American Fortune Life

Instead of the foot basin publishing giants here kneeling down to tian, the richest man in the young new world, what Andy Smith said was really amazing and very analytical.

With the "Seven Dragon Balls" blood puff being shown, causing a scolding, Hollywood failed to adapt once, it seems to prove that the foot basin animation, in addition to those girls' comics, is basically only suitable for 2D or full CG, real people comics are destined to fail.

You know, Dragonballs is an extremely hot comic book in the West, and almost all of those brainless fans of iron bars are in Europe and America, and even pedestrian natives can't compete with as many crazy dragonball fans in Europe and America. And Bandai's cartoon periphery sells the first throne, enough to illustrate the influence of dragonballs around the world.

The American version of Seven Dragon Balls, shot by Fox from the beginning in a mind-set, is bloody and bloody, and the quality sucks even the original author himself is reluctant to face... Mr. Toriyama's assessment of the book was “I hope that you will appreciate the film as a story of a parallel world”, and euphemism expressed the hope that it would be disconnected from his work.

Don't say that without more investment today, the drama can hardly explode. This film is almost doomed to the bottom, and it's good to guarantee no blood loss, but Fox, the chicken thief, invested only $40 million, plus a lot of publicity. The global box office will take at least 3.5x to return.

In a nutshell, this movie is for Hollywood, a stuffy stick for both sides of the foot basin animation world.

Next, pedal animation will fall into a low tide in the United States and will continue to decline in the foreseeable future.

Andy wouldn't miss this opportunity to stock up on the bottom! According to the survey, big data show that foot basin animation was around 2000 at the beginning of the century in the golden age of the United States. So for the post-90 to post-95 generation, in fact, what was popular between teenagers in the heavens and the United States at that time was very close, and things like game kings, digital babies, magic babies, dragonballs, GBA, etc. were also phenomenal in the United States.

Dragonballs and Wonder Babies are the two benchmarks of this era and are by no means less popular in the United States than today's Transformers and Marvels. Others such as Pretty Girl Warriors, New Century Evangelical Warriors, Basketball Masters, Digital Babies, etc. are also powerful second-line players.

But that prosperity was fragile in the beginning. Teenage-friendly native American film and television production has grown since Spider-Man was released in 2001. And foot cartoons are forced into subcultures for a number of reasons.

“ In the United States, this passive acceptance model gives excessive power to brokers with animated copyrights, as television is the only way to watch anime except for videos. The causes of the decline in popularity of foot basin animation in the United States, such as censorship mechanisms, have existed in the industry since the beginning.

To be honest, the American Film and Television Market is a market of extreme exclusion from foreign culture, and for a non-English-speaking work, a lack of dubbing equals a small audience. This is very different from how proficient you are in watching subtitles in Heaven. There was a problem with the positioning of anime at the beginning of the United States, where distributors believe that the audience for anime is children, so a full age rating is an absolutely untouchable red line.

The censorship in the United States is a self-censorship of the issuer to please the parents of American ideologies. In this case, the magical babies and dragonballs stood up with good sound standards, but the ensuing dubbing and censorship of pirate kings and fiery ninjas was unbearable... ”

In the face of Maruhui Horiuchi, president of Jiying, Andy talked about Sawako Noma, president of the elementary school, Sanghe Changhong, three foot basin publishing giants, did not hide in any way, and did not care about the three people's ugly faces, continued to shake their heads and smile.

“Can you imagine Sanji's cigarette turning into lollipop? Can you imagine a toolbox in the shadow of fire with a painless puncture in the back of your hand, turning into a red apple in one hand and a Doraemon in one hand? ”

“Pfft -”

“Cough... ”

“Cough, cough, cough... ”

At this time, Maruhui Horiuchi, president of Jiying, was a little blinded to Venus. He rarely saw 10,000 godbeasts running through his eyes, throwing up KOU water on him. He didn't know whether to cry or laugh. Some of them felt like a man on his back, watching the surrounding smile spray, but he was strong and patient, holding on very hard, constantly coughing up his fellow industrymen. At this moment, his heart was unbeatable. He really wanted to strangle the American intermediary. He knew that after tonight, these two infarcts would become classic jokes in the industry.

“Oh, that's funny, isn't it, but that's the reality, so in the eyes of ordinary Americans today, the intrinsic impression of foot basin animation has become TAI, Asian culture is so hard to understand, the AT force field of culture has been erected again. The failure of the Navy King and the Ninja of Fire brought the foot pot of wire, which was on the edge of popular culture, to the bottom of the valley and could no longer climb the American market.

Of course, the failure of both works is an expression, and the core issue of animation is its weak subcultural position in the United States and the emergence of American co-positioning competitors. Like my Marvel Group, Warner's DC... Mainstreaming and small-scale animation has always been a controversial topic.

Mainstreaming is an attribute and, indeed, a specific creative norm, the largest number of conventions, from children to the elderly. Mainstream music, art, and film and television works will have to YAN cut many features to satisfy the mainstream appetite. Small-scale also has the disadvantage of sitting well in the sky. Today's animation homogenization of the foot basin is due to the fact that the local audience you want to cater to is too single and the flavour is not very varied enough.

I'm actually looking forward to the impact of the US market on the single Japanese animation industry to make animation more diverse... Otherwise, the Dragon Ball American version of the real life movie would be the last remaining BO of that golden age. ”

The voice dropped and the crowd around him couldn't help but be a little noisy and begin to talk with a serious and ugly crossover, while Andy just smiled and looked sideways blinking at an innocent pair of big eyes, always looking at him with curiosity and worship, and smiling.

Don't look at Andy being surrounded by these pedestrians who can calmly point to the river and mountains, and leave everyone here with the appearance that he may be the savior of pedestal animation in the American market, to say so many big truths, is to make these pedestrians realize the reality of the dilemma, only let them think that the IP in their hands, there is no market in the United States, will Andy get maximum IP power at the most appropriate price.

As Marvel rises, Andy knows better than anyone that future American comic reality shows will be monopolized by DC and Marvel. Predictably, both DC and Marvel belong to each other, and other movie companies will certainly seek to break through the monopoly situation, and more and more American production companies will inevitably focus their attention on football cartoons, even buying Japanese comic copyrights at high prices and turning them into reality movie dramas to counteract Marvel and DC.

Born worried and died of euthanasia.

For Andy, the sense of distress and crisis is an increasingly serious aspect as time progresses. The sense of urgency compels him to grab all the future advantages he may have in his hands in advance. Marvel can make it easy for his entertainment empire to eat for 10 years, but in 10 years, everything will become unknown. He has tasted the happiness of God's perspective, and can think of the impact of the unknown on him.

In previous generations, many media outlets went on about superhero films, ironically and questioning the idea of Hollywood films was exhausted, it was difficult to open a new IP, and the problem of "script wilderness” became more prominent, so more and more sequels, backshooting, and humanized films continued to be launched, and the case of "fried rice" abounded, although this was undoubtedly the safest option for more commercialized Hollywood films.

But ultimately, it doesn't change the fact that Hollywood creativity is missing, and the day-to-day brain hole is bound to be the new way out of Hollywood, and this is definitely the right time.

No, Andy's not just thinking about copying the bottom, he's trying to get rid of it!