4.6 Billion Year Symphony of Evolution
4383 DLCPM0026700000 SK
I don't know if this thing can disappear through touch.
Lynn saw ... the target object this time.
This object, called the 'core of the painting', looks very much like a painting.
To be precise, it is the sky view before.
Of course, when I saw it before, it was very large, but what I see now seems to be reduced. The painting now looks more than ten meters in size.
However, it is exactly the same as what you see outside, except that it has been reduced a lot, and the scenery inside is also densely packed together.
This painting is what the wanderer calls 'core'.
However, it is not as easy to access, because Lin can still see a lot of huge shadows shaking around.
The shapes of these shadows are somewhat like the Ershi people, they are hundreds of meters in size, flashing around the painting from time to time.
These may be the things that guard the painting. Veronica is now about a kilometer away from them, and they have no response.
After watching for a while, Lin fired a hair through.
The flying hair disappeared instantly after approaching the flashing giant shadows.
This feeling seems to be crushed by some huge force.
Lin fired again many times for testing, but every time it was a similar result, whether or not it hit these shadows, the hair that was fired would be destroyed.
But after many tests, Lin also found out why it was destroyed.
This is a kind of system similar to 'laser defense'. Once it comes close, it will be locked and destroyed instantly.
It was not the huge shadows that attacked, but the painting itself.
The painting seemed to have some kind of wonderful power, and Lynn couldn't get close to it casually, but staying here and watching seemed to have no problem.
Next, Lynn tested again many times.
Every time, Lin tried to change the 'state' of her hair, mainly to see what methods could be used to achieve the invisible effect.
After Lin conducted many tests, Lin discovered that there were some ways to dive into it.
Before Lin used almost complete despair as a disguise, but it was useless when approaching this painting.
But it is sufficient to approach the painting with a wonderful emotion.
This emotion is a state of 'with a little hope'.
This is a very interesting state, that is, it feels like there is despair all around, but there is a little bit of hope that guides you forward.
In this state, you can directly approach the painting without being discovered.
After the test, Lin adjusted Veronica to this state and slowly approached the goal.
Flying between those huge shadows, they did not react.
Finally, Veronica successfully reached the picture.
Nothing happened when Lynn touched the picture. It was not something that could be destroyed by contact.
But Lin can feel more interesting emotions, that is this picture ... it is hopeful in itself.
It can be said that there is little feeling of despair.
As this space is full of despair, the painting feels like the only hope.
It may also be because of this, so the emotion can be adjusted to be close to the painting to get close to it.
However, is this really ... the core here?
I have been in contact for a long time, and I can feel the hope inside is wonderful.
It's like a faint light, and it's dark all around.
Touching it feels like you are chasing this light constantly, but you can't keep up with it.
This feeling for a long time will make the creature more and more desperate.
However, Lin felt that Lin could catch up.
This is also to adjust your emotions. When the hope is getting stronger, you will feel that you are closer to the light.
Then ... you can get in touch with this light.
"Actually ... I can get here."
When Lin felt that she was in contact, Lin found that a signal came.
So, Lin also sent some signals to it, mainly asking him who it was.
"It hasn't appeared here for a long time ... here is not ..."
And the signal inside seemed to say a lot of words to himself, and finally it said to Lin: "What is the purpose of your coming here? Why can you get here?"
"You ask who I am? I am their hauler. I must have traction ... to let them come here."
After talking to this creature, it said that it brought those boneless dolls to the hope space.
To be precise, it makes the boneless dolls replace the original "disengagers", and hopes that the space will grow on a large scale.
It is also that it gives some instructions to these dolls, so that they attack those main consciousness in the hope space.
But why, it didn't tell Lin.
It has been asking questions such as why Lin came here and how she got here.
Lin also told him how he came here, actually adjusting his emotions to hide.
It also expressed some surprise at this. Although it knew that the method of controlling emotions could sneak in here, it was not controlled by normal creatures.
And it is easy to be infected by the surrounding emotions.
"If you can control ... this is impossible ... must be killed ..."
At this time, Lin suddenly found that the huge shadows around the painting moved.
They are gathering fast around Veronica, and the vague figure is becoming clearer and clearer.
However, no matter how clear they all look like a black mist.
The moment they touched Lin, they felt as if they were hit by a huge force, and the whole body collapsed.
There is indeed a feeling of split consciousness.
Moreover, Lin also found that the space around Veronica was changing rapidly.
After a few seconds, Lin noticed the surrounding scenery the most ... turned into a pure light.
To say that the original place is very dim, it feels as if it is very close to the star, everything around gives Lin an extremely bright feeling.
In this bright space, Lin noticed a special object.
This is what I just communicated with Lin ... Creature.
It looks like a small star, about ten meters in diameter,
"You are not that creature."
When Lin saw it, it said: "But you are very similar to it, very close."
"Which creature?" Lin questioned.
"It left a long time ago." It said: "But it wants to come back now, no ... not just that."
"So I must ruin you first ... ruin you completely."