At the end of a metastasis that fell into a rift in dimension.

"Tallow, are you free today?

After the black experiment, Mr. Arne asked me.

I don't have anything else to do and I'm free, but what's wrong?

"Yeah, I don't have any plans."

"Well, then follow me a little. Inai, I'm borrowing Tallow!

"Aiyi"

When I hear my reply, Mr. Arne says he's taking me to Inai. Inai replies while taking care of Kroto, not looking at this one. I just miss you a little bit.

Thinking of it that way, Mr. Arne left me and walked out, so I follow him in a hurry.

Mr. Arne, you must be a big step wide. It's good because I'm not the one walking early.

I walk normally and they leave me.

"Tallow, have you struck your sword lately?

"Oh, no, you haven't had a chance like that lately."

"I guess. If you didn't go to work, you wouldn't have the opportunity to hit it on the go."

In fact, I haven't struck a sword since I left the Tree Sea.

By the time I got out, I could make a lot of stuff, but it's really quite a lot of stuff.

To the extent that it can only be used as a real product. Compared to this sword Mr. Arne gave me, it's just an iron stick.

"It's about you. You wouldn't be in a place where access is forbidden, would you?

"Well, you can't go in there."

"Well, I guess so. That's who you are."

What kind of guy is he? 'Cause I'm not an outsider.

I can't tell you that because I'm Inai's fiancée on the boulder, or something like that.

Besides, the knights are packed in the off-limits, and they're usually stopped. There's no reason to break in there.

"Haha, don't look weird. Not in a bad way."

"Huh."

Follow Mr. Arne in a smoke-wrapped mood, use the transfer device and head to the back of the castle.

I've walked around here before, but the knight stopped me and I've never been any deeper.

"Coming through."

"Ha!"

Mr. Arne speaks to the knight and goes on and on.

The knight bowed his head lightly and looked at me for a moment, but he let me in without saying anything in particular.

I'm here about Mr. Arne, so I wonder if it's a good idea.

"Me, can I come in?

"It doesn't matter. There's no such thing as confidentiality here. Armory and blacksmith. Because it's dangerous, I'm just trying to keep you out of it, except for the people involved."

Oh, I see, you know what? When I came here before, I took Kroto and Cigal, and maybe they thought I was in danger with the kids.

And there's a blacksmith in the castle naturally, I knew it. I thought there was a factory.

I think this castle is absolutely crazy.

Mr. Arne walks straight to the deepest end and opens the doors to the end.

I thought it was hot on the way, but when I opened it, more heat came out.

Wow, wow. Damn wide. There are many furnaces.

I wonder if they're all blacksmiths here. He's sweating on his forehead, making and processing swords.

People who seem to be taking a break will bow their heads when they realize Mr. Arne is there, but no one at work will look at this one. I'm totally focused on what's in front of me.

I think someone on break is paying some attention. I guess it's because Mr. Arne brought me here.

"That's amazing..."

"Ha ha. You'd look like an idiot. Making something like this in a castle is normal."

Mr. Arne said with a laugh as he looked at the sight of what he called a silly big blacksmith in the castle more frightened than at the factory.

I mean, Mr. Arne can say that.

"Well, Tallow, you're probably blunt about it. You can use whatever you want for now. Bring it if you think you've done it right."

"Uh, could it be a test"

"I taught you the corner. Looks like the others are doing some tests, and I thought I'd give it a shot. It's a punch."

Speaking of which, didn't you get any particular pass or fail regarding the blacksmith?

When I showed him what I had done, he just told me to swing it outside.

But somehow, I know when I use it. Oh, I can't do this.

Well, I don't have a problem with being a good user. When I gave Mr. Lynn my useless sword, he usually tore the demon apart.

"The furnace in the back is empty, so you should use that one. I'm gonna take a look at some of my disciples."

"Oh, yes."

I knew it, but you're still left alone, this guy. No, that's good because it's easy.

The blacksmith routine ended up working hard after doing this.

Um, I don't know what to do. Hit it normally or even cut it out?

I mean, which ingredients should I use? I wonder if I can use it because it is already processed.

But it might be something someone would use, or should I use a chunk over there?

When it does, I have to heat it up and then break it.

I don't know what to make. If it's just a Western sword, it's easy to process it.

You just have to accompany it in its proper form. You can either just pour it into the mould, or you can just make a damn big shaped object and then beat it up properly.

Heat it in a furnace that's not too hot, like a Japanese knife, and you don't need to beat it again and again. It's a mistake.

Well, that's because there was no good metal in Japan.

Some of the metals here are of good quality, so there doesn't seem to be much need to refine them, but I don't know what to do.

But I'm not sure I can make something as beautiful as Japanese swordmaking.

Hit him straight and turn him into a Western sword, excluding impurities?

If it's for ritual or something, I'd like to flush it into a mold. Try to be practical, then.

Damn brittle stuff is all you can do.

No, the ingredients are good, and I have to do something appropriate to cool the itinerary. I can be practical.

I can't help worrying about it, do I make it for now? Let me use the processed one. If you get angry, help after the machining operation.

Grab something just the right size and take it to the furnace. It is of course reinforced because it is heavy.

I can't hold a hammer or anything even while I'm still vegan, but it enhances to such an extent that I can hold it with one hand to make it a little cleaner.

A little would be nice, but when I do it alone, my arms are shaking step by step...

Oh, yeah. Good idea. It was like a hitter for blacksmiths in a video I used to watch, and I wonder if I could make that one.

It's going to be something different than what you can do by hand, but it's going to be a lot easier to make mass-produced processed products.

Anyway, I don't have anything like that right now, so I'll have to work on it alone.

"Over there..."

When I do it a while back, I feel so hot. Long time no see, this feeling.

Take out the heated gold and hammer it. Take the skin membrane made when heated, then beat it with a water wet hammer

Afterwards, it is appropriately cut to the size that can be placed on the basketball table. It was a hassle, so I reinforced the tools and was forced to cut them.

Put it in the furnace again and let it heat red. Hot.

Remove the heated object and boil. It's a lot easier when you can enhance both fairy and sorcery at times like this. The force of the vegetables isn't enough pressure.

After a little beating, apply the adhesive, heat again, and now add the flame.

This addition or subtraction is honestly difficult. Even when I asked Arne, I started to tell him to give it somewhere I thought it would be good.

That guy, he tells me carefully about itineraries and stuff, and he shows me many times, but he tells me to remember myself where I need timing.

Take it out once in the right place, beat it again, ash it and set it on fire again.

Make sure it's completely stuck before you start working out - all the time.

I think I need this work guts. It's not like you do it alone, is it?

No, I'm sure some people do it alone.

Add a slice of the fold and gently sprinkle the water.

After beating with care, add the adhesive material again to the furnace.

Yeah, you surprisingly remember it right.

"Uh, I'm getting tired"

How many times now? I think it must have been about 15 times.

It's about half way there, and I think maybe that's enough.

End of core iron -. I'm tired.

So the task is to remove as much impurities inside as you can by reboiling it over and over again, creating something of good quality... but I hit it and realized it was of quality that I didn't need to work so hard on - this.

But, well, I've done this far, and I'll do it to the end.

"Uh, next time, it's the same job."

I have to make a leather iron. It's another paperwork...

"Uh, I finally did"

Roll up the fabricated iron to see if there is any swelling. When you're done looking at it, tap the core iron one more time to adjust.

Now wrap the core in skin and start building. The point is just heat it up and wrap it up. But this time, wrap the whole thing up.

Put this in the fire again and again to beat and stretch it so that it sticks exactly too. Beware of forgetting to attach the adhesive material, all the time.

Hmm, but this is a completely Japanese knife making process. Well, the size of the first gold I used is big, so it's not a Japanese knife, no matter what.

Unlike just a normal moulded Western sword, the core absorbs shock, so it should be very different.

I don't need blade iron. I'm making something that doesn't matter if I spill a little blade.

Because it's not a Japanese knife, you don't even need a building iron.

I mean, if I'd done that, it'd take me a couple of days.

Make sure the joints are completely ready. Stretch it.

While pouring water, make it sticky. I guess it's a little big to say stick. It's not entirely a Japanese sword, it's a Western sword.

In the meantime, when you get a good size, disconnect it from the tempura and make a neutron. It's the part where you put it in the pattern.

When I get here, I add and subtract strength well and take the unevenness. Even if you don't want to make a beautiful Japanese knife, the distortion is not cool.

Heat, beat with a hammer on water and adjust. Repeat this over and over again.

When shaped, cut tips and apply to water and cook in. Yeah, it doesn't feel bad.

Cut it in reverse direction as well, cut it to a tip like a western knife, and sharpen it with a sledge.

He then heats it up again and beats it with a watered hammer to shape it.

Originally one blade is made on both sides. Yeah, it's a complete hobby weapon.

It's easy just to get the cuts done.

In the meantime, we need to make sure there's no bending and twisting. It's not a Japanese knife, so it's easy not to have to invert it.

In the meantime, when the adjustment is complete, scrape the oxidizing parts of the surface before baking.

I'm having a hard time with this work.

Once you have finished sharpening, before the final finish, enter the task of putting soil on the blade, called soil removal.

The task is to add soil with clay, charcoal and grinding wheels. Did you put baked blade soil on it?

And when that's over, it's finally baked in.

Well, it helps being this furnace here, doesn't it? Because you are free to change the temperature of the furnace.

Heat the blade by raising it to an optimal temperature for baking.

I think this will most likely fail. You have to heat it up beautifully.

For all the work you've done so far, it's ruined if you fail.

"Yo."

Apply to water where I thought it would be around here and cool rapidly. Make sure it's cold enough to pull it up and watch for any failures.

Yeah, the status quo doesn't seem to be a problem.

"... don't even tell the boulders to blacksmith."

If they even told me to do the grinding work, I wouldn't end up with a boulder in one day.

No, I'm not making it with the intent of a beautiful Japanese sword, so if you work hard, I'm confident I'll do it in one more day.

"Well no, for now, Mr. Arne... whoa!?

I looked around to give it to Mr. Arne and was surprised.

I didn't realize it at all, but it was tearing me apart.

Mr. Arne was there at last.

"Hmm."

Mr. Arne takes a serious look at something like a sword that I don't understand very well.

Oh, I'm willing to judge you at this point. Good, I was wondering what I would do if they told me to go home and do some grinding.

"Hit it, stretch it, bake it in, wasn't it enough?

"Uh, no, let's make it right for the test anyway."

"I see."

Uh, could it have been easier after all?

But anyway, I wanted to do it when I wanted to. It's been a long time, so I was wondering if you'd forgotten.

"Pass. This would be a good enough use."

"Thank you"

We did it. It's worth the hard work.

"But do the grinding anyway."

"... Yes, starting now?

"Hmm, is there something wrong?

No, you know, I'm already working all day at this point. I think it's probably dark outside.

... I can't help it, do it.

I wish I could have beaten and stretched this normally.