As sundown approaches the opening time, each guest you were inviting begins to show up at the theater.

First of all, the fathers. Then Elliot and the others, who had joined their fathers, the face of Baron Sirn's territory, Old Siegmund, Valentina and the Marquis of Gilbolt, appear together.

My father and I are supposed to keep an apparent distance, so we decided to take the form of an invitation by Ashley and have him come in first.

Well, there's reconciliation behind it, and the heavy towns around King Melvin - I know that around Prime Minister Howard. King Melvin said that if someone were to try to take advantage of the circumstances around here, on the contrary, they would be able to use it to explore whether they had one thing in their belly or not.

"Thank you for inviting me today"

"No, thank you for your time."

I greet my father and Elliott and the Marquis Gilbolt family and exchange greetings. My father and I both greeted each other as they were liturgical, but he said with a soft grin as he passed through the entrance hall.

"Wow...... I heard it was Theo who built this theater..."

Dad groans as he looks around the theater entrance. Darryl and others have opened their mouths... but eventually they realized that they weren't very nice as heirs of the nobility, or they were shaking their little ones when they closed their mouths and floated their magical faces.

"The building is, isn't it? But it's also the result of working with a variety of people. Okay, come here."

Pass the fathers to the invitee's table. The most promising seats.

It is also possible that seating by the stage will become popular if the history of the theatre is also longer in the future, but by far it would be best to make seating the most suitable for spectators an inviting seat.

The popularity of the side of the stage is… there is talk that the aristocrats who want to sell their faces preferred the seats where the gaze from the audience goes during the show. But this is the story of the planet.

"Thank you, Theo"

"No."

Give a toast to your father.

"I'm going to take my time and have fun with everyone today"

"I look forward to seeing what Lord Theodore has in his hands."

"Right. The structure of the building makes it seem easier to spread the sound."

Elliot, Marquis Gilbolt, Old Siegmund and. Each one of them told me that.

Although my father and Marquis Gilbolt seem to be meeting for the first time, they seem to be exchanging words peacefully with each other about the theater's creation.

This is just what the lords call each other. It seems that a connection has been made between my father and the Marquis of Gilbolt for an indefinite period, but is it the appearance of the aristocracy that I should keep in touch with when I get the chance?

Elliott is also Elliott, and he seems to be joyfully bickering with Camilla, Donato, and Kennel. Old Siegmund and Valentina seem to be analyzing this and theater-equipped demonic props... soothing and medium good atmosphere.

... Well. This one will be fine now. The invitees are still here, so we head back to the entrance hall to welcome them.

With the guards of the knights, King Melvin and King Eberberberbert, Princess Stephania and Princess Adriana appeared.

"Oh, Theodore"

"Let's have some fun today"

And the moment I saw my face, King Melvin and King Eberberberbert broke up. Princess Stephania and Princess Adriana greet me quietly with a royal serene grin... even in front of the knights.

"I've been waiting for you. Please come this way."

This one also returns a greeting and leads you to the inviting table.

Opening the door leading from the entrance hall to the audience side, he leaked a voice that King Eberberberbert was impressed with as he passed inside.

"Is this... are you working out ideas to make the sound spread? I see."

"The same goes for magic architecture technology... wow. It was worth the patience of sightseeing."

"Isn't it?

"And after this, the hot springs. Wonderful."

The two princesses are exchanging words in a whispering but frank manner. From the side for that matter, the trick is of the upper class, so I think it has the middle season or the hall.

Then, the Temple officials who were taken care of when the Illum Hilts held the concert before. The Alliance officials also come into the theater.

"Good evening, Master Theodore. No, I've been looking forward to the day called today!

and it was Miriam who appeared with a full grin. Dwarf artisans are with us.

This is not my first performance either, so there is no stage greeting. The caveat is that the theater employees will be the first to stand on stage and read it out, and later the performance will begin if it is on time, so we plan to have the stage shown in the audience with everyone as it is.

At the end of the VIP entrance, nobles and guests invited by the nobles will also come in. Each arrives at a seat, followed by the general public. Some of them are Isabella, the bandit guild, and Dorothy, the daughter of the previous guild leader. When I noticed this one, he grinned lightly and gave me a meeting.

Looks like all the guests I invited this time showed their faces. The general passenger side was filled as soon as admission began.

"Hmm. It's crowded... but it's a good vibe. It floats to me."

Tefra, who sits in the guest seat, is somewhat in a pretty good mood. Maybe the audience's expectations for the performance are affecting it. In appreciating it, they decided to hide it in the hood because only the hair was slightly noticeable.

"Is it time? Looking forward to it."

The passenger seat is full and Grace asks where the door is closed.

"Right. Because before it starts, the light starts to fall off after you tell them the precautions."

"Could it have been an explanation for the emergency evacuation route and the start of the performance after the lights went off?"

Claudia asks.

"Yeah, that's what I talked about on stage before."

"You have a good reputation on the part of the performer, too, that one."

And, Rosemary.

Yes. I get it done every time as a promise...... because Dominic sang it out of the guest side at the first concert, and it seems to settle on the audience side early to be quiet when the lights fall. So they also like the performer side when it starts smoothly.

and that's where employees dressed in uniform appear on stage sleeves. At that point, the stirring became smaller and he was welcomed with applause. Mallane also applauds with a smile and a grin.

As employees walk to the center of the stage, they give thanks and precautions for having their feet taken to the theater with a voice that passes well after a gratuity.

That's how I finally thanked him again and went back to the stage sleeve to be dropped off by applause.

Not between, the lights in the audience are turned off one by one from the stage side. The audience's speech, which was still a little bit, is also rapidly dwindling.

That's how - since the theater was closed to darkness and silence, and left for a short while -.

The tone of the clawing harp slowly echoed in the audience from nowhere. Near the ceiling of the theatre, a blurry blue light wraps around and Justia of Seylane appears.

It's not a stage device, it's letting Justia herself use magic props. This makes the production slightly wider than before.

Justia in her dress floats as she is swayed between the waves with her gentle singing voice. That's the lullaby of Sai Lane and the others. Beautiful, wrapped around grains of bubbles and light while playing rustic tones, slowly dancing on the guest table.

Will its characteristics as a race make it so? It has the kind of mystery that pulls the audience into another world in an instant.

Singing and singing overlap. Illumhilt and Dominic. Coming down from the top of the stage in a motion that doesn't make you feel gravity, the three of them flutter off onto the stage. A loud applause just broke with the courtesy.

"Thank you for taking me to the Boundary Theatre. My name is Justia from Seylan."

And, for the audience, Justia rings her instrument and greets her. Dominic, Irmhilt and it followed, waiting for the applause to subside before the next song began.

Dominic's pleasant singing sounds as he dances through the air, and when it's over, Illumhilt's playing, fast-tempered songs that make him want to dance continue to boost the audience one after the other.

Stage of changing colors according to tunes in the Horizont curtain. Splashing grains of light. A swirl of brilliant bubbles.

Illumhilt and the others were practicing, new songs were also played. A repeater would have noticed a fine difference from the previous one.

And when the song was plugged to the end, it fitted - Irmhilt opened his mouth toward the audience.

"Today, I want to introduce you all to someone. This is my friend Sheila and Cyril."

That's what I'm saying. Sheila and Cyril come on stage when Illumhilt reaches out to the stage sleeve, and they're both dressed. Cyril is a dedicated costume to suit Centaur.

Sheila gratefully removes the silk cloth she had on stage. Drum set from under it. Carve a light rhythm instead of just saying hello. At first it carved out a regular rhythm, but gradually made changes to the pattern, and also tempered up gradually.

The sound of a drum that sounds like you want to move your neck vertically, echoing as the starkly flashing stick moves. Because solo means you can do whatever you want, or I can see you're doing it pretty norrinoli. Is it because you are clever on top of excellent reflex nerves, or because you are used to duplicitous flow?

When I put the golem pattern together and showed him a sample drum performance programmatically, he mastered it with fierce momentum. He was also quite motivated to play with Illumhilt.

I tempered to the point that I couldn't do it any more, then slowed it down gradually, and finally slapped the cymbal and opened my teasing mouth.

"It's Sheila. Greetings."

Sheila's doing just fine. The drum set will be released for the first time in Japan, but if it still looks that way, it will convey the high level of skill to people who don't know it.

A loud applause arose as if he had regained his mind from the audience who had been taken aback for a moment.

And Cyril brings bagpipes from the beginning.

Ringing his hooves as he plays a magnificent tone with a bug pipe, engraved with regular but powerful rhythms like marching from four legs. I guess this is also what is passed down to the labyrinth village. Feels pretty used to it.

The atmosphere changed considerably from earlier - there was a relaxing, somewhere sad air. Cyril's expression is calm and looks like she enjoys playing.

Cyril took a sigh of relief when the short but heavy song ended before saying hello.

"I say Cyril of Centaur. Best regards,"

Applause that happens again. Is this an orthodox, unlike that in the drum set?

That's how the five songs were played. That's the song that made us listen in the entertainment room.

Starting with a suppressed Sheila drum part, unlike earlier performances, everyone's instruments and singing overlap.

Mysterious and magnificent. The light that makes you feel the setting sun illuminates Horizont. Eventually the night book drops. Shining stars, floating moons - flowing meteors. The stage device spins out the scene at night as the song unfolds.

I just said I'm in a meeting... and the performances to the tune are pretty good. It is a magnificent song that deserves to be brought to the end.

Eventually, the song also welcomed the climax - as tightened with Sheila's drum part when it began.

The play is over. The rising audience applauded 10,000 lightning bolts. The royal group of invitees are also standing up and applauding. No.

The Illum Hilts come in a row, hand in hand, and greet the audience. The satchel that goes down. The applause that doesn't ring.

There was also an encore, four songs played by the three of us. One more song with Sheila and Cyril crossing. Now it was a light song that made me want to dance out. They say it's the result of an effort to get one more song somehow. Wouldn't the aftertaste of leaving the theater when this song was the last also leave a pleasant floating feeling?