……
It conveys that Antoni took a breath for a moment. I could see you wondering if you wanted to stay on my suggestion.
But when Antoni exhaled one loud, he shook his head before answering.
"... I tried. Wow. But I'm not impressed. This jizzy beauty, the beauty you want to paint and feel, seems real and tangible. I don't feel the beauty of following Fauvism."
"That's what I've been talking about. I don't know from now on."
"As well as I already know. Whether you try it or not, it's hard to like it."
"Though I'm sure you'll like it. Emotions that are hard to make into words that float just by looking at the picture, the dynamism you feel from the colors, the more primitive beauty rather than the shaped, clear beauty.
You have to touch a number of forvisms to feel beautiful about these. If you touch a lot and develop sensibility, it's something that looks beautiful. I'm sure it's going to look more and more beautiful. "
"... I want to be fooled by those words, too."
I'll convince him, but Antoni spoke sadly.
The sound was there that I had already tried it, and it was still different.
"But you really compare it to the tangible beauty. … Unlike photographic beauty, Fauvism has no such thing as an intriguing drawing of details that you can't help but notice."
"No way."
"And Fauvism, for the most part, is a flickering emotion for a moment, and at the end of the day, unlike photographic beauty, there's nothing to see from there, no matter how much further."
"No, sir. Mr. Antoni. That's because the Fauvism of this world is still unripe."
"Immature, huh?
Yeah, I answered confidently. Because I felt that if I didn't answer with confidence, the stray I have now on Antoni would disappear.
"Mr. Antoni. I ask you to draw something that doesn't have to be too detailed. And it doesn't end in a moment of inspiration, it seeks a strong expression. If you're not in shape, I think you can draw."
"What is it?"
"I don't think Fauvism in this world has yet come off the Impressionists. You should let it blossom."
Fauvism in this world is not exactly Fauvism. It soon becomes apparent that art did not proceed as the right history developed, but rather developed in flying.
The reason is biased is that the transition in art set by the producers of the game's world "fantasy tale" was rough.
the development of the correct history of art, of course there is no such thing as It's not right or wrong in history, it just developed that way, that's all. But the development of art in this world was more and more distorted.
Raphael predecessors and symbolism, for example.
Raphael Predecessors refer to a group of art conscious of their return to the Renaissance in the fifteenth to sixth centuries, arguing in nineteenth century England that pure photography of nature is the art to be truly expressed.
There was an emphasis on the attitude of conscious use of classical methods, on colour depictions such as light and dark contrasts, and delicate linear representations, where many paintings were born that emphasized fantasy and mystery.
The remaining influences of the Raphael predecessors are symbolism that, away from photography, placed greater emphasis on fantasy and mystery and attempted to express mythical themes implicitly in colours and lines.
But.
Renaissance, Manierism, Baroque, the master who was at its cutting edge after these times, Antoni, lived too long. It was too much of an impact.
Contrasting schematics of the emphasis sprouted by writing techniques, manierism and baroque cultivated since the Renaissance period. Antoni, an artist who could use them alive, could have prevented the emergence of Raphael predecessors because he had already lived too long.
At the same time, it seemed to be for this reason that we do not see any art clearly distinguishable from symbolism, from
If there is an aim in this world, it is such a distortion.
In my view, there was no gorgan in this world. Impressionists who pushed the manierism, it was hard to be too skillful.
"Mr. Antoni. I want you to paint what you see."
"Keep looking, what do you mean?"
"You throw away your shape and draw it as you see it. Not only is Fauvism still immature, but he hasn't drawn the color that he saw because he was dragged by the color of his mind."
I was half sure.
The reason why the Fauvisms in this world are not yet so well-rounded is because they have not revolutionized their colours.
Bright, vibrant, powerful touch. Fauvism. That, from my perspective, seemed like Ning Lo Gogh's work. No, what's more, when I brought Gogh into this world, it was even thought that he would surely have pushed Fauvism further.
The use of color is not out of reality. While simplifying colors and shapes, it accentuated vibrancy and brought them closer to primary colors. It was a monotonous world made from the stereotype that primary colors, rather than 'apples are red'.
Ironically, due to the strong influence of Antoni, who lived the same period, Fauvism has not moved away from strong stereotypes.
Antoni, based on the realistic beauty and gaining a slightly accentuated approach to reality after the Baroque and Impressionist eras, had set an example of accentuating color, as the apple was red, the twist was yellow, and the shadow was black.
Unexpected, it will drag the art of later times.
In the beauty of the picture, Antoni's method of portraying the perceived beauty, if made clear, becomes a strong reflection of 'his notion'.
It is a stereotype of common sense.
The tree is brown. The shadow is black. Even if the tree looked red and the shadow looked blue, no painter painted the tree red and the shadow blue as Gorgan taught it.
"Mr. Antoni. You want Paul Gorgan, Maurice Donnie, and Henri Mathis to go."
"... who is it?
"I'm going to be you."
I got up and let Antoni hold the brush.
"You can see the color. You're the only one who can see the color. Wouldn't drawing that sight be the first step in beauty"
……
"What do you say?
"... it's the mountains that want to be fooled..."
He tried to deny it, but just before, Antoni muttered, "No."
"... Dear Toshiki. This jizzy wants to paint something beautiful. So I thought I could no longer paint in this invisible way, and there was no point in painting."
"Yes."
"But there is still something beautiful, is there? Will you remind me of beauty again?
"Yes. Definitely"
"... for a while"
It was a small whine, but the words had a fever.