Armed Summoners - Black Spears and the Brave Men of the Other World

Faria understood the situation only after Setuna apparently reached a destination and landed on the ground.

Until then, the confusion in her was accelerating, and she could not afford to indulge in the inherent comfort of dreaming that she was being held by thinkers, or all that time. When she recognized that it was not a dream, but reality itself, her head turned bright white and so confused that she didn't know what to think. Setuna didn't want anything until the confusion subsided. It just didn't loosen the power to hug Faria, and even seemed to be running through the night sky.

I don't really remember, but that seems to be the case.

And when Setuna got off the ground and freed Faria from both arms, she was finally able to recover from the mess and regain her calm.

"What the hell is this about?

Instead of checking where he got off, Faria asked Setuna.

"How could you..."

"First, let's go inside. It's cold out there."

"Hey, hey"

Even as Faria called to rest, the extended hand cut off the sky. Setuna turned to the front door of the building in front of her and opened the door, looking at this one. Let him in, I guess that means she couldn't understand what he was doing and shook her head. There's no way I can obey. You have no idea what's going on.

I thought it was a dream.

A walk through the starry sky hugged by Setuna, he said, a happy dream.

But it wasn't. If it wasn't a dream or something, it wasn't a happy one. It was an unclear reality. It is that, given her position, she is in the middle of an event that is and must not be impossible.

Setuna took the sleeping phalia from the battle palace and brought it to the front of this ancient building, unknown anywhere.

"I'm not moving until you tell me what the hell's going on."

"... you're in trouble"

Setsuna looked like she was in trouble. On the other hand, I think it's rare for him to have that look, she wanted to hope he wouldn't deserve that.

"I'm the one in trouble. Why did you grab me? I don't know what would happen if I did that. It wouldn't be you, would it? Bring him back to the Battle Palace as soon as possible. Otherwise…"

"Otherwise?"

"Your position..."

It doesn't have to be bad, etc.

I grabbed the goddess of war. The goddess of war is the symbol, the pillar and the hope of Lyohan. Everyone thinks that anything that does harm to that goddess of war deserves to die. Until now, in the history of Lyohan, the goddess of war has never been harmed by the citizens of Lyohan, but in the unlikely event of such occurrences, the culprit would be summarily executed. Whatever the reason, it is not permissible, such as hurting what is at the apex of Lyohan's order.

Faria is not hurt by Setuna. But they attacked him in his sleep and took him away. That alone deserves a felony. But if we don't, we might make it. If the battle palace hasn't made a fuss yet, if you could bring Faria back to her bedroom, you might be able to decide that there was nothing there. Even if the guards are making a scene, if we go back right now, we'll be able to stop the scene. You can say I just went for an evening walk. You can ask Setuna to take you out. That way, it won't be a problem. It won't be a case. It won't even scratch Setuna's name.

I don't care where I stand.

"It's not good. Not good at all."

He said, "I'm good."

Setuna's fortitude has also pissed off just Faria. He doesn't even try to understand me at all when I say that I think and say so much about him. I can't help but be angry about that.

"It's not good for me. Isn't that right? If you get in a bad position, I'll be with you..."

"With me?

"... you'll never see me again."

The words that shook up courage did seem to have reached him, but he just smiled and didn't even show a bare gesture to reflect on this outrage. On the contrary, it's going to be difficult for Faria to understand.

"I didn't want to be, so I grabbed it."

"Huh?"

"I'll tell you more inside. Anyway, go inside. It's cold in here, and it's not like there's any chance someone's gonna find it."

"It's..."

What does it mean?

I tried to ask, I quit. I just asked, and I didn't think he'd answer.

Faria looked around to find out where this place was again. The building Setuna wants to put in Faria is exactly the same as the architectural style of the aerial capital, which uses the ancient group of ruins intact. I mean, Setuna didn't fly that long, it just seemed like she was traveling through the air capital. But it was also understandable that the perimeter of the whole house was like ruin, far from the centre of the aerial capital. Apparently, he also grasped that it was far from the center of the aerial capital. The ruins are surrounded by cliffs and bridges. At the end of the bridge I saw the northern outhouse and the remains of my thoughts. I mean, this is the north end of the air capital.

The northern outhouse is in the patrol path of the Guardian Peak Samurai, but it shouldn't have come this far. Because the perimeter of this building is like ruins, and you can't be a criminal's nest. I don't even bother, I don't need to turn manpower. I guess that's why Setuna chose this building as a hiding place, but if it is, one thing is unnatural.

How does Setsuna know the patrol path of the Guardian Peak Samurai Corps?

Regardless, it is possible that we have chosen a suitable location away from the centre of the aerial capital. However, such abandoned buildings were also managed by the Mountain Protection Conference and the Peak Protection Samurai Corps and should have been locked. Setsuna, the door is open. It wasn't locked. Originally, that could never be the case, and Faria came to the thought that it might not be the judgment of Setuna alone.

"Okay. When you get inside, I'll make sure you explain."

"Oh, I'll talk to you soon."

To Setuna's sincere response, Faria was somewhat relieved. Naturally, but I understand more than anyone that Setuna is not a person who would otherwise have no reason to commit such outrages. He is a man who respects the position of others. If Faria was thorough with the goddess of war, there was no way to interrupt it. There has to be some reason for this. Otherwise, she would be disappointed and disillusioned with him.

Maybe that's better.

And so on, somewhat, I don't think.

If you are disappointed and disillusioned with him, there will be no more such things as falling out of love. If you do, you'll never like someone again. To think of someone or to love someone. But that would make it easier to dedicate your life to the goddess of war. At least there will be no more shaking things between thoughts with him.

However, waiting for her to enter the building was not such a sad fate or anything, but rather an event that deepened her feelings for him, and she became aware of her shallowness as well as her unexpected recognition of his affection.

He was desperate to protect her.