Antoni's "Picture of Fire" was just as beautiful as it burned. The people in the gallery also stop to say they must, and they are in love with that beautiful shade.
There is a crowd at the corner of the room, and people continue to look at the painting and exclaim "ho".
I saw the sight and one of them laughed at the thought of success.
The beauty of the painting was my calculation. There's no reason not to finish it beautifully.
Because the paint used is different.
First, I formulated paint that dissolved in water as well.
Oil colours with a slight mixture of surfactants act as a kind of mixed volatile oil (tempera) oil paint. Speaking of its comfort, it spreads much thinner and more evenly as if it were a watercolor. Not only that, but also the technique of hatching, which is emphasized by thick and thin lines, is easy because it is applied like watercolor paint.
And whether it contains a surfactant or not, it is with regular oil paint if it dries. Strength is guaranteed.
Other types of dry oils are used in oil paints where the screen is thin (the thickness of the screen is thin due to the evaporation of the oil) and the color changes are low.
Normally, when you refer to pictures, you generally have to draw them to account for color changes and lean skin. Considering that, people who can paint are called top notch painters.
Of course, Antoni liked it all the way, but if it was paint with little change, there was nothing to say.
Exactly the state where you can achieve colors exactly as you see them by simply drawing them. Such paint was a first-class item that the oil painter envied.
Most importantly, you could use my chemistry paint, so the range of colors would have widened.
For example, the blue pigment "Ultramarine Blue" obtained from Lapis Lazuli ore is difficult to align due to its expensive paint. But if I synthesize and formulate indigo dyes, I can cheaply create blue pedigree colors.
Others, famous for their red lineage colors, are Vermillion (Zhu).
The natural Vermillion exhibits a color that is low in saturation and slightly purple-like. And when you shine a strong light, it can turn black. But replacing this with artificial cadmium red can create blinding reds while preventing black weirdness and the like.
Even more stable paint can be made to suppress chemical reactions due to mixed colors. There was a problem with the difficulty of drawing water colors because mixing ultramarine based colors with free sulfur with silver white or the like of lead containing pigments produces lead sulfide and turns black, but that can also be addressed by not utilizing ultramarine.
Expensive colors, vibrant colors, and freedom to blend colors. There is no depth in color under these conditions. It is impossible.
There were other large environments where such tools could be readily formulated, such as good quality pencil wash oil (oil for washing brushes).
Ironically, the depth of Antoni's paintings improved terribly after he lost sight of his shape.
It is not remarkable because it uses bright, eye-catching colors, not faded (...) paintings like other painters draw, and even watercolor-like representational techniques to describe color contrasts.
Antoni's painting was praised as the finest painting of the exhibition.
"Lord, that's amazing..."
"Wouldn't you, Meena? There's no way it won't catch your eye."
"Somehow, it stands out in this room for a moment, doesn't it? sloppy or whatever."
"I even thought about the color effect of light. I say no to Count Albert, and the design of rooms such as lighting, wall colors, and carpet colors are also designed just to make this painting look beautiful"
Color acting effect. For example, it is said that human complexion is more likely to deviate slightly in the pink system than its original color, while it is uncomfortable when it deviates to yellow or green.
In this way, the bias between the color of the lighting and the color of the object has quite an important significance.
Lighting using photomagic was also designed with considerable concern for this coloring effect. I'm unprofessional, so I can't tell you the details, but I was concerned about getting rid of the color combination that attenuated the vibrancy of "mixing green and red".
"I've gotten this far. Normally, it would be the most famous painting."
"The Lord is not thoroughly popular, is he?"
"Make sure your business is in order," he said.
Looking around the exhibition hall at the Salon de Oasis, I replied yes to Meena.
If we don't do this, it's hard to compete.
I think the work that comes here is very level. It's like Jan van Ayke's The Virgin and Son of Van der Parré that the carpet is written in detail.
There are many momentum and compelling paintings, even for the work of the Fauvism lineage. Despite the limitations on brightly colored paint, they try to cover it with a skillful sense of color.
It takes as much thoroughness to outrun them.
Yes, but it's thorough.
I lost my mind.
(From the publicity complaint, I was putting up a battle. "Fauvism's famous paintings created by Antoni the famous artist," he fueled the topic. Once a long-time frontline artist suddenly changes his previous style to challenge Fauvism. Will definitely catch your eye)
It goes without saying that I have made the most of the facades of the Rothman Gold Trading Museum. Stealth marketing like this is becoming common sense among painters.
(We also invested in art critics. It was surprising that Jacopo cooperated, but he also received a brush: "It was a great work. I was asked to write an admirable review of this painting with life and power in it)
Leveraging the connections between Count Albert and Mr. Rothman Gold, he also succeeded in giving praise for his criticism.
It is enough to even cross over to the Medici family, the academia run by the Durone family, to receive a comment on this new art of Antoni: 'famous paintings rarely seen in modern times'.
(And Antoni's painting of Fauvism was actually beautiful. Excellent as a work of art. It was an admirable masterpiece. It was a masterpiece finish)
Now if Antoni's painting isn't a big piece, it's only eight hundred, but Antoni's painting was actually a great one.
The auxiliary ability of Art Lv.6 is great. I know you have previous experience in the arts, but there was something to fall in love with about the skill in the use of colors and the drawing of tones. Thanks to the protection of the god of art, it was easy to paint beautiful colors even in Antoni, who could not see the shape.
(... this is fine)
I tried to take Meena to the back.
The three accompanying Iri, Yufi and Nell also urge them to "If they don't have some more work they want to see yet, let's move on".
The three of them looked at me with a mean look on their face.
"... what's going on?
"Nothing in particular" "…. It's nothing." "... Nothing."
I thought you wanted something good. But I didn't even want to ask, so I decided to keep walking.
At the end of the stride, an angel of mosaics existed.
There was a stained glass-like quality oil painting there, which took advantage of the oil painting's characteristic of increased transparency when time was set aside. I accidentally stopped by the deep geometric beauty of Arabesque and the use of vibrant but gentle colors.
Distorted.
Even though the painting of the angel is graceful and refined, its colouring was as if it were a contour of an abstract concept of beauty that had lost its shape.
The painting of an angel, which must have been painted with a feather pen and ink, was adorned with a glass (thinly painted) coloured membrane of exotic beauty.