As Mary turned her gaze to ask about Lillianne's insights, the wild horses began to bother.
The attackers surrounded Lillianne and broke up with her fiancées one after the other. As per the events of the game, the look on the faces of the courtiers who were bidden farewell is blued by that flow, which is so smooth that they want to hear whether they decided in order, either by pre-meeting or by order.
There was even something inside that would throw up a dialogue that would compare to Lillianne, and this had a wrinkle between Mary's eyebrows that she had heard on the boulder. I feel sorry for shifting responsibilities after breaking my engagement at my own convenience.
If I imitate you like that, I won't do it! and if Mary glanced at Gynath, she guessed something. Gynath shook a body with a good body and looked around in panic. But soon afterwards, he apologized to Parfet and bowed his head, and he was still a matomo among the color-blind group.
That's how the last one said goodbye, and Lillianne, surrounded by the men and looking at the sight, took a step forward with a look of regret.
- It's just a 'look that sounds sorry', but I wouldn't call it that famous act. If you don't know what's going on, it's like Lillianne might even look like a victim.
"I'm sorry, everyone. But... I think this is true love."
and let Lillianne, who speaks exactly of the dialogue of the game as it is, round her eyes as Mary was poked into the void with a light piece saying, "Oh, you're done with this".
Her dialogue is also the closing of this event. "True Love" Some rival characters admit to taking a breath and losing by mouthing it, which is also the theme of the current work, and gain even more support from some. The main character who built the reverse harem is likely to say anything, but this game is only made gently and sweetly by the player (Lillianne).
Most criticisms were voiced by rival characters who cleaned up lightly in terms of their selfishness and convenience, but the reverse harem route itself was a play for the producers in the first place. It was the idea of most players to point out that…
That's how the protagonist tries to leave the scene after the event...
I could hear Karina laughing invincibly in Mary's ear, who was flipping memories of her previous life (the game).
If you look back at me once again, she has a frighteningly beautiful grin and stares at Lillianne without any cowardice. I don't see any color in that look that admits to losing.
"Oh, how lovely it is to be true love. Hey, you guys think so, don't you?
That's right. Karina's appearance asking for consent from her fellow countrymen behind her is just the villain. He laughs invincibly and shows off the cards he keeps so that he doesn't get hurt.
"Oh no, it's not a little cool..."
And as Mary was tempted, the ladies laughed as she learned from Karina. It seems to be a lie that I was just leaning down to say that it was also painful to have a sadly blue look or face up until earlier. If that's all acting, aren't they famous actors?
... About one of them is still shivering in tears, so if you look at it from Mary, it's not like she could wipe her anxiety because she's in the state of 'a fighting dog who makes her think she's a dumped puppy and strips her fangs off, and a lamb thrown into that group'.
Anyway, the ladies laughed invincibly one after the other without such a trembling lamb (parfet) and began to fight back against the men who abandoned themselves.
"You hadn't noticed yet, we've already talked about breaking our engagement. Then your father... he apologized for what he did and recommended that you talk to your brother. When the conversation is over, you will also consider changing your succession."
To a female student who smiles and talks to her, the face of the man who listens to her face turns blue in an instant. To that appearance, Hmm. Mary pulled the list of nobles in her memory.
I have certainly heard that the man's house has a few boys and that the inheritance feud is fierce. He is the eldest son and officially heir to the status quo, but there is also one or two age differences with his younger brothers, then changing the heir is no problem.
Above all, I joined the reverse harem of a commoner woman by waving her parents' decided fiancée, so this is like telling myself to drag me down from the inheritance feud.
Oh well, tough, not at all. Like other personnel - factually other personnel, no matter what happens to the inheritance of any house, but not the Albert family that rocks to that extent - if you whine, it was like a baton touch when I said the next lady was one step ahead.
"Do you remember? Me, you got engaged with the promise to give birth to a heir, didn't you? If that can't be fulfilled, I don't think there's any way to break the engagement. So we broke our engagement, and I came into your house as your adopted daughter, and I got a son-in-law."
"... Huh?
The man told by the boulder to do this also raised his voice, not wherever he blued his face.
"Alas, it would be natural to consider adoption because one son can't want a inheritance. Your father and mother were delighted to welcome me. Well, I'm very angry that you won't be named after me in the future."
"Hey, wait a minute..."
"Oh, you're not interested in me anymore. That's what Lillianne said when she said she was more attractive, gentle and warm. Besides, I'm going to have to find a partner to give birth to a healthy heir, and you can't handle it."
To put it mildly, and on the contrary, to a female student who seems happy to say, "What better," of course, but my fiancée's... my ex-fiancée's man can only be flabbergasted.
But this is not a rare story either. Contrary to the earlier house of inheritance strife, this time the man's house only has children, and if so, it is only natural to thank his wife for a healthy inheritance. Even so, if my son is one of the reverse harlems, I can't help but notice.
Still, I look at her with a small grunt when the man says, "If you succeed, Lillianne..." but I don't say its pity that they turn away. Even if Lillianne was willing to have a baby with a man, there's no way his parents would have waited if he waited for more than one man in order.
Normally, we would welcome the third son as an adoptive son from a relative or from a house we are making cordial with there, but I guess he decided to take his son-in-law by welcoming a woman whose stupidity abandoned him for good health. It's a pretty good bet, but the public can fix it somewhat.
If you think there's love there, you can't see love anywhere. But what a noble story.
As it turns out, the lady who was supposed to have been abandoned took over a man's house that was bigger than her own. The adoptive daughter kicked out the man and took over... I see this is brilliant, and Mary was impressed by it, and the next girl student entered again.
Something that declares the relationship between the two houses to be discontinued with the divestiture of the engagement, something that tells the martial arts that the house on the man's side has followed and made us promise to insulate ourselves. Inside, there was already another fiancée, even one that obviously gave a superficial name, and the men listening quietly said that even the wild horses had no words.
Anyway, this story is all about political marriage, which means that the rubbing of men and women is not enough to change the relationship of each house, and if you do poorly, you can change the sequence of the aristocracy, not the house. Did something begin to appear in the wild horses that gave them a rushed look, because they were wrapping around the men, or because they feared that they would make a fool out of each other with a change of inheritance or disconnection from each other's homes?
In the meantime, whatever it was, Mary, the immovable Albert family, stared at Karina with an inadvertent expression of "villain-like and cool wow". - Anyway, the Alberts, no matter who takes over the inheritance of the other houses, let alone their status shakes so that the relationship between each house breaks off -
Are you going to work for Tori as well, Karina smiled invincibly as she listened to her fellow ladies and stood there looking so villainous that Mary would fall in love. What a princess she is, so much so that Mary unintentionally tries to imitate her leg width as she witnesses it.
Most importantly, it is no surprise that the ladies, including Karina, are prepared to fight back.
Anyway, the political marriage, whether there was love there or not, was an engagement with clear interests on both sides. If it were to be made counterproductive on its own, the lost profits would remain the material for counterattack.
If there was love, only betrayed.
If there was no love, there was no love at all.
Their pride would have been greatly hurt, among other things, because their fiancée became 'one of the reverse harems' after being shaken. And that set fire to the fighting spirit - and partly to ambition enough to take over the house - and became this relentless hammer.
Neither the woman who wets her pillow and cries in tears when she is abandoned, let alone the woman who mourns and waits until the day she is made to admit her loss, is so in reality.
Because even that parfet is burning up enough fighting spirit to stand on this spot. If Mary looked to the parfet with that in mind, she would still tremble in full. Still one step...... no, half a step...... advanced about half a step. - It is more appropriate to say that it was a little twisted than advanced, but given her character and this situation, I would rather be brave enough to praise her for being forward -
"Oh, you know, even me..."
While he gets a lot of attention, Parfet still looks up to Guidus.
That's how she grabbed the hem of her skirt as if she had decided to, "Even me!," he raised his voice. There is a slight confusion in Gyneth's eyes.
"Wow, even me! It doesn't matter what happened to Mr. Guidus!
The spot froze in an instant at Parfett's remarks, which turned his voice over as much as he could at the end.