colors were spookily uniform in pearls that were not surprisingly mixed with slightly different shapes. From its discomfort and the behavior of Shizuko, he inferred that it was an artificially made pearl.

"I'm afraid you're wise. We have acquired pearl technology from our neighbors and are finally able to produce pearls in our country."

"I'm afraid. But unfortunately, we cannot offer to our Lord what is in the hands of men."

Shizuko understood that Organtino's reaction was natural. It would be resistant to dedicate farming rather than natural to the subject you worship, even if you understand the contents together.

That's why Shizuko set a goal when she supplied the pearls to those behind them, not to the Jesuits.

"I understand that. And it's rude of us to impose it. But what about the royal nobles?

In one word, Organtino largely guessed what Shizuko wanted to say.

"I'm afraid so. Are you thinking of selling the headscarf to the royal nobility who is supporting us, not to us?"

"I know it's rude, but how many exotic merchants who visit our country earn the trust of the royal nobles who are in their country? So we thought we'd sell you pearls."

"I see, I understand the circumstances. I personally think it is a good pearl that the chime is fine and the transparent lighting not found in other pearls is beautiful. But if it's a buy or sell, it's not a story. And this pearl could be accepted by the royal nobles."

"Of course. No matter how well we theorize, it is only natural from your point of view to think of something similar to a pearl of incomprehensible qualities. We talked about buying and selling, but this is a pre-deal, so to speak."

Now is the most common Acoya pearl in the world, but in the Warring States era, none of it equals trading in Acoya pearls, etc. There is also ample potential for the royal nobles of Europe to repel.

But Shizuko had a chance. In the Middle Ages and recent Europe, pearls were overexploited, pearl circulation was extremely low, and Columbus was keen on Japanese pearls.

Shizuko therefore decided that even if the Jesuits did not use it as a church ornament, the royal marquis nobles could honor the pearls.

"If that's what you're thinking, you'll understand what I'm going to say next."

Organtino says to try Shizuko. The glowing atmosphere hasn't broken, but it didn't even make me guess what it was thinking at the bottom of my belly.

Shizuko, who guessed what he wanted to say, makes him bring what is signaling the lowest name at the entrance. A meal with a few kitchen boxes was placed in front of the organtino.

"I give you the pearls to show the royal nobles and the ornaments made with them. Show them everything you can."

Organtino grinned when he heard Shizuko's words. Her answer could be described as perfect for Organtino.

No matter how good they say it is, I don't have enough power to move a lot of money to Organtino in Japan. Also, assuming you buy a pearl, you can't judge good or bad without making it an ornament.

I can see how the decorations with pearls and pearls and, if there are two, the royal nobles of Europe would react. Regardless, my personal taste divides me between good and bad, but I have no choice but to give up there.

"The boulder is the wise headscarf Chancellor. Let us then use these to gaze at the reaction of the royal nobles. If they liked it, we'll talk business again. But I want you to know that my country is a long way from here, and it will take time."

"I understand."

At the end of that exchange of conversations, the business talks between Shizuko and Organtino were concluded. After the business meeting, after a little conversation, the Organtinos follow Shizuko's mansion in order to clean up their church errands.

About half an hour after they left, Shizuko stopped wearing men's clothes and changed into regular clothes.

"Ah, I'm tired. I thought you were gonna eat me up, but I've been showing you a lot of caution."

Stretch your back. Shizuko relaxes her body. Men's clothing is about fixing all over the body, and the body hardens. After that, if you don't let your body loosen up, the next day will be miserable.

"It was rumored that the Accompanying Leagues hated business, but you've been eating up for it."

The length can also be extended back to relax the body. He doesn't like hard stories, he even has shoulders in business talks. I was rubbing my shoulders, but that gaze was always on guard around me.

Talent placed himself in a position where he could shelter Shizuko at any time, and was in a weak state where only his whole body was pulled out of strength. Celebration seemed to be full of gaps, but one hand was always holding the knife.

To the extent that it is good to be attacked by a static child in this state and someone in the three can be injured, if you are unlucky, it falls to the contrary that the attacked human being is slaughtered.

There's a reason they're on guard around. Since the end of the business talks, the three of them had recognized that there was an intermediary.

But the other guy didn't feel any killing or hostility, only signs of blurry fog. While entering the enemy land, the three wrapped their tongues around their arms, capable of extinguishing so much existence.

The three men were vigilant but could not identify the location of their opponents. I can't help it, it's Kato.

Kato walked out of Shizuko's mansion to disappear as he found out the three of them were on useless alert. When they understood that the mutineer had left, the three breathed out small.

"Well, let's get another job done"

Shizuko, who knows nothing, spoke to the three of them as she sent out a letter.

On his return to the church, on the other hand, Organtino gathered people from the same faction. The Jesuits look like a single rock and there are two kinds of Haths and Takas.

The Jesuit's grief is Christian preaching in China, but basically "Follow the township when you enter the township" is the basic guiding principle of activity. But some people disagreed, and Japanese preaching was always divided.

Such a Jesuit misfortune is that Cabral, who is a Takaist, is the head of Japanese preaching. It is also said that Organtino lamented that future preaching was anxious.

Gaspar Coelho is the other person to hit the Takas. He even made plans to convert the Japanese to Christianity, making Japan a Christian state, and an advance soldier attacking neighboring China.

Therefore Coelio was particularly badly regarded, and so much so that the same Jesuits said, "It was his fault that the Accompanying Congregation exile decree came out".

But from the Franciscan and Dominican congregations, the Jesuits are a gathering of moderates and, to put it badly, hipsters, and it's not that Coelio is a special person.

Instead, there were more monastic congregations with figures like Coelio in the majority. Most importantly, if Dominican monks had come from the beginning, there would never have been more preaching in Japan.

"I received the pearl from the Chancellor of the headscarf. And if you borrow his words, this seems to be made in people's hands."

To the assembled pigeon man, Organtino shows the Akoya pearl. Everyone raises their admiration for the glow of the Akoya pearl.

"Has the Chancellor of the headscarf gained the wisdom of God to be able to create such a thing?"

"I am also convinced that Lord Cabral will not meet with vigilance. It's not like the Japanese I've ever had."

No matter how artificial they were told they were, they were fascinated by the elegant glow of the pearls. The sober-minded man had already calculated in what way to get the pearl from Shizuko.

I said to him, "Because of what is made of man's hands, it cannot be offered to God, but this pearl is a fascinating gem."

Organtino speaks as he pearls in the palm of his hand over the cloth. He hesitated to use the farmed pearls in the church, but he had no aversion to selling them to the royal nobles of Europe.

Instead, I was thinking about things when I saw reality that I might get funding for my activities from them.

"Lord Organtino is right. You can use this pearl to fund our activities."

"The powerful in this country can't even meet unless they're clean people. But I have the money to keep my body clean and wear gorgeous costumes."

"I wonder if it's sad, to preach in this country, it takes a lot of activity funding. But offering it to Gore doesn't convince you."

The monks say their thoughts orally to the words of Organtino. Preaching around the borough is the correct preaching style in Christianity, but in Japan it was usually a gateway payment.

There are various factors but the bigger ones are the smell. The smell is amplified by humidity, so it smells terrible if you haven't cleaned your body in hot and humid Japan, even if it's not a problem in a dry Europe.

Aside from producing water, Musashi Miyamoto, who never took a bath, is said to have been known for his location because of the smell, even if he was more than 100 meters away.

In contrast, Europe was believed to be susceptible to illness when bathed. Now missionaries. They are also former upper class people, some of whom went from military and doctors to missionaries.

"But outfits that are just gorgeous buy Lord Cabral's wrath"

Adaptionism has diminished my aversion to bathing, but it's never gone.

And Cabral, the head of Japanese preaching, is negative about adaptivism and hates missionaries dressed clean.

"We need local collaborators to preach. If we don't get asylum for those in power, preaching is irresistible. Why doesn't Lord Cabral know about it?"

"Dear Left, for the sake of preaching, I cannot bear to be denied everything, even though I have taken various hands"

If it's for preaching, even if it's disgusting, I'll think of it as God's test and get through it. I'm prepared to do that, but Cabral denies everything she doesn't like.

As a result, even among missionaries, discontent with Cabral had accumulated.

"Well, well, gentlemen. It's not good to slap people in the pussy. Take a breath and calm down."

"But Lord Organtino..."

"I can understand your dissatisfaction. But the Lord said: Unleash your anger and abandon your anger. Forgive the haters. Lord Cabral made us realize something we didn't realize. Thank you, and you are not a hater."

Everyone shuts up about Organtino's words. That's all he tells me, because any more stupidity would just be a word to put to anger.

"Let's hold off on pearls for one second. Send some to Gore and discuss the treatment again with their responses."

Any further discussion would be a place to say dissatisfaction with Cabral. With that in mind, Organtino ended the discussion, albeit somewhat forceful.