Boundary Labyrinth and the Foreign Magician

Then we'll get started.

"Anytime."

Sitting in the center of a magic formation depicted in one of the shipyard facilities, Illumhilt takes a big, deep breath.

It is the Demon Stone extracted from the Lesser Demon that holds it in its hand. When Valentina unfolds the Magic Circle, the magic team shines in tandem, and the demonic stone held by Illumhilt turns into a bright purple glow.

"Mm-hmm, heh."

Serafina sings a nose song while sitting right on my shoulder. That's the song Illumhilt was playing before, this is it. Looks like I'm having some fun with my legs as patties, but it doesn't mean I'm playing something else... I'm in the middle of illuminating the sound straight and far. I'm taking the means of a nose song to make something continuously sound.

I am in the middle of feeling the magic movement with circular smell and describing it as a surgical ritual. Although various patterns are available to diffuse and concentrate.

Alfred nods when he sees the paper that wrote down the procedure.

"Yeah. I think this is enough when it comes to manipulating sound"

"Thank you Serafina"

"Yeah. It was fun."

Serafina leaves my shoulder when she smiles and jumps around the room.

"Well, shall we build Serafina's magic stone next?"

"Ugh."

Valentina calls me, and Serafina flies with the demon stone.

"So could it be my curse next?

And, illumhilt holds lute.

"Right. Because I'm going to do a circular smell while playing the curse and watch the magic flow."

"Yeah. I got it."

Illumhilt, who is unraveling the art of humanization, cleverly twists his body and takes Lute in his hand, coming all the way to me.

"Nice to meet you, Theodore."

Copy that.

and is gently wrapped around the tail of the illumhilt, as always. Slightly smooth feel. There is certainly something about the fact that the more area you are touching, the easier it is to understand the magic flow.

When you start circulating smell, Illumhilt plays a curse somewhere fun. Close your eyes and sense the magic movement. Write it down on paper.

Make it a Illumhilt song. Make it a Serafina nose song...... it has a soothing atmosphere that I don't think is the development of an acoustic cannon.

Okay. Let's continue building the interior of the airship when we're done writing the ritual.

"I don't know about this style of decoration around here..."

"I think it's good. You look good too."

Rosemary nods quietly.

We will expand the architectural relationship books and make the interior of the Sirius in consultation with everyone. Wood magic is used to process the wood, assemble the internal structure, and create detailed decorations and so on as interiors on the parts that can be made. process would be close to finishing.

"When the interior comes in, it's much more like that."

Ashley smiles when she sees what she can do, and Mallane is a decoration she can do - gently stroking the relief part of the wall.

"Sound cannons are almost there, but you don't need them for your wedding."

Claudia smiles brightly. There will be no problem with Baron Sirn's flight test. Elliot's preparations for the wedding and the construction of the airship, which was proceeding in parallel with the training of the Knights of the Enchantment, are also a big deal.

The internal structure of the hull part, with the exception of the bridge of the Sirius, has a four-story structure. Bottom line. Three floating devices made of Silvatoria to stick to the dragonbone at the bottom of the ship.

Locate the original Warwolf Stone, the power source, right under the bridge, in the center of the ship.

The four great demonic stones of Basilisk and Cocatrice and others are placed on all sides of the demonic stones of the Warwolf native species to carve and interlock the surgical ceremonies.

Based on the center, circuits were stretched throughout the ship to create internal structures as well. It also concentrates functions for ship manoeuvres and external monitors on the bridge just above. From the bridge, the transmission tube is stretched to allow for voice interaction with various locations.

The interior of the hull consists of a cabin in the aisle, a kitchen, a toilet and bath, a barn, a living space for flying dragons and ground dragons, etc…. The space available is limited, so we tried and missed to combine the puzzles, prioritizing functionality but also ensuring habitability wherever possible.

Well, it is an unavoidable part of it that chairs, tables, sleeping tables, etc. are fixed as one with floors and walls in order to assume a three-dimensional manoeuvre.

Travel to the bridge while finishing interiors all over the ship. It is inside a bridge with plenty of space. Large roundtable. We can also do operational meetings and prepare to deploy here. On the left and right walls, there are several voice-borne tubes out.

It's a step higher in the back, and when you climb a short staircase, that's the place for manoeuvres and external surveillance. Around the cockpit, Old Siegmund was inspecting the crystal plates.

"Good luck. How about this one?

"Hmm. Though I think it's easy to see Noh. I can see almost all the columns... and I wonder if I can do the art of passing the hull-riding place if I get used to maneuvering ships?

"I don't want to be too dangerous."

I laugh bitterly at Siegmund's old words.

The crystal plate monitor shows the columns erected all over the shipyard square. We are in the process of changing heights and distances to produce columns around the ship and inspecting where we can see and cannot see from the ship.

The number of crystal plates on the bridge is up and down front, back, left and right, all combined with twelve. It is dimensional that it can be placed in a sensibly legible position to see through everything from a seat for manoeuvring. I wanted someone other than me to look at it and get an objective opinion... is that a good impression?

"So... shall we move it a little?"

I have just incorporated the heart area and the demon stone room. I have checked the operation to a certain extent…. Well, this will be the first flight test where there is a lot of stuff packed inside.

"Finally..."

"Everyone, once you get down, stay away. As head of design, I'll make sure it's safe."

"Theo, be careful"

and Grace, who seems slightly worried. No, everyone too.

"It's okay, 'cause I'm just gonna jump around a little bit"

That's what I say and I smile back.

I'll just try to fly all the way around the shipyard. At a time like this, let's just say it's great that Termwilds is facing the ocean, or it's an easy environment to experiment with. In case anything happens, if it's the ocean down there, there's no damage to the area, and if I crash alone, I can protect myself as much as I want.

"Then I'll move it"

Contact everyone outside the ship using an external voice tube. Hands on the ship's crystal sphere as everyone sips and watches. It's a crystal ball linked to the Demon Stone in the center.

The hull rises vertically as instructed. The view of the external monitor can also be seen moving slowly and vertically.

Because the demonic stones used are large, it is possible to give instructions from all one crystal sphere. Slowly cross the square of the shipyard, looking over the outer walls to the sea.

Slight speed forward. The mechanism of capturing wind from the front and flowing backward gradually increases the speed.

Look down at the sea and make sure there are no ships down there before attempting to swirl, rise, descend, etc. The airship tilts slowly and swirls to the left and right.

Stop the three floating furnaces where the speed has come on and gain lifting force by the main wing.

The propulsion is created by demonic props that wind backward, and the shape of the main wing creates lift with the propulsion produced.

I haven't even used the magic props I've already incorporated into my main wing. It is an energy-saving flight that uses only the tools to capture wind from the front and spray it backwards, reducing magic consumption. I'm not at full speed yet, but it's a medium light speed.

Slow down and rest in the air with only the main wing demonic props. Adjust the lifting force at the top and bottom of the main wing to test the rise and fall.

Next, only activate the floating furnace. Combine the output balance of the three units with the propulsion forward to pivot left or right or carry out the ascent and descent. Yeah. It moves like I thought. Not bad maneuverability. If we do not try to manoeuvre unscrupulously, we are also really stable on board.

"What's wrong with watching from the outside?

Get in touch with everyone on the comms. Response with no problems.

"Well..."

So... this is where the real deal starts. Increase the speed and move it forward.

"Let's go, Sirius"

Touch the crystal sphere to give instructions. Through the crystal sphere, I felt something, a strange magic reaction. Is this magic... of the Warwolf protospecies? Somehow, but that golden wolf seems to be happy - ….

A hunch, or whatever sign is hard to describe, is only for a moment. Fire magic props ignite the massive amount of air we're taking in from the front. A blast erupted from the stern. Following acceleration, pressure from the front is applied to the body. The scenery poured out backwards at an unparalleled rate.

Swiveling, rising and falling at high speeds. Armoured plates convert the very pressure exerted on the hull into magic. It consumes less for speed. If you look outside with an external monitor, you can see the golden brilliance.... I see. That Warwolf protospecies, it seems, lives firmly in the demonic stone of the Sirius.

It slows down after an experiment and returns over the shipyard. Layer it on the base where it was originally sitting and slowly unload it.

When the Sirius descended on the ground and stopped, on a round table in the front of the bridge, something like a golden jaw appeared.

"... you"

A golden wolf figure on a round table. Not a werewolf, but a four-legged wolf. Should I say ghost, it was blurry and unclear in contour, but when my gaze matched mine, it looked like I laughed. You take your gaze off of me, and you scratch out the look of a wolf looking forward.

The impression is... you're still close to the Spirit, that one.

But I didn't get the bad impression. I'm pretty sure you're cooperating.

There was a slightly unexpected part, but the flight test would be generally successful. Are you sure you're ready to head to Baron Siln's territory?