"Even though I say teaching, I can't say anything because I do it in a 100% way, too"

"That means you're doing it with a hundred par feel, right?

"Say yes"

"Good luck and linguize"

"Skna can do it"

Don't give up.

"Good luck for everyone."

Though, I really can do it all with my senses.

Um, what's the matter?

"On second thought, you've never even shown it properly."

"Sure, I always suddenly did, so I never really saw it as serious."

"I want something good... yes, Mr. Himiko"

"What?

"Can you be a little more targeted?

"I don't like it!?

Mr. Himiko, who heard my suggestion, if it was a comic book, Gunn! and I was so surprised that the sound effects seemed to follow.

"Too Harsh for Grass"

"Too Ruthless"

'I'm trying to be relentless...'

"Oh, I'm sorry. I put it the wrong way. Why don't you keep your focus for a second?

"Oh, that's good... no, it's not good. Just in case it comes off, the one who stabs me."

"It's okay, 'cause I'll never take it off"

"I like the confident squirt... Fine, I'll have a washer. But don't hit me, okay?

I'll take care of that.

While thanking Himiko for agreeing to this, I manipulate the menu card.

To retrieve it for use in throwing.

"By the way, what are you replacing the target with?

"For now, it's for throwing practice, so let's do it."

"Where did you get that?"

"Item exchange for the event. Look, I collected 240,000 shards, didn't I? I exchanged a few items after the event that I thought I could use something. Still, I still have more than half the shards left."

I really swapped a lot of items. There are enough items to fill half the inventory neatly.

One of the rarities was an item of the type "Skills Tutorial Item".

As the name suggests, it was a practice item used in a tutorial of skills that could be taken in the city of the beginning, all of which could be redeemed for fewer shards.

For example, there were curly straws for slaughter-based skills, magic kayamako (kakashi), and one of them was intended for throwing.

I don't know if there is any demand, but I could replace it with about 30 shards. I guess there are as few users of throwing skills as ever.

"Ha-ha-ha... I did tell you that with 30,000 pieces, you can exchange items for one street. I didn't just ask because I couldn't attend the Washi event."

"Oh... this was a city-only event with numbers"

Mr. Himiko has been coming into the ghost house since before the event and has not been out of this house since during the event.

Since the gates leading to that different space were opened exclusively in six cities, from the city of beginnings to the sixth city, I guess Himiko naturally could not attend the event.

It's hard to pursue because it's obvious, but to be honest, she should have wanted to attend the event, too.

It is not clear to me why Mr. Himiko wanted to come inside a ghost man far beyond the proper level.

And there's still a reason I can't get out of here.

Just like when you got here, you could ask a strong player to go home around the third city.

I don't think all the players who came will turn that down, and now I think I can do enough to send them to Griffith if asked to.

Maybe there's a reason.

There's no reason to stay out of this, it's strength or anything, there's a game reason.

For example, you're on a special quest that you can't accomplish without inside, or vice versa, you can't get out of the inside as long as you're on a quest?

Well, there's no point in thinking about that right now.

Himiko is playing this game the way Himiko wants to.

If you ask me for help, I'll take it easy. That's all I'm talking about.

"Then hold this."

"Quite an early day. It feels more like support than having it."

"Sure, maybe."

The size of the target I picked up mimicked a man about 170 centimeters.

Since you are loosely above me and Mr. Himiko's height, you may be more correct in saying that you will have your support.

It was heavy enough to carry it 20 meters away, and Mr. Himiko set his target on the ground.

"Oops! Bye!

"Thanks! Shall we get started then? For now, let's start by pulling out the steeple."

"Why the steeple with your first hand?

"The groin... forgive only the groin..."

No (merciless)

"See how you're doing."

"I don't hate celebrity style comments."

Because I'm ready, and I take about twenty throwing knives out of the inventory and roll them to the ground.

Because every time I use it, it's troublesome to take it out, and instantaneous decorations are now sealed and unusable.

"For now, if you want to shoot me through the groin, let's see."

Pick up about five knives that are falling to the ground, and then gently throw one of them.

The throwing knife is difficult to withstand air resistance compared to a sphere or something, so if it's about 20 meters away, it flies beautifully straight.

The knife I threw made a light noise and pierced the position of the model's groin.

"And here's the thing"

"Too Miserable"

'I said I forgive you!

"Terrible."

"Unforgivable Acts"

"I'm shooting out exactly. I'm so merciless."

"Hahaha, no, look... pretend"

Laughter spills inadvertently on the comments of the nasal cry.

Well, that position is where you don't want to be stabbed regardless of the man or woman.

But if they say it like that at that time, I want to go for it... don't you? It just felt like I was already told to go for it.

"So, if you want to pull out your eyeballs first, this is how you do it, if your throat is like this and your carotid artery is like this, and if your heart is like this, your uterus is here and your bladder is like this, your arms are good to aim behind your elbows, and it feels good to cut your wrists too, so this is how your legs stab deep into your thighs, the image of you hitting them harder in the handheld area than stabbing your tibia (shin) if you want to. And then you stab him in the tip of his limb, and it's over."

Throw a crisp throwing knife while explaining the area of stabbing.

It all poked beautifully at the spot where it was meant to be, or scraped through it.

"Huh, what do you think?

When I heard well and relieved, Mr. Himiko blued his face as he saw a knife poking at him with his face out of the back of the target.

"Hih..."

"Hih."

'It hits where I said it all...'

"I was just throwing a pale knife with no aim on it."

"Why Hit"

"Don't let the knife fly where you really thought it was going to be"

"It's fun to watch"

"Why are you so good at breaking the steeple?"

"We have to aim for another steeple, don't we? But when you start shooting through the steeple exactly, you can show it as a ball and let it protect the steeple and decide where else to go into that gap, right? If you're gonna hit it, you're gonna want the most efficient place to hit it."

"I see......"

"You're thinking pretty hard."

"Don't be fooled, you're absolutely unconscious."

'Cause it's a rapid-fire specialty. I can't help it.'

"I don't know, even FPS gets a headshot, right? The concept of a steeple is often the only thing on my mind in that game of hands, but if I'm going to poke at reality, it's one of the steeples where I can aim for blood loss and death, and I'd rather take my manoeuvre away, like I always do, or twitch and scrape than aim for a definite kill. Like poison or something."

The point is that as an eventual kill, as many means exist to get there.

A steep aim is more alarming in reality than anything else.

So, rare things don't get you in a blow to the steeple, and you can't let me in.

But like I just showed you, there are countless steeples in the human body, and I can't stop defending all of them.

And it's very easy to scratch someone desperate to protect the steeple. If you try to target the steeple for a second, they'll shelter you right away.

And in the meantime, all I have to do is gently stick a knife up your thigh.

Because all the painful animals can't move properly just by inserting one knife into their feet.

I can't inhibit behavior due to pain in this almost painless game, but if I crush the area properly, I can limit my behavior due to site defects and site destruction.

Looks like he's doing another different calculation on bleeding, so it's just hard to target bleeding damage with one throwing knife.

"Regarding the hit rate but... I don't think it's possible for everyone to guess as much as I do"

"Yes, it is."

'Cause I'm not looking that far. Heh heh heh.'

'About one trick!

"Yeah, that's it. Throwing skills have a handy art called shooting. This is an art where what you throw is not affected by wind or gravity, just flying straight. It's probably best for practice in the arts of throwing skills."

Throwing Skills, Shoot. As I explained, the knife is not affected by the wind, it does not fall by gravity, it is just an art that flies as it is at the speed and angle when thrown. The power increases slightly at once.

I personally consider the effect of flying straight in this straight line to be very powerful, although the range is not very effective if it is weak because it is proportional to the intensity when thrown.

Most importantly, there is almost no post-move rigidity in this arts. It can be said that there is no such thing as a degree of incapacity for continuous firing.

"It's basically something that throws and extends repetitive motion into the body." If you're at this distance, at this angle, at this strength, throw it on a form like this, and it'll reach you, "he said," and stain your body with even repetition. "

"Ugh."

"Hmm."

"With the chute, we can completely disable the effects of gravity and wind. If you don't even get the form wrong, you'll always be able to throw it in the same orbit. I might use some SP, but I hope I'll use the chute from practice."

"I'll be brief, but that's the hard one."

"But there's definitely something about flying straight for me."

"I didn't know because I didn't see throwing skills or anything at all"

"But shoots are early arts. Aren't we being concluded that throwing is useless after practicing what Skna is saying?

"Maybe that's true. But if you want to use it, you can use it, and if you give up that you can't use it, I guess that's fine. I have a lot of skills, so I think you can choose whatever you want to use."

To be honest, I just told him I figured out how to use the throw like this, and if he asked me if the listener would do it, he wouldn't.

If it doesn't come with at least one of the hit assist features, I think it remains a ps-dependent misadventure skill.

But I knew there were odd people who liked and used these unusual skills, and those people must be making an effort to hone their skills.

I offered myself how to work hard. Later I heard this. The person who did it or not, that's all.

"I'm sorry it wasn't very helpful, was it?

"Yeah, yeah."

"I'll give it a try for now"

"Out of the blue, seriously throwing."

"Mmm, try the more. It's fun to guess."

I'm back because I miss you.

"Oh, thanks for your help. What's the point, by the way?

"It disappeared. Probably a disposable item with durable settings. The knife was still there, so I recovered it."

"Thanks."

You missed me talking only to the listener, Mr. Himiko came back with a throwing knife.

Was the target a consuming item... Oh, it does say consuming item when I see the item description.

"I don't have much time anymore, and I was wondering if I could go around in the ghost people a little later"

"Then let me show you to a little teahouse! Tea's good over there."

"Wow, please"

Somehow, I knew I wasn't the right person to teach people things.

With that in mind, I only had a little tea with Mr. Himiko and logged out as I was.