Armed Summoners - Black Spears and the Brave Men of the Other World

Lesson Two Thousand Two Hundred and forty-three: With the Goddess

When you leave your room, it becomes a passage.

Passageways on board are always illuminated, day and night, unless there is room for extra time. All levels are dark in the morning or noon because the passageway does not have windows to take in the light outside the ship. Nevertheless, extremely bright lighting during the day was also transformed into something calm, either because it did not break its atmosphere at night or to boost the atmosphere.

It is Mayuri, the goddess who controls the brightness of such onboard lighting, regardless of the full power of the ark. Most importantly, we are not always focused on controlling brightness. The ark was an extremely advanced mechanical airship, which meant that most functions could be controlled mechanically. In other words, the brightness of the lighting can also be controlled by the machine, and the setting is Mayuri.

Mayuri said he had an almost complete grasp of the mechanism of the ark, and that he spent a considerable amount of time just to do so. They say that even God is a complicated mechanism that requires a lot of time, but Nair Gandia has no idea how he's building and mass-producing such a thing - is what Mayuri God is talking about. Even God says it's a difficult business to create so many airships.

In the first place, I guess that's not even possible for a god who is free to fly around the sky because he doesn't have the advantage of creating a flying ship or creating a complex mechanism.

Either way, this ark is ruled by a great goddess of one pillar.

And the goddess was also a winning actor in an earlier battle, and it was for that reason that Setuna turned her foot to the engine room.

The residential area where Setuna and the others concentrated was on the upper level of the ark, and the engine room was located behind the lower level. There are two ways to go from upper to lower levels, one is also a common method in this world of going down stairs, the other was a way of knowing very well that this ark was created by bringing together excerpts of technology.

Use the lift.

A box-shaped space divided into automatic doors, installed in various parts of the ship, was there, and when I got in and pressed the activation device of the hierarchy I wanted to go to, it automatically went up and down to the specified hierarchy. The journey within the Ark is quite different with or without this. Because it's so vast and exhausting just going up and down the stairs.

Lifts, like other mechanisms and functions in the ark, are powered by divine authority. Technically, it's a transformation of divine authority into power, which seems very different from divine authority, but it doesn't matter if it's divine authority for the Setunas to recognize it.

Setuna headed to the engine room trying to drag her tired, untiring legs as she went down to the lower level using a lift in the residential area.

The journey to the engine room is not complicated or anything. Because you just have to go straight down the aisle. But that just straight walk was so hard and harsh in Setuna right now that he thought about turning back every once in a while. But if we go some further, we face the reality that it will be harder to turn back, and we have no other option but to move forward.

Eventually, when he saw the engine room door, he was exhausted and focused on moving forward. More than usual, there was nothing to concentrate on, inside.

"It's rare for you to visit here alone. Tomorrow the world may be doomed."

That's the word that popped in when the engine room door opened. Setuna dived the door with a sinister face and looked up at the goddess sitting on top of the equipment provided in the center of the engine room. The goddess Mayuri is there, as divinely beautiful as ever. Goldsmiths also adorn their hair with beautiful ornaments and equally dress their entire bodies because that is the imaginary picture of the Mayuri God. An even limb to the girl's dyed beauty is also a sign of the prayer of one who wanted Mayuri God. Regardless, integration with the Mayura God who sleeps behind it is also the embodiment of prayer, I guess.

"It's not funny. It's a joke."

"Mm?"

"What the fuck?"

"Weird......"

"What's wrong with you?"

Setsuna didn't want to laugh bitterly when she saw Mayuri God twisting his neck in a difficult face. As a Mayuri god, I might have meant to be a funny joke. but naturally, the world is doomed and not a laughable setuna.

Setuna lowered her hips and stretched out into the chair provided in the engine room. Not that I'm not sleepy, but I wasn't going to sleep. Systemic pain and fatigue can prevent you from falling asleep. That's why I woke up earlier.

"Well, good. So it's Setsuna. What brings you here? The ship is on track for Zalwarn. I just don't know if I can do it, but I can't do it very fast."

"What do you mean?

Setuna blinded Mayuri's unexpected remarks.

"Perhaps it was caused by hitting Nea Gandia's ark. We neutralized the defensive barrier in order to attack the enemy ship directly, but that's why our Ark's protection has become weak."

"By the looks of it, I didn't see any damage?

Setuna asked, thinking of an ark lit by the sunset behind her brain. After the war, I didn't see one scratch in the appearance of the Ark that Setuna saw.

"On the outside. But there's a lot of damage inside. While you were stopping by Myram, I was on the run to fix it... but this kind of detailed work is out of specialty."

"Do you have a god or something?"

"There's no way he's here. God is more than one prayer."

"... well, yeah"

That also means that there is only God in the number of prayers. As there would be a God of hope, a God of despair, a God of carpentry, a God of blacksmiths, a God of technology, and even if there was a God who specialised in mechanical technology, it is not surprising.

(Is it a little different from the eight million gods......)

Having God only in the number of prayers would be completely separate from the idea that God dwells in all things.

Mayuri God put his arms together.

"In the first place, I see that this ark is made of wisdom that God also does not know"

"God doesn't even know wisdom...?

"Something I can't touch - should I say? Knowledge that is also forbidden to the gods. The fact that there is a mechanism to convert God's powerful divine authority into power, thereby making the ship move, is a testament to this. Do you not think that it is a terrible thing for a human being, who is a weak man who prays to God, wishes to God, wants God, to use God unilaterally, etc?

Mayuri, I didn't even know what God had to say, but Setsuna had to ring in a subtle mood.

"... well,"

Because there is a sense that we are already using God. Of course the dragon god Hasakarau, even the Mayuri god, doesn't have that part. There is a hindsight that we are using the good intentions of the goddess thoughtfully.

"Hmm... Speaking of which, you are not afraid of God, you were the enemy of God"

"Ha... hi"

Whereas it seemed like something interesting to see in Mayuri God, Setsuna did not know how to react and clouded her words. Then Mayuri God narrowed his eyes and untied the arms he was putting together.

"It's Setuna. Guardian of the Wand of the Dark Spear. I'll ask you."

The goddess stares extremely chilly.

"How does it feel to be a god killer?"

Soon the cold, shining golden eyes gave Setuna some tension. For there has been little before, such as the Mayuri God throwing such truly imminent questions.

Mayuri God was no longer positioned like one of his dear companions to the Setunas.