A Mid-level (Middle-aged) Office Worker’s Laid-Back Industrial Revolution in Another World

"I did get an explanation for taking it from the carrier to the ship by rail..."

"And what I suggested is that loading and unloading onto ships uses cranes..."

Dan and Cloy are also thinking.

While Takeo was making everyone think, "Put together a pair of... I don't know if it's possible to install H steel or I beams like a ceiling crane on board... no forming, no welding... then substitute thick flat steel... I wonder if it's impossible?" and work out the concept.

"Um... Master Kitamizato, do you mean to step up the carriage carrier and the position where the ship will be loaded?

Cloy raises his hand and says:

"Then... move the container directly above the ship and up and down with a crane.

Make sure the floor opens after you hang the container to make it?

Carol says.

"Like opening the floor... no, isn't that safe?

In case the floor clasp breaks, it falls off when you put the container on it.

Then install a crane right in front of the ship and take the container using a rail in that position.

Can you even hang it a little and then push the container on board and lower it slowly?

Roach says.

"No, if you don't take the crane just above the ship, the load will shake.

Besides, I think the load is pulled rather than pushed.

So when you put the container on the ship, take the container right up to the top of the ship.

Lift it up a little bit, then it will only go in the direction of the ship for what it has raised, so I think you should let it move up and down on board at the same time as slowly lifting it, and when the container stops shaking.

Conversely, if you were to wholesale the container from the ship, wouldn't it be a good idea to hang it and lift it up to the table position for lateral movement of the carrier, then string it from side to side and pull it toward the carrier while putting the position on the rail?

Cloy says.

"You can say that's hard.

Certainly there is a string to adjust the position from the front toward the ship, let's adopt this part.

But it can pull hard when the wind is strong.

Pulling the container forward from the suspended position onto the rail does not ensure safety.

Carol comes up with an objection.

Carol, Roach and Cloy are arguing.

Takeo was honestly impressed.

Because I can say practical things so far with only what I see in the drawings and oral explanations, I can say that my ability and imagination as a considerable technician is high.

You won't even be able to argue this without spinning your head as hard as you can imagine from those who are looking at the real thing.

And these three are able to argue from looking at the same painting (...).

"... as reliable as you can be.

So let's make a little correction based on your three stories.

"" "Yes.

Carol and Roach, Cloy respond.

"This means taking the following steps:

1. Take it from the carrier to near the transport vessel and hang the container.

2. Move the suspended container to the ship.

3. Lower and secure the ship.

Here's the deal?

"" "Yes.

"The problem now is how to move the No. 2 suspended container onto the ship.

Mr. Carroll, Mr. Roach, how far away are you from hanging him and then moving him aboard?

"Right... Kitamizato said the container size is 1.7m wide x 2.0m high x 3.0m deep.

then 3.0m... think there is hanging work nagging, think about moving about 4.0m.

"Then wouldn't it be safe if the crane moved 4.0m after hanging?

Makes three people look strange.

"Is that good?

Takeo takes his seat and heads to the blackboard.

"In other words, this is one way to use cranes in the first place. Some methods make and use cranes like this.

So what if this quadrant itself is a moving structure (...)?

Write roughly the ceiling crane that Takeo has in the steel factory or assembly factory with "Ro shaped" from the front and "Reverse Y-shaped" on the lateral side.

And write down a few circles under the reverse Y-shape.

"... this will move the crane.

"... I've never even heard of this.

"... a crane different from the drawing..."

I'm looking at a painting written by Takeo so the three of them can eat in.

"Substantial design is going to be...

A structure that doesn't have to be pulled by someone all the time is something that can be done.

Of course I think someone will have to use the strings to direct them and curb the container shaking.

Takeo returns to his seat while he says so.

"Ki... Dear Kitamizato... Are you sure you want to think about this?

He tells Takeo with a complicated face that Cloy can take both amazement and joy.

"Go ahead. Do the design while you all meet each time.

Well, you'll have a budget.

I can only tell you to finish that area as cheaply as you can.

And the drawings alone are often incomprehensible to people.

I will have about 1/10 of the models made first.

"Is it a model?

"It's the Elvis family that pays for it, isn't it?

And it will need to be explained not only to the Harbour Department, but also to the Treasury, the General Inspectorate and the Count.

I don't think texts and drawings alone will give you an understanding at that time.

So make a model.

Besides, we may be overlooked.

It will also be necessary for our confirmation.

"Well... it's a business I've never done before, so...

There will be some overlooks.

"Yes, I'll make something close to the real thing to show you.

"Dear Kitamizato! I'll do my best!"

Carol and Roach nodded with tired faces, and Cloy nodded with full motivation.