Boundary Labyrinth and the Foreign Magician

The animals created from the book formed formations around the black cape operator.

... That's a lot of them. Are you prepared not to let this one escape, and to compensate for your disadvantage as a number?

"... looks magical but not life-responsive"

I don't even know if it's due to the power of the book or to Blackcape's own technique, but I can't feel my own will in the animals' movements. It would be a surgically controlled substitute, not a demon or a magical creature.

Do those ink beasts make controlled movements under the control of the operator, or do they automatically make movements prescribed by the surgical formula with one instruction? Or you could switch both.

"Okay. Then we turn to interception."

Grace and Durahan, Ignis apparently took my word for it and chose to intercept it.

Stand in a position slightly away from the rear guard to line up front and left and right. Don't get everyone involved in a brawl because you have a heavy weapon. And to avoid dealing directly with them.

A category of weapon that is difficult to mitigate, but can instead be fully wielded for interception purposes to the beasts of ink.

"I'll come forward, Sigritta."

"... to cover"

Black cloak - is it better to manipulate a book with a ciglitter and a special shaped sword with blades on both ends, Marceska?

Marceska, who is going to come forward, will be in the form Sheila suppresses. Sheila also flies to the side to match Marceska, who kicked the trunk of the tree and flew.

"Your Highness Elkham! Master Aulia! To my side!

"Yes!"

"Ugh!

Ashley deploys defensive fields to counter the number. Mallane, Claudia, Rosemary with Princess Elkham in Illumhilt, Serafina and Auria. Focusing on the defensive position, the rear guards showed each other a shaped structure protecting each other's backs as rear guards.

"... go, you guys. First... after cleaning up the people who came forward"

And - according to the quiet voice of Sigritta, the flock of animals moves out. Expand up, down, left, and right to siege, but did not immediately attack the rear guard. I guess it's a priority not to let them get away with siege.

Instead, the beasts, who would have been under the direct control of the ciglitter, approach the Graces as they unfold left and right.

Grace's red, shining eyes narrowed, and as the struggling axe roared, the eagle and wolf, each penetrating from top to bottom by a time difference, were turned vertically and horizontally into two. As soon as it is mutilated, it becomes a black stain and disappears into the void so that it returns to the ink.

Each one doesn't seem that strong, but it has a lot of numbers. Besides, I guess it's controlled by the ciglitter.

Sigritta frowned when she saw the weight and speed of Grace's attack. The pages of the book that were floating are scrolled and the beasts' movements change. Instead of going straight into the avant-garde, he seems to have chosen a method of warfare that would strike him from the blind spot while taking subtle distances.

"Lavine!"

In contrast, the barrage of Ashley and the others prevents them from turning to blind spots.

"Come here, too!

Some of the beasts approach the rear guard as they respond, but they are winded up by the Spirit of the wind at Auria's service and beaten to the wood, tangled up in Claudia's black tsu and unable to move.

The ciglitter is also a ciglitter, I guess the aim is the same as this one. The captured beast immediately relinquishes control and turns it into a black stain. I was generating a new hand out of the book, as I would say instead.

It seems to be moving the beast so that a one-on-one situation can be maintained so that attacks on Zion and Marcesca are not carried out by simultaneous restraint and disengagement against the avant-garde and the rear guard. In other words, I know you're confident in a one-on-one battle, but that's the form you want even here.

Mallane also used the saucer defensively, and Rosemary seemed to have a structure to respond by not forcing her to cut to the ciglitter while peering into the situation, taking distance and restraining her.

And - Marceska kicking the wooden tree into it and Sheila's shadow intercepting it clashes. It struck the sound of a weapon and a weapon colliding sword trident.

Marceska's. Is that - should I say a dance and dance kind of move? Rotate your body and weapon like a solo or windmill and manipulate the blades at both ends to launch an uncut slaughter.

Sheila also grabs the pearl serious that remains in her sheath in both hands and cuts it off. If Sheila bounces back with her right sword a blow that can be swept up from the bottom, the blade will descend from the top to the shoulder so that recoil can be used. Intercept with the left sword. They fly each other back so they can be bounced. Sheila flips in instantly, and Marceska kicks the tree twice, three degrees and turns in direction while heading back into Sheila.

Are they both the type of people who take advantage of speed to fight, beating each other's weapons at high speeds while visibly changing where they fight from air to ground and from ground to air? Apparently, she's following Sheila's delusional movements with her eyes. Is it good luck to disappear and also react to a blow, or do you have something like a demon eye?

Sheila is also kicking and penetrating the trunk of a tree, just like Malceska, to save her consuming magic.

"Pretty good to do"

"Wow."

Sheila's short words and some fun voice in Marcesca.

"Oh my goodness. Marceska... do you know what the purpose is properly?

Confronting me, Theon looks like he frowned at Marceska... but he didn't take his gaze off of me.

"If there's a purpose, I'd love to hear it."

I said, "I'm not answering."

As Zion waves his sword into the void, the trajectory of the three-day moon remains on the spot. Only the slaughter trajectory was left on the spot, while Scion flew diagonally upwards to the right. When I kick a tree and change the track to a sharp angle, it sticks in.

And, at that next moment, the slaughter of the Three Days Moon, which had stayed in the air, also approached us slightly out of time.

Fly up and turn yourself away from the slaughter that flies in. Naturally, the main body and the slaughter would stick into where I was until earlier - but Theon tangled up the slaughter he was supposed to have flown once, and he changed his trajectory and was directly above me and let it go again.

Turn your body around and turn yourself away from the slashing that flies in. They look like slaughter, but because they use peaks, or their nature seems to be close to blowing. It's over. It snaps a branch and pushes it through a tree.

Turn around, kick the shield and go in with Scion. Scion has also rushed in to respond to melee combat again.

Cross Uroboros and Sword Peak together. Step on it with a shield while it's upside down and play Scion. Theon bounces back to ride this shaking motion as he rounds his eyes peering through the gap in the hood. And he kicked the tree and reflected it straight to the side, skipping the slash again, as he had done earlier.

Even when it comes to slaughter, it's not like fighting. Magic. Yes. I'm under the impression that it's still consolidating the magic of some strange wavelength and flying. Could be close to the arrow of light in Illumhilt. It is suspicious whether or not it is okay to eat the nature as well.

It would be better to deal with it so as not to touch it as much as possible, considering it has some added effect. Follow Zion avoiding slipping a single piece of body rind paper without taking it by cane or shield.

"Make a funny move!

Theon said so, expanding his shield to his feet and stopping on the spot.

I thought we could do the same method of aerial manoeuvre as this one - I guess that's what impromptu looks like. Sion's body sank a little with every shield for control he couldn't do.

Don't miss that gap and wave the uroboros down from the big upper section. Shion receives with his sword directly next to him. Have you already facilitated the application of the shield control? The sinking body was securely fixed. As it was - we stood with each other in the air as a reward for slaughter and blow.

If he shifted the hanging blow with an oblique uroborous and turned and kicked it against his neck, Zion showed him the setup to intercept it off with a left fist that concentrated his magic. On the verge of a clash, he expands his shield on his kicking leg and hits it with his left fist. At the same time as the clash, the shield kicked you from the foot to the magic shock wave.

"Become!?

Zion's left fist is bounced off. This one also matches the recoil that gets bounced off, releasing a blow of Uroboros as it sweeps up. but Theon was also turning back in the air to fit again. When dodged with one piece of skin, it kicks the shield and flies through the trunk of the tree.

Can you manipulate the shield as a scaffold now? He has great taste and motor nerves. I don't know the magnitude and output of the magic power, but it looks pretty high in control. And all three of them, they don't have the same flying skills as the demons.

Hit each other with canes and swords by repeated reflections with tree trunks and shields, as they sew between each other's trees.

"Go!

Distance opens for a moment. As Theon gripped his fist, the countless slashing trajectories he had left in the air flew here as a shock wave from all directions.

So you can fire in whatever direction you want while you can fasten it as much as you want. Front - set off by releasing a chunk of rock in the direction where Scion is. Break through the playable shards as you expand your shield and push through the shortest distance. Slashing and slashing that flew right behind me from left to right collide and explode.

Expand a magic circle that Theon has never seen while flying behind him. and - Theon's body split in two and flew left and right. It is not a mirage body. One is the body of Scion. The other is the shadow of Zion. It's not a mirage body-like phantom, both have entities. Shadow-kicking tree trunk swayed. Draw a sharp-angled orbit and reflect. I'm going in to pinch it.

"Nemea! Capella!

A lion and a goat jump out of Kimyra Court and intercept the splinter. I intercept the main unit. Take Zion's slaughter in Uroboros. It's not a slaughter of power that can be taken with one hand, but it simultaneously expands the shield to support Uroboros. Sion, who was taken head-on and stopped moving, fired a low-level wind bullet from close quarters.

"Come on!"

Theon takes it with his free arm - he can push it back from body to body. The shadow also flew away late.

The magic of shadows seems to be quite advanced. The control of the shadows and the slashing waves that are stalling them, the addition of a shield for the offense there, the fact that the magical parallel processing is no longer possible in time?

"Unbelievable. I can't believe there's such a person in the outside world..."

Where the distance is empty...... Scion holds the sword in his sheath and secures it with a clasp. I gave up, not that. Stand still. I erased the shadow as soon as it stopped working even if it moved properly.

The reason for putting the sword in the sheath is obvious. Blade, peak, cut tip. If you use all of them, your sword moves will be limited because the direction of slaughter is limited. I guess that means when I dealt with the adventurer, it was enough to beat him. So it can also be said that from here is the full force of Zion.

Theon's expression is serious in itself. Obsession or belief. These kinds of arrangements can never be alarmed. Because I don't know what I'm going to do. What... thrust them that far?

"I'd like to know why."

"... I can't believe you're from Nahalvia... it just makes me sad that I let everyone see you. That's why I have to ask you to leave."

"Is that what the Lord of Zion and the others said?

"I told you. That's what we do on our own."

I see. He said it would take away memories, but it wasn't Theon's property either, so it was owned by the culprits. So it was a last resort for the Zions, and not for the adventurers who drove them away, but not for them.

"May I hear that the Unknown King is making a leap to resurrect the Allies of the Devils?

"The Unknown King...? Who is it, it is"

Oh, is that what we call it?

"He's the one who destroyed Nahalvia 30 years ago. But we also know that the culprits are tying themselves to the woods for some reason. I guess that's why you know who the King of Ignorance is. Really... I didn't come here to hurt you. There's no reason to come all the way out here to sell a fight."

With that said, Theon closes his eyes.

"We just don't like those people getting into battle."

Is that why? That's how he said he's been protecting them. We can't let it pass without the certainty that our words are true. If...

"It's okay to ask what happened through Theon and the others."

"If we lose, I promise."

"What if you guys win?

"Communicate the information you need and erase only unnecessary and inconvenient memories. I'll think of a way… when that happens."

... right.

"Okay. I promise."

If there's something you're trying to protect and it's been moving all along, you won't be able to stop at about losing.

But I'm sorry, but I can't get out of here. Even information that is inconvenient to the culprits could be essential to us.

And Theon and the others will try to shield them from what happened at the critical place. That's why I can't give you the lead.

Theon, distanced and sworn, breathes heavily. And I've been looking straight at this one.

"I'm going-!"

"Come!"

Scion kicks the shield in for the fastest and shortest distance. Intercept without pulling.

Fast cutbacks and spikes from slaughter. Fierce speed increased earlier. Cutting tips that plunder your forehead. A sheath penetrates slightly next to the cheek of the tilted neck.

Meet in Uroboros as you work out your magic in your body. Flip, reflex and clash immediately if you go too far. Spread low-level magic bullets and slashing waves as they leave countless shields between the trees. Barrage to read ahead of each other at high speeds and penetrate to inhibit the opponent's movement.

"Shadow!

Scion roar. The magic circle unfolded and part of the separation - that is, only the arm holding the sword emerged from Zion's body. I see a blow like a shooting away. Take it with Nemea's nails. The sword of the Zion body looms from the opposite direction. This one was also intercepted with a blow from the shovel by the heavily pulled Uroboros. On the verge, Zion had eaten up his teeth and let go of his sword, grasping at Nemea in the shadows.

Eating the blow of the torso by Uroboros is a discarding ready. I guess it's a setup to curb the movement of Kimaira coats and dragon wands. Expand the Magic Circle as well.

Slash waves rush this way due to time differences between the trees. A glow of magic even on Zion's empty palm. Theon's aim is clear. I guess I'm going to stop my moves, slash waves from all directions, and dare attack ready for suicide bombing.

Crossing and impact. Explosion caused by the clash of slaughter waves. Me and Theon were stopping the move.

About, Scion's body breaks. Hold Zion's body, which is about to fall.

The blow from the Scion body is stopped by multiple shields. Conversely, my palm bottom, which let go of Uroboros, captured Zion's jaw tip.

Theon's failure was to try to touch me directly to stop me from moving. So we used a short-range transfer to escape the attack from all directions simultaneously. And at the same time as the metastasis, he tapped into the palm bottom and pruned Scion's consciousness.

"Sioux!"

"I'm going!

Sigritta and Marcesca change blood phase after watching Scion defeat. I tried to poke it towards this one across the Tenma created by Sigritta from the book...

"Stop it!

And a loud voice shook the air.

"If you come and see it because you think it's going to be some big fuss...... Sigritta, Marcesca. It's your loss. Retreat."

Between the woods, a gray-haired woman stood with a cane in her hand.