Boundary Labyrinth and the Foreign Magician

You've shown me something nice.

"The music of the demon kingdom is also nice. I was drawn to a lot of narrative stuff.”

"Hmm. The singing and the playing were amazing."

Sheila nodded at me and Grace.

“When I was listening to everyone, I wanted to sing, too.”

"I'm tingling too!"

"When I saw the performance earlier, I came up with a new plan..."

And Irmhild, Yusuf, and Dominic are having a lot of fun. Looking at it, Marlene and Mom have been trying to find out.

The content of the performances of the rushes in the demon world was also greatly exhilarated by the appearance of the audience. The narrative content also developed according to the lyrics, and there was a pleasure like watching a play.

After the welcoming performance, it was moved to the underwater school and became a lecture place for scholars.

Moving underwater in a pumice elevator was also exciting. Is there a bit of attractive fun in an elevator that rotates a lot and moves underwater while changing direction?

Then move to the spacious lecture room, where

During the lecture, the lecturers at the Perezford Academy and scholars from various countries attended the lecture. The Albos-Spientas, the Papetiers, and the Cave Otters were in charge of the demon world.

It is a lecture that began as such... but it is not that if you think that lectures on history and culture become solid or professional.

This is the first time, and since there are many scholars other than professional scholars, it is a concept that is easy for everyone to understand. It was a result of coordination between the Runegard and the Demon Realm.

As for the lecture that began as a result, it was mainly about introducing the famous history of various places, introducing the interesting episodes behind it, folklore, and the culture seen from the heritage.

"When my grandmother was very young, there was a year when crops were historically inaccessible in the Kingdom of Verdogar."

It is the dean of the Peresford Academy who talks about it. Although he is a person with a soft atmosphere, he seems to be an excellent person as a scholar.

"At that time, King Veldgar, King Osniel, released the grain from the treasury so that the people would not starve at an early stage, and at the same time was ordered to procure large-scale food from the labyrinth. It was also encouraged, so the Knights, Magicians, Healing Magicians, and Adventurers formed a mixed team, and the scene of the busy central square in front of the day was recorded at that time. My grandmother also told me a nostalgic story.”

The dean tells such a story nostalgically.

King Osniel has been gathering information about the situation in other countries, and he has provided a lot of food to the neighboring countries to avoid the chaos caused by starvation. It was possible to surpass the national treasury's reserves in Japan alone, but it was an incentive to procure food from the labyrinth, including when looking outside the country.

It leaves the saying that it is unbearable to see the people starve in any country... but I think that such a policy and reign was the long-lasting peace of the Verdogar Kingdom. King Osniel is also a king who has been remembered as a king.

Other lectures include stories related to the founding of the nation and the famous kings and knights of the era. There are many variations in the stories connected to the cultures of various countries today, but there are also faces that are used to lecturing others, and every story is interesting.

It was interesting to hear stories about the subject of the Phantom Theater and episodes of people involved in the case I was involved in, like Sir Sandario of the Kingdom of Groufónica.

Irmhirt, Yusutia, and Dominic sang songs about the kingdom in between, and it was a casual and fun lecture.

I think it has become a really good place for exchanges, with questions about episodes that have been told between Lungard and the demon world, and stories that have become phantom plays.

That is how the place of exchange progressed. Since he is also an active scholar and researcher in various fields, this is also a place to introduce himself and acquire knowledge.

Rosetta and Lucille also introduced themselves as healing surgeons and doctors, so they got acquainted with colleagues from the demon kingdom and various countries.

If you get acquainted with them in this way, you can schedule a new meeting, decide the date of gathering in the virtual city, and exchange information and technology.

The actual entrance hall is also equipped with a message board that displays texts common to all countries. This is for public use and is intended to make it easier to meet up with the demon world even if you don't own a communication device.

Well, if the construction of dive spots in various countries progresses, those facilities will also be equipped with message boards to meet. Since it is a communication device for public use, it is good to use the technology established so far as a mechanism. Since it is not for personal use, it is necessary to keep the contract magic and precautions against abuse firmly in place.

Well, that's why future exchanges in the virtual city will be promoted between the parties.

The exchange on the first day is over, and the exchange sessions on the second and third days are well underway. The second day was related to craftsmanship and art, and the third day was related to watercourse races and musketeers while changing genres... well, the tension and high motivation of the participants should be noted.

You can scan and temporarily bring in items from outside, but the Dwarves and the Papetians revealed various weapons, armor, ornaments, artwork, furniture, and body parts in a virtual space according to their tastes.

In fact, it was handmade by the craftsmen, and all the pieces brought in are stunning.

"Oh! This is a flying sword!"

“The decoration is also stunning, but first of all it looks very complete as a weapon.”

"It's for the Gigas." I lost practicality and was disqualified as a weapon. I'm proud of its durability. "

This was a conversation between Godorov's master and Princess Elham, the Papetian weapon craftsman.

The detail of the decoration is the part that shows the craftsmanship, but it is also the practical aspect.

The dwarf craftsmen have a solid and luxurious temperament, but they are basically stoic to their skills, so they tend to investigate the finesse and splendor of the decoration. In short... the Papetians are very fond of me.

Godorov's master also shows his work with Viola and Princess Elham, and he is enthusiastically mixed with the Papetians.

Princess Elham's curved sword also attracted attention. Princess Elham's weapon is a tough blade with a complex mix of blade fringes, thanks to Baharzad's method of making it.

The Dwarfs, Papetians, and artisans from all over the world are delighted to see these items and the swords brought in from Hitaka.

Practical items such as weapon armor and magic props. Arts and crafts with practicality in mind. Looking at those items, Albos and Miriam also explained to me where the art flows from, who made them, when, and so on, and it was also interesting.

There are talks about technologies that have developed independently in each country, and works that are mutually influenced and incorporate technologies will also come out in the future.

Siglitta's paintings were also highly regarded. The ability to remember what you see, the talent to paint and the sense of colour are different things. If you are well-trained in the technical aspect, and you use your memory ability because you have tried and tested your color senses and observed them properly, you can see that it is a quiet siglitta that has been evaluated that way, but it looks happy.