Assassin Farmer

Today's residential yard, when I first bought it, changed its appearance.

In the distance, black tiles, white walls, bricks, red columns, clear colors, and bright.

Face the village road with two open courtyard doors, with two lanterns hanging from the eaves.

The courtyard wall is a round tall Namgi fence, neat and clean.

Entering the courtyard door, except under the tall cherry tree on the right side of the courtyard, a tree bed was wrapped in crushed bricks, a double backrest wooden chair facing the sun. On the other side, a two-metre wide, five-metre long flower garden was built against the courtyard wall and planted with a variety of unusual flowers. The rest of the open space is bricked, clean and almost free of dust.

Two levels of brick steps were added one metre from the main house.

The three main rooms now have their own features and are well divided.

In the middle is the house. As soon as he entered the north door of the house, he saw a large kang of four people lying just east of the west wall. The kang was centered in a large case with a large drawer in red. In the case of a ceramic large fruit plate with white vegetarian flowers, the plate was filled with peanuts, melons, dry dates and other dried fruits. Behind the seats on both sides of the case, a slip of smoke leaned against the four embroidered pillows in red soled gold wire.

The southern head of the kang, erected with a cabinet without doors, more than a dozen large and small kangaroos, display ornaments that are extremely difficult to see in the farmyard. Wood carvings, root carvings, porcelain, for example, are not expensive, but are of little use to farmers, except for their good looks. And these, Su Shuiju walked around the house for a day to get the baby, cost her a tael of silver.

There is a recliner on the side of the cabinet against the wall, with a thin cotton pad embroidered in red gold. And the pillows are just as interesting as the furniture made by the bloodsuckers.

The lower head of the kang, against the east wall, a pair of armrest large chairs on both sides, left and right, with a pair of tea tables with lids in the middle of the chair.

The double open wooden door facing south of the hall was wide open and the sun poured into it, throwing it on an unusually clean silo cabinet on the wiping floor, forming a brilliantly colorful halo.

The cabin on the east side of the house is now a bedroom. Inside is clear chicken wingwood furniture.

A two-metre wide trekking bed facing north and south. The bed has been covered with a fine cotton yarn of white purple blossoms, loosely hooked by two woods. A short cabinet with drawers on each side of the bed door, each containing two people's underwear and socks. On the floor in front of the bed between the short cabinets rests a palm-high floor.

The window position behind the bed is a two-pole clothing rack with high and low misses, a bench, and a purple soled cotton curtain that separates it quietly from the rest of the room for the corresponding fun of the furniture. Here, it turns out, is a simple dressing room.

To the south of the queen bed, against the east wall is a large five-bucket cabinet with a person height and a three-door wardrobe with a pull-up shoe cabinet.

Against the walls of the hall, the queen bed is headed south in turn a set of three stacked overcoat boxes, one large open blanket with a height of more than one person. This is followed by a door to the hall with tonal floral curtains hanging over the door. A wooden hook is pulled from one side.

Under the south window of the bedroom, there is a large dresser with different sized drawers and several pieces of jewellery, rouge and powder. An oval brass mirror on the dresser is enough to reveal the figure.

On the right side of the dresser, not far from the bedroom door, is the south corner of a two-storey flower stand. There is a basin of five-headed golden daisies on the lower shelf and a basin of watery daffodils on the upper shelf.

On an empty floor in the middle of the bedroom, a one-legged round table surrounded by four stools with a finely vine-woven fruit tray, covered with floral liners and filled with pastries and sweets.

The studio and embroidery are now the rooms to the west of the house.

Leaning north under the windowsill is a large multi-purpose embroidery, which Su Shuiju painted the drawings for the carpenter to build. It's her future embroidery tool. Half-height, two-metre long short cabinets with rows against the wall on each side of the embroidery stand. It is separated into several plaids that can be placed with various embroidered needles, embroidered threads and shredded strips. A neat cloth can be placed on the cabinet.

Lean against the south window, it is a large desk with drawers, a large armchair in front of the desk and a soft cushion embroidered with thin red gold wire. Of course, there is also a thick same style cushion that is tucked away in the cabinet by Su Shui and can be replaced when the weather turns cold.

A large belly pen holder on the table, one side yarn table, a maid's bottle with a rounded belly neck, filled with several golden laurels, dark incense arrays, diffuse the whole room.

On the left side of the desk, against the corner of the wall, stands a large porcelain cartridge containing two volumes of ink that have already completed most of the painting, which Su Shuijuan intends to embroider on his winter clothes.

On the right side of the desk, against the wall stands a large bookcase, and now the upper floors are neatly lined with skill books such as farming, farming and cooking. The lower three or two layers set aside several geographic and exotic visions of the Great Benefit Country.

Well, when I was walking around the book, Su Shuiju just wanted to buy some farming book information. I couldn't help but itch to find a few books about the local geography and exoticism. Who let her read books like this that talk about exotic styles, exotic specialties, exotic things, foreign object chatter, etc.? Three taels of silver went out in white again. Luckily, Lin Shiyao never said anything about her, as if she was not spending money. In the end, she's the one who paid for it, and she's the one who hurts.

The studio and embroidered two windows, the north and south, and the door to the hall, draped not like the powdered purple-bottomed cotton curtain in the bedroom, but rather a curtain woven from vine grass. Curtains are thicker and more textured than cloth curtains, but since vine grass is after all rougher than cotton, it is not suitable for bedrooms.

Outside the three main rooms, by the west fence, there is also an earroom, now their kitchen and dining room. Although it is an ear chamber, it is also a small area.

The stove by the north window is rebuilt and the fresh white blank is refreshing. Next to the counter is a separate cupboard with two upper and lower floors. You can place some basin buckets and bottle jars for dish selection on the lower level, and the upper layer is specifically designed to hold dishes and chopsticks.

Su Shuijuan picked a set of 48 sets of six-person dish spoons that imitated blue-colored porcelain. The wooden spoons and chopsticks were carved from Nanwood herself. At first, only two sets were carved. Then, think about what if a guest came to eat. So, four more sets were added. The chopsticks are carved in clear orchids with a lovely mushroom head. The spoon of the wooden spoon is inhabited by a yellowbird on the branches, and the spoon is thin to wide until the top is a well-textured flat leaf.

As for the two pairs of chopstick wooden spoons brought back from the mountain forest, they became the exclusive dishes of the two wolves. And the big bowls they will eat in the future are the two Nanmi soup bowls that Su Shuiju asked Feng Lao Liu to help fight.

The dining table is set under the south window. The tables in all four directions stand against the windows, with two pairs of chairs with backrest and no armrest tucked under the table. The chair is also lined with a thin, tonal cushion. Of course, six of these chairs were played in case there were guests, and the other four were temporarily tucked away in the dressing room corner of the bedroom.

Insert a goose moon season in a mini neck bottle on the table.

By the wall between the dining table and the stove, there is a short cabinet with various ingredients such as seasonings, flour, eggs, etc. Several cane braided fruit baskets of varying sizes are placed on top of the cabinet.

Next to the short cabinet is a basin rack that holds five or six basins of size and a cloth rack that hangs four cloth towels. Against the corner of the wall lay a large bathtub. It must be for the bath.

Walking out the south door of the kitchen is a winding brick trail that merges into a one-meter wide path in the center of the front yard to continue south to the riverbank.

The front yard is roughly four full sized rooms and two full heads. It is now separated into four functions by Lin Shiyao.

The kitchen came out about four or five meters, next to the west courtyard wall, and built a western cabinet, surrounded by a circle of green green bamboo. The uninformed say this is a resting place. Because of the fear of rain, no windows were set, but a small window was opened on the wooden door that could be closed. Usually the small windows were open for easy ventilation and closed when used. Inside is a sophisticated, low and comfortable large leaking toilet that leads directly to a swamp pool dug deep underground. This is Su Shuihui's reminiscence of Su's bathroom. It was proposed in a tentative manner. As a result, the mudspeakers said to make it work. The swamp pool is staggered with two large, thick slabs of stone, which can also be opened to fertilize the swamp inside.

The cabinet is small, and after removing the toilet in the middle, there is a small cabinet with grass paper in the front corner. The other corner holds a drying rack made of bamboo.

Originally, in the meaning of Su Shuiju, I wanted to leave the bathtub here as well. Turn this council into a bathroom entirely, but given the hassle of lifting hot water, I gave up. The sophisticated kitchen is also small, with plenty of space for bathing. Xiaoxi is further south, a square of two meters apart, and now the peppery vegetable area is the tall and full palm tree. Beneath the palm trees, a circle of crushed bricks was also built around the sides. At the south end of the palm tree, in the sun, rests a bench that is no different from the cherry tree in the backyard. In front of the bench is an empty area for a brick shop on one side, enough to put down the large mattress bed. The intention of Simon Lin is for Su to lie here in the sun during the winter.

The southeast courtyard walls are lined up with two chicken duck houses surrounded by a small, half-person fence, where you can buy chicken ducks to keep after spring. There will also be more egg dishes on the table in the future.

The remaining open space in the front yard is five vegetable gardens separated by brick trails.

In the three closest vegetables to the hall house and kitchen, potatoes, radishes and other stalk vegetables that can be eaten in winter are planted from east to west, green vegetables , cabbage, cabbage and other leafy vegetables, onions, ginger, garlic and other seasoning ingredients.

Two larger vegetable gardens to the south are now empty. I intend to see what combs are suitable for next winter's season.

At the end of the brick trail is that big, clear river behind the house.

Due to the vicinity of the southwestern part of the village road, apart from this one-of-a-kind residential yard now bought by Su Shuiju, it is either empty field or wild grass. Therefore, Lin Shiyao only set a few small traps along the fence. Inside the fence, a circle of seven-litre scents with deworming properties was planted from the foot of Xiu Feng.

Across the fenced courtyard gate, River Wharf is a large step of five or six stone slabs, flat and refreshing. On the shore of the wharf, a large slab of stone was also erected, with laundry hammers, wood brushes and soap pods under the slab.

The land on the shore is also small. After taking up a small half area by the plum pile designed by Lin Shiyao, it is more than enough to hang clothes on bamboo hangers for drying.

Lin Shiyao also built a vine rack on a narrow road between the kitchen and the western fence, planting two black and purple vines that had been moved from the Great Room Mountain. If there had been no accident, grapes would have been eaten next summer.

On the north side of the vineyard, a large water tank was placed, usually filled with water from the river, for the convenience of rice and vegetable washing. In the case of rainy weather, the roof flowed along the tiles into the large tank to accumulate rainwater, thereby reducing the pressure of the rain screen on the doors and windows.

There is also a large bluestone plate next to the large water tank for easy selection of dishes and washing of dishes.

On an open space of about three meters between the bedroom and the eastern fence, Lin Shiyao intends to give two wolves a home. However, the livable cabin built by Feng Lao Liu has not yet been completed. Must have to wait until the day of the move to get it.

Thus, the purchase of industry, the renovation of houses, the construction of furniture, the decoration of ornaments… the series came down, Su Shui counted, and spent a total of 31 taels of silver. That's not even the biggest lumber bill yet. In two days' time, we will settle the boarding fees for the past month with the inn, and it is estimated that there are only fifteen taels left. So come on, this silver is really unflowered.