Armed Summoners - Black Spears and the Brave Men of the Other World

"Hey -"

Setuna covered her eyes with one hand and tried to stop Faria with the other. but the raised right hand is lightly enveloped in her hand. It was a gentle, but powerful force. It's impossible to lose to Faria in arm strength, but Setsuna is not in a position to do all she can right now. I've seen Faria's, heavily asserted chest.

It is the false Phalia who is now in front of us and is covered in Setuna. I know that. But even if you understand with your heart, your eyes and ears recognize you as Faria, and your brain is so deceived. Whatever you think, it was Faria herself, and whatever you hear, it's Faria's voice. It's just not as calm as usual, it's even a sweet, swinging voice, a facial expression, but imaginary faria might have looked like that.

"Don't wait this time of year. Let me wait until now."

Faria laughs and grudges. It's not a wind of serious resentment and anger, but the tub towel that slipped across Setuna's hips as it were, and the power to keep Setuna's right hand on the bunk is real. And also peel your left hand off Setuna's face. Then Pharia's nudity jumped into his sight and he closed his lid tightly unexpectedly. Darkness arises in front of us, but white nudity emerges in that darkness, and we have to assume that it is rather counterproductive. Most of all, that's why I opened my eyelid, and the situation is worse, so I can't bear to end it. Her limbs floating behind her lid are more smooth.

Faria et al., but should it be a response that Setuna is looking for somewhere in Faria? Either way, the false man said the faria of aggressive attitude was extremely exciting for Setuna, and so sweet and sensual that she wanted to keep her body and mind even for a moment. The smell of perfume full of the nasal cavity exerts more intense power with Faria in front of him.

This is the test, okay? But I can't imagine what to do at all.

If it's a simple trial, there's a solution that says you can just shoot the false Pharia. But then there was no chance that we could break into Setuna without fine dust. Even if you know you're a phony, you can't hurt Faria. That once proved itself when confronted with a phantom in an underground ruin. It doesn't have to be Faria.

If you have to hurt and kill the ones you love, you better die.

Even if it wasn't in person.

That's all I can do.

(Turn it off)

"Even if that kind of sweetness causes the worst?

Unexpectedly, with Faria and other words leaking out of the mouth of the impostor, Setuna finally regained herself. I guess it's what you said when you read inside this mind, and I know what the intent is. Questions to distress Setuna. However, for Setuna today, there is more important than such a question, and with the emergence of a solution to that serious event, he acted in disregard of the intent of the question, etc.

Unshake the restraints on both arms by the impostor with only his arm strength and jump off with only the spring of his body. Then a naked woman, who was spanning Setuna's hips, was about to roll off the sleeping table, but when he held her with both arms, he stared back at her full of surprises.

"But I can't."

Look and tell Faria about the beautiful appearance as it is. And when I got the imposter down to his bunk, he immediately left the scene. Head to the front door so you can escape, put on your shoes, and go outside. In the meantime, I was in the mood to clap it out a little, without the impostor coming after me, but in the next moment, another surprise awaited me.

What the hell happened?

Setuna realised that the lift was waiting in front of the room and was flashed. I remember being walked for quite a while from being unloaded on the one hundred and eleventh floor until I reached room one. In the first place, room one was on the edge of a curved passage. There should be a passage in front of the room, and there can't be a lift or anything. What's more, the passage was not forward, but stretched left and right.

The lift door opens.

Get in, I guess.

(I mean, is that okay?

I just ran away from Falia's imposter, but I guess that's the right answer?

So if it's the right answer, there's nothing to it, and I didn't want to be confronted with any more Pharia impostors as Setuna, but I kind of didn't interpret it. Unanimously, get in the lift. I don't even have time to roam there. We have to get in. Otherwise, the trial will not be over.

The lift door closes and the lift begins.

Floating and acceleration envelop Setuna's consciousness.

(What floor is next?

And then who is the phony waiting for him?

Setsuna was no longer vaguely but about to know what this trial was like. Can we defeat the temptation by the imposters of one of Setuna's beloved ones, or no?

I don't know if that's really right. But I just thought so. No, it's not surprising that another trial awaited us altogether beyond this, but all the final trials so far have been consistent. Perhaps the same thing awaits you upstairs.

Eventually, the surge subsided and the electric light display plate of the lift was marked as two hundred twenty-second floor.

(One hundred and eleven followed by two hundred and twenty-two...)

If there were to be an even higher floor, would it continue with three hundred and thirty-three and four hundred and forty-four?

(Ultimately, six hundred and sixty-six... seven hundred and seventy-seven maybe)

Lucky seven on the numbers of the beast.

Given the fact that it is the final trial of hell, would the number of beasts make the six hundred and sixty-sixth floor the final point?

Because five more fakers are coming out.

(... there are five more like that?)

Setsuna felt depressed. It's not something I've figured out who's going to attack me in any way, and it just makes me uncomfortable to imagine. If it's in person, fine. No matter how much, I don't care how you attack me. But he's a phony. It's bad for him because where he has nothing to do with him, a phony just like him makes him look naked and seduces Setuna. And to the Lord of trials that hurt their dignity that way, it would be human beings who would want to show it to their eyes as well.

When the elevator door opens, two hundred and twenty-two passages jump into view. The first thing I notice is that the colors of floors, walls, and ceilings vary from one hundred and eleventh floor to another. It's not even warm. The walls are water-colored and have a waterball pattern. No, if you look closely, it was more like a blister than a waterball pattern. The floor is deep blue. The ceiling is even lighter in water. It creates an atmosphere that's like being underwater, or what?

(So what's the story?)

The atmosphere of the hierarchy and the irrelevance to the person waiting in the room are the paths passed by the falsifiers of Faria. It would be barren to imagine who would be waiting from the state of the hierarchy.

The passage is on the same path as the one hundred and eleventh floor. All you have to do is follow the path illuminated by the fluorescent lights installed on the ceiling. It's just that, nothing more or less. However, there was a clear difference from the one hundred and eleventh floor.

That meant that the overall structure of the hierarchy was complicated, and compared to the one hundred and eleventh floor, which was almost the main road, the two hundred and twenty-second floor had to make a right turn left over and over again. It's like a maze, but I don't know what this structure means.

Eventually, when we reached the long and long passage, there was a door at the poke. The blue door is marked room one. I guess all the phonies are waiting in room one on each level.