"In the meantime, why don't we cut it clean?"

Probably because the two Magic Stones are not completely connected.

It must be magic or magic, but it's leaking out of the gap.

To reduce it slightly, I polished up two magic stones more precisely than in the first experiment.

Both appear to be perfect planes.

... but is this really flat?

As I just realized, I've hardly ever worked this hard with magic.

"Done?

"... let's check it out."

I thought a little about how to confirm it, and I remembered how I used to do it on TV.

If ink is applied to only one of the boards, then two boards are overlaid, and the ink is applied to the entire board that has not been applied, it will be successful.

If only part of it seems to have ink, you can scrape that part.

It's not a way to see the plane, it's a way to see if the two surfaces fit together perfectly, but it would be perfect for Magic Stone connections.

Explore the contents of the item box to find what you can use as ink.

The Magic Stone is red, so I searched for a color that might stand out in red.

Then a bright blue liquid came into my eyes until it was poisonous.

It's Zunana grass extract.

"... is this it?"

It is a waste of ink, but it is not used in large quantities.

Drain one of the magic stones with the Zunana grass extract and sprinkle thinly.

Stack the other Magic Stone on top of it and remove it immediately.

Unlike real ink, the extract has a low viscosity and the color is thin. It is not as beautiful as I thought, but the magic stone has turned blue overall.

It seems to be scraped clean.

"Okay, let's try this. This is a magic stone connection experiment, so it doesn't have to be three structures."

I'll paste the magic stones together again, secure them, and hand them over.

"I see. I will also try to make magic lights while experimenting with artifacts."

Catherine receives the Magic Stone while saying so and works for about 30 seconds to get her hands off the Magic Stone.

Probably finished.

Only in an era when ancient documents could not be read could they be reproduced, and magic lights boast the ease of breaking in artifacts.

"Yes, sir."

That's how Catherine activated the magic light.

I didn't switch it on, but it turned on because the magic light emitted so much light that even in the light, it was clear.

I've never seen a magic lamp so powerful.

"This... is not a connection. Has it crossed the Magic Stone?

"No, about 20% of the regular magic stones. Because the material magic stone is so powerful that it can't be used for magic lights.... but enough for practical use!

Catherine sparkles her eyes even though it's only about 20%.

Considering the strength of the two structures, it seems that even 20% of the three structures can make a sufficiently powerful object, but 20% is somewhat insufficient.

"In the meantime, if you polish it clean... ah"

"What's wrong?

I noticed after the experiment, but I forgot to remove the Zunana grass extract used instead of ink.

Maybe that's why it's 20%.

Now cut the magic stone just like the previous one, make sure it fits perfectly with the Zunana grass extract, and then wipe it off properly.

I gave Katrine the finished connecting magic stone to experiment with....

"This is... the same as the first one."

"Shouldn't I wipe it off?

I see.

The finished magic lamp was to the extent that it could barely be seen shining in a dark place.

What really matters is not how well you polish your face, but what you pack in between.

"I'm going to try a lot... but can you make a Green Wolf Magic Stone like a magic lamp?

It's okay.

Regardless of how much budget I can afford, I feel comfortable spending too much Magic Stone on experiments.

The magic that was carved when I removed it shifts, so the experimental magic stones can't be used around.

One of the two may be able to be used around, but eliminating errors in other conditions is fundamental to the experiment.

However, if it's a Green Wolf Magic Stone, it doesn't hurt or itch when you waste about 100 or 200.

Scrape about 100 pieces together to produce a flat surface, make the liquid you want to put in between, and try it from one end.

After several hours of experimentation, we have come to know what is generally a powerful ingredient.

The strongest liquid I had was the first Zunana grass extract I tried, but when the powder was mixed with the magic stone, it was even more efficient.

The performance also seemed to change depending on the quality of the magic stone, and the powder with a large central part of the magic stone and only about a fifth of its length as a powder was the most effective.

Zunana grass extract is more efficient by further simmering the medicinal product.

The last thing I made was a poisonous purple liquid... rather than a paste.

The center of the Wyburn Magic Stone was luxuriously poured into a three-fold concentrated Zunana grass extract as a powder.

Even so, the output is about 50% of the raw material, but since 40% is the limit outside of Wyburn, this is still the breakthrough performance.

Well done.

"I feel like I've made something incredible."

Somewhat dissatisfied, but... it must be a fact that it's amazing.

Four or five structures are within range.

"... well then, let's say four structures."

"Do you want me to skip three structures?

Speaking of which, we haven't done it yet.

I was concerned that the three-structure had already been successful.

Give Katrine a large magic stone with a finished paste and wait for the magic equipment to complete.

As I watched the situation, I appraised the magic of Catherine with great concern.

I noticed the discomfort and looked at the completion of the magic equipment and asked.

"... is magic okay by making so much magic equipment?

The maximum value hasn't changed, but the production capacity and calculations I've heard before don't match.

I know that magical craftsmen boast high productivity, but I've never heard of a lot of magic tools that can be made with the same magic.

I am worried about the reason, and I ask it even though I know it is okay.

"... that? Didn't you hear?

"What happened?

"Since the dragon was defeated, I've been able to use more magic. It doesn't seem to have increased much recently, but I think it has increased by about 30% since before the dragon slaughter. Not just me, but all the wizards."

... I didn't ask.

The winning party was drunk before serious talk, and the subsequent meeting was only about the issue, but not about other implications.

I suppose all the participants, including me, did not bother to talk because they expected to hear from somewhere and it was not very relevant to disaster preparedness.

No, I was known to be a wizard in the first place, so if I listened, I might have thought it was from my side.

However, as long as I'm not a dragon opponent, I don't care about magic.

In the first place, using magic at a level that does not damage the surroundings, the MP remains at its upper limit. And since MP is a numerical value based on the average, if you push it up for each average, the absolute amount of magic will not change.

When the magic amount of 1MP increased 1.3 times, there was nothing to notice.

Me, too?

The fact that the MP value has not decreased is certainly true.

"... don't you know how much magic you have?

"It's probably growing, but... there's nothing to run out of."

Even the magic before the slaughter of the dragon, if it wasn't the opponent of the dragon, the magic wouldn't be exhausted.

If I'm going to deplete magic with attack magic now, I'm going to have to destroy this planet.

Pressure magic and rock spears can reproduce "Nantoka destroys the earth" in real life, and water magic can wash the world away with flooding.

Even though it seems to be a relatively peaceful movement magic, it will be destroyed by shock waves.

... I feel like I've kind of stopped being human.

"... even a hundredth of it is fine, so I want you to share it."

Catherine reached out to the completed "Blue Concentrated Magic Light."

I think you care more about magic than magic.

"All right, activate it whenever you want."

"Yes, let's go..."

After a few moments, Catherine activates the Blue Focus Magic Light.

At that moment, an intense blue light was emitted from the magic stone, illuminating the wall.

Catherine has a narrow eye on her eyelids.

That was a success.

"Magic Stone connection in just one day....."

Katrine seems impressed, but if I have time to be impressed, I would like to proceed with my research.

There are still a lot of magic tools to try, and there must be a lot of discoveries.

The sun goes down when I'm touched by it.

Well then, that's four structures.

"Are you sure you don't want to build the other three structures? The attack system is getting stronger and stronger....."

"Certainly there are powerful magic tools for stand-alone use, but there are four structures that seem to be more interesting. Other adventurers will be able to deal with the outbreak, so they won't be in a hurry to use a little more magic equipment."

If you scatter too much magic equipment, the adventurers will lose their jobs.

Destroying monsters in one or two places is different from reusable artifacts.

"I don't remember the four-structure artifact, but what is an interesting magical instrument?

"It's called" Magic Factor Repression. "It seems that they will consolidate and kill monsters that have developed extensively with Magic Elements. Magic Freeze seems to be an enhanced version of this."

"... that kind of thing has four structures?

"It hardly seems to work on ordinary monsters or humans. Because of the current situation, it seems like it can be used. Even if it's a wide area, it's at most a few hundred meters radius as far as I can read the book, so if the power drops with the Magic Stone connection, it should deliver at most a hundred meters. If you work hard with a long cane, it will be enough for you to fight without me."

"I can't fight monsters in the air...."

I guess so.

There aren't many of them, but if you're a wizard in Decibatole (now in Broken or in the spare as reinforcements), you might be able to handle it.

It seems that monsters flying in the sky tend to be more alert than on the ground.

"Well, it's no different than convenience. This is the structure... but I'm a little uncomfortable experimenting where people are. Try it here first. It's a magic tool that turns wood into sugar."

"Magic suppression" also wrote the structure, but this is not as easy to experiment with as the magic tools of the lights.

Even though it has no effect on people, it is a story of an era when ancient documents were written, and we do not know how far it will go in the present era.

Therefore, I will write a structural diagram of the four-structure artifact "Sugarization of wood" that has a peaceful and nice effect under it.

This is a magical tool with literal effects, a dreamy artifact that turns wood into sugar.

In addition, "hair growth" seemed to be in very high demand with four structures, but I chose sugar because I thought it was disposable and how about using a large magic stone and paste for my hair.

In the first place, I don't see anyone who could be a test bench.

"I'm happy with the magic equipment... but if it's a four-structure, I want three magic stones"

"Okay."

I thought I could do two structures with one Magic Stone, but it's not as simple as that.

Since there is no other choice, the two sides of each magic stone are cut in parallel, and only one side of the stone is combined and pasted to create a combined magic stone with three magic stones lined up in a straight line.

Since it is coupled twice, I would say that the rational output is one-quarter.

Turn the Combined Magic Stone into a magical instrument and place it on the desk, just as Catherine did when she had three structures.

"The tree... is this it?"

I remove a relatively clean tree from the item box, cut the surface with a magic sword, cut it into affordable sizes, and place it on the desk.

Put a sugar basin underneath it and be ready.

Well then, let's go.

Oh.

Catherine is getting used to the experiment, so I checked and started the magic equipment immediately.

Then the piece of wood placed on the desk turned into sugar.

Each wooden basin and the top plate of the desk on which it is placed.