Boundary Labyrinth and the Foreign Magician

The living room of your home, spread over your desk, is a shrunk model of the facilities around the square in front of the temple and the theatre you actually make. It is by earthly magic that we shape and work out our ideas.

"- So, if we put a white curtain in the back of the stage this way, we can change the background to some extent we like by shining light from the magic props there. For example, if you put a blue light on it and make it look like the sky or the bottom of the ocean, if you put a red light on it and it's a fire scene or a sunset."

In short, that's a Horizont curtain. As we think about stage devices, we are in discussion with Alfred and Viola.

"I just need you to split your ideas a little bit."

"That's funny"

Alfred and Viola are impressed, but unfortunately, because I'm not the one who thought of Horizont. We're going to create a theater of our choice anyway, so we're going to introduce knowledge on the planet's side.

"Yeah. But well, okay. Install bubbling magic props around here..."

"I wonder if it would be a good idea to put a wind magic magic magic prop and fly around it when it bubbles"

"Place light magic magic magic props above and below the stage and connect them to the circuit board on the stage sleeve..."

"So the circuit pulls onto the stage sleeve and makes the lighting operational in bulk there."

"Yes, yes."

"Stage sleeves don't change dramatically from their current shape, do they?

"Oh. Well, I'm going to"

"Then from a scale, I guess we can move on to creating real magic props soon."

"Then I'll replicate the model later and install it in the workshop."

With Alfred and Viola all kinds of things, oh and not like this, everyone peeks in with interest.

"This is the square in front of the temple, right?

"Yeah. This is the Adventurer's Guild, and that's part of the Temple. This is how you build a theater in an empty place around here."

So I touch the model of the theater I made in the free space.

Removing the roof of the building on the ground part so as to remove the lid reveals the internal structure.

Against the stage, the stair-style audience seats spread fan-shaped… well, it could be a common form of theater.

It is likely to damage the landscape if it is made into a very high building, so the stage and audience seats are made to a height equivalent to the first basement floor. We have terraces on the ground floor and upstairs so that VIPs can watch plays with escorts on the ground floor or upstairs, for example.

"After that, I have to put a satchel around the stage... well, this is the basic structure I'm going to do. What happens to the sound and the way it sounds?

"Mmm. Let me see. We play songs and plays from here, so the sound spreads..."

The serafina flies around looking at the internal structure and checks around from various angles.

"Yeah. I think it's good. I think it sounds good in every seat."

There are places around here that reference the structure of theaters and cinemas. Problems with acoustics.

"What is the seismic resistance or intensity?

"Mmm. Depends on the material...... isn't it ok?

"Well, I guess the area is actually being built."

Mallane has tilted her neck and looked at me, wondering if she cares about billboards drawn everywhere.

"It indicates the evacuation route if there is a fire. I've got a couple of passageways that allow me to go straight outside."

"When you look at it all the time, it's easy to understand. The painting."

Nod as Ashley was impressed. Even if you can't read the letters, it's intuitively easy to understand the painting.

"Explain it before the show, and you'll get away with it."

In short, it is an emergency exit guide. In general seats and VIP seats, they are made in such a way that they go outside from a crime prevention perspective.

"What's this before you go into the audience?

"Shops and kitchens. so we can sell food and drinks inside."

That's the kind of equipment that's in the cinema. There's a problem with who does what store... well, let's think about it later. It's going to be hot for the summer, and I think it might be good to have ice. Build an ice chamber in an empty space...... Yeah. I wonder if you can sell it out-of-the-box, shake ice. Don't worry about the fire.

"I want you to keep telling me if I've noticed anything else. I can reflect as much as I want now."

Remove the walls and ground of the model and look at the underground part as well. Stage sleeves, playhouse behind the scenes. Inlet for related parties, warehouse on material loading route. It's built underground, so the space is plentiful. Adjustments will be made with reference to everyone's opinions, such as whether the entrance should be wider, the ease of security and the ease of evacuation guidance, taking into account the convenience of actual use and the seismic resistance to the strength of the building.

"Looks like we'll be able to start construction soon."

"Uh...... I still have a problem."

As for architectural styles, you can make some matches if you refer to old buildings, such as being a temple or a royal castle.

The main problem is more detail... interior. Styles, ceilings, walls, floors, column decorations, etc., have been used as reference material to look at various books from the school building.

If it's magical architecture, you can fine-tune the decorations as much as you want, but the question arises as to how far you do it. It doesn't matter if you're too well-groomed, and it doesn't taste too simplistic. Too much decoration with Gotegote doesn't suit my taste either.

In short, I don't think it's easy to add or subtract.

Well, this is all I have the face for... and I'm going to try to figure out the extent to which I can't overdo it while listening to a lot of things.

"Evening."

As we were discussing it with everyone, Claudia also showed herself.

"Oh, in a good place"

"Is something wrong?

"We were just discussing what kind of structure to make the theater."

"Theatre...?

And, Claudia blinks.

"Dear Claudia, be sure. I'll make some tea now."

"Thank you, Grace. I'll help you, too."

Claudia is preparing her tea by smiling back at Grace. Yeah. She feels totally used to the house, too.

Where the two of them are back, Sheila explains to Claudia what's going on.

"The Illumhilts are having a concert next time"

"That kid's at the concert..."

"So, we talked about building a stage, and we're going to make it to the theater. I'm in the soundproofing room right now. The three of us, Justia and Dominic, are practicing."

I say by pointing to the door that leads to the newly built soundproofing room.

"I see...... I'm sorry to interrupt, but I'll let you join me."

Did Claudia grasp the situation? Closing her eyes and laughing calmly, she peeks into the model of the living room.

Claudia was an unexpected mouthpiece about architectural styles, decorations and interiors. I normally talk to Alfred and Ashley as they look at the material about how well decorated they are.

Hmm. Claudia is somehow sophisticated in her behavior of standing, but there's also a part of her knowledge that's close to the upper classes like royalty and nobility. It's a mystery.

Well anyway.... if this works I might be able to provide the residents of the labyrinth village with a place or a job outside as well. Whatever, the inhabitants of that village were proficient in instruments, songs, and dancing because of the part where entertainment was music. If that bothers you, I don't even think it's a dream to do a choral musical with a resident.

That said... I wonder if the residents of Labyrinth Village will not try to get out of that village inside, even if they know there is a place outside.

Not because I'm afraid of the outside, but because Claudia has been watching over them for a long time. There will be no such thing as her becoming lonely, and neither will they. This is how I go about the theater, too, but I think that's the most important thing to keep in mind.

"Oh, Master Claudia"

Did the practitioners get a paragraph, and the Illum Hilts come out of the soundproofing room?

"Is the practice going well?

"Yes, I think I can get more songs too"

I also rent scores and stuff from the school building. It's good to have a rich repertoire.

"This is the actual stage... what made it smaller"

That said, three demon daughters peek in like intrigued.

"You have a surprisingly high ceiling. I think I can sing while flying."

Dominic says.

"That might be a good idea. Combining the stage devices is going to be a good performance."

And the discussion goes on like that, staying up late at night. It's a lot of fun to get together like this and make something and come up with ideas.

My muscles have largely solidified. Later it looks like we could move on to architecture if we had a quantity of material that we would actually need. If we move on to the magical architecture process, we won't be long. Will you actually make detailed decorations with everyone locally?