Abe the Wizard

Abel began his exploration of Rugauin, a city without citizens, but well preserved and better informed if useful clues were found.

The building from the transfer station to the east is Drognan's pharmacy, which is also what Abel wanted to explore most.

Walking to the door of the pharmacy, he found that the doors and windows of the pharmacy were closed very tightly, and the power of strange rules protected the wood in the building, making the doors and windows still the same as they were.

Abel gently pushed open the door and into his eyes was a row of display cabinets with many bottles on them.

He was delighted that he picked up one of the bottles in front of him, and the bottle in his hand had a very dark style, a round bottle with a small bottleneck, which, from the red medicine, was a 'light healing agent'.

‘Light Therapeutic Agents' is an upgraded version of 'Light Therapeutic Agents' that doubles his vitality, but for him with 'Full Revitalization Agents', it is a chicken rib-like item.

He didn't come out horizontally through the 'light therapeutic' counter-production, thinking about it, but didn't stop, taking the bottles off the display cabinet and putting them in the space bracelet.

Twelve bottles of 'Light Therapy' and ten bottles of 'Light Magic' are not much, but they are new drugs that Abel has never come into contact with. It's also a good collection to play with.

Looking at the display cabinets in the sky, Abel also knew that wizards like Drognand would never put important things in the display cabinets, which are just a display, and wizards who own space objects usually include them in space objects.

Pushing open the wooden door on one side of the room, he saw a smaller room, which seemed to be an alchemy room, unfortunately very clean, with no extra items except a alchemy table.

The alchemy room is another locked door inward, where the owner disappeared long ago, and Abel did not have any burden on his heart to unlock it directly with his hands.

Pushing open the wooden door, he knew at first glance that it was a collection room, where the wizard lived, where some items that were not too important or could not be accommodated by space objects were placed in the collection room.

In front of you is a collection room like this, where large quantities of already dry and unusable alchemy are neatly placed in a cabinet on one side, and some weird animal corpse specimens are arranged on the display counter of the room.

On the innermost side of the collection room, he discovered a box filled with patterns that, due to the passage of time, had lost their power and protection.

He just gently snapped the lock on the box and it was easily opened.

The box is the world's most precious treasure, and the sheepsheets of knowledge, whether on the Holy Land or in the dark world, any sheepshead book is extremely precious, one of which is the complexity of the process of making parchment paper.

Moreover, the inheritance of knowledge is inherited between nobles, and its confidentiality makes knowledge particularly difficult to obtain, while the collection of an elderly wizard is all the more precious.

Take out several sheepskin books in the box, several books on spell theory can increase Abel's understanding of spells, and an autobiography of Drognan allows him to learn more about the whole dark world.

The final book is the Primary Pharmaceutical Guide, which gives Abel a real sense of harvest. There are only four methods and formulas for formulating drugs in the book, among which 'mild therapeutics’ and ‘mild potions' he has learned, while the other two are just getting formulas for 'mild therapeutics’ and 'mild potions’.

Opening the Primary Pharmaceutical Guidelines, Abel found that the formulations of the two agents, 'light therapeutic agents' and ‘light potion agents', were not very different from the previous two agents in material terms, but differed in quantity from the refining method.

Knowing that there is no power to restore drugs on the Holy Land, and that treatments are far less effective than treatments in the dark world, Abel's four drug formulations are the result of countless years of alchemy in the dark world, perhaps with external help.

Abel couldn't wait to make these two drugs, and all the materials he needed were in his space bracelet.

He came to the alchemy in front of the alchemy and took out the entire set of 'Acara's Alchemy Bottles’, putting the material on the side of the alchemy for backup.

He took out a ruby, and his mental strength drew a pattern on it, and the ruby seemed to have been activated in general, sending a flame up.

When Abel officially began refining the Light Therapeutic Agent with the Akala Alchemy Bottle, everything slowed down in front of him, and although the world's stone fragments were not activated, the dynamic vision and precision controls it came with did not disappear.

In his eyes, countless pieces of data are swiftly refreshing, the heat of the flame, the change in the reaction of the agent, the temperature in the alchemy bottle is converted into numerical values, and the body that breaks through the human limit is always able to do the most standard operation in a timely fashion and at the most appropriate time.

Abel had discovered by now that he underestimated the ability of the world's stone debris, which was almost an auxiliary cheater, and the role it played in alchemy made every move standard enough.

One material is added, and the reactions of multiple materials make the whole bottle very unstable, but Abel is always able to grasp the most appropriate temperature at the right time, and constantly changing values in his brain remind him what to do at the right time.

Initial refining agents that were previously required to be completed through multiple practices are now done only once, and directly elevate the quality of 'lightweight therapeutics' to the highest level of 60 point vitality gain.

The subsequent refining of the 'light potion' was also a one-time success, marking his successful mastery of the four dark worlds of drug refining.

Coming out of Drognan's pharmacy, Abel walked south again, and saw Artema's tavern not far away. Due to the large windows of the tavern and the fact that it was always open, the tavern was already full of dust, walked in and checked it out, and found that the kitchen was still intact and could be used as long as it was cleaned.

On the second floor of the tavern, a few rooms were also ready to be used just to clean up, and Abel decided to make this his home, and the tent would not be as comfortable as the real house.

Leaving the Ghost Guardian Knight to clean the entire tavern, Abel went on to explore other places.

By the south harbour, a wooden merchant ship has been damaged and relies entirely on the buoyancy of the wood itself to float above the water. Turns out Abel had the idea of getting a chart from the merchant ship, but everything on board was corroded by the sea water.

Leaving the harbor, Abel headed toward the city centre, where the city's market was almost an open shack, where nothing could be saved to this day, so all he saw was a pile of garbage.

The only thing that works is a well, the most important resource in a desert city, which is legendary before it slowly forms the ultimate city of Rugauin.

On the edge of the city, Abel discovered the most magnificent architectural palace, the best of the entire city, entirely made of boulders and beautifully decorated stone pieces on the outer walls.

The interior of the palace is also magnificent, with square marble floors that, even after countless years, still hold the scenery of the year, with beautifully engraved columns supporting the entire immense palace hall.

Every room in the palace remains unchanged, and all items remain intact due to the protection of the rules in the room, and a piece of art from different places is left in place, which no one seems to have ever noticed.

At this point, Abel understands that the rich harbour city of Lugo has a lot of goods circulating from it, which is why this palace, made of boulders not found in the desert, has become a work of art from different parts of the palace.

But with the invasion of heaven and hell, everything changed, and art became unwanted garbage, and no better piece of art was worth a loaf of bread, let alone a weapon.

But Abel was thinking about bringing these artwork back to Harry Castle when he was free to decorate his magic tower.