Boundary Labyrinth and the Foreign Magician

External influences are blocked at the junction. My influence on myself, which I test within the conjuncture, is prevented by the magic of mental defense.

After applying such measures, we will examine the movement of magic in the body with circulating smell while having various songs and performances performed.

Just when you're ready, move on to verification as soon as possible. First...... you will need to hear more about the curse, how to use the curse.

"I'd like you to tell me how to use curses and curses and how to practice them."

"Uh. I... I learned this song by thinking about these scenarios and putting magic into singing and tone."

"Oh, so are we."

"Likewise. Does it mean that even if the race is different, it's the same there?"

Other faces nodded at the words of Illumhilt. Is it the same there, whether it be a labyrinth village or a seylane or harpies?

"Same goes for the scene, but they told me to think properly about who to point at and what to sing for"

And, Dominic. You seem to have it in common there, too. He said that when everyone feels the same way, the song becomes more powerful. In other words, if you sing and play for the same purpose, even between races, it is not difficult in itself to integrate its potency. The point is… I knew it in my battle with the king.

"When we were little, they told us to be careful because if we sang or played with magic, it would be a curse or a curse. Though what is properly communicated seems to include meaning to enhance the effectiveness of lyrics and melodies as well"

Justia taught me that much. I see...... There is no strict distinction between normal songs, and if they sing with magic, it has a special effect. Marion opens her mouth to supplement Justia's words.

"Because the curse, the curse, is, as its name suggests, a curse. You have to be aware of who and what you're delivering for. Just singing vaguely works for those who hear it, but being aware of it clearly doesn't affect your peers."

"That's... convenient"

"Yes, sir."

and Marion with a smile and a grin.

"Well, there are things that can have an extra impact if you don't focus properly..."

said Ramona with a bitter smile. Yeah. When practicing, it's still imperative that you take measures to avoid affecting the outside world.

"So... shall we look into it with circulating smell"

They snort at the words. That's how he sings, and when he started playing the tone...... there was a reaction to the magic in his body right away. Head and heart. From there, to every corner of the body. It spreads on a stream of magic in the body - a unique reaction spreading like different waves.

There was a similar reaction to those who were listening to the performance on the side. It's smaller than those who play it - but if you say so, it resonates as if it were a tonal fork. It's another reaction to the effect of the song. But it's common to all songs.

The nature common to a race that can handle curses, is it like?

"This is... interesting"

When I tell them how my body reacts to magic between songs, they all snort at my stories like intrigue.

"Somehow, though. You might know what that feels like."

When Illumhilt says, everyone else nods as they look at each other. From the sensory point of view, they also have something like real feelings in their current stories.

Hmm. The singing side, the playing side, seems to refine the image you receive from the song, so I'm pretty sure the tune has a huge effect on the potency.

Does it mean that communicating a scene simultaneously when teaching a song stably draws out the effects of a curse, a curse, by having a common image?

Even if the image is not united, it is not mandatory there because the species dealing with curses, curses, resonate like forks of tone with each other. The result is that it is easy to play together and increase effectiveness among different races.

Well, Seylan and Harpy are born and raised in a different environment, so I guess the scenario I envision from the tune is slightly different... The implications of unifying the scene are auxiliary. If the direction is the same with the major muscles, there will be no problem, I think.

"I've put a lot of conditions on it and verified it... but then you feel like you'll be on the road for a new curse, an attempt to make a curse"

"Oh, that's great......!

That's what Ramona said to my words. I know you really like the song as we all come up with a brighter look.

"Well, even if it doesn't go that far, I think it'll go a lot smoother if we keep in mind what we've learned so far when we practice joint mixed units."

Everyone nods with a hum and a serious look.

But when this happens... it sounds like we should keep the experiment going. Looks like they're counting on the development of a curse, too.

"So, here's a new way to develop a song - give the nature of Ramia, Seylane, and Harpy a demonic stone, incorporate it into a magic instrument, and play various songs and melodies to see how magic reacts. Choose a song that has a strong degree of resonance and later incorporate there, chanting that enhances potency and so on as lyrics too... if we all discuss and unify the scenarios that come to mind from the tune -"

So it's going to be possible to create songs that can effectively draw on their power.

If you incorporate the attribute-granted Demon Stone into your magic keyboard, you'll be able to experiment with a variety of songs.

The keyboard made spares in addition to what was delivered to the royal castle and what was given to Grantios. I'm going to modify that this time.

The problem is that at the moment, there's still nothing that can play the keyboard that far - oh, yeah. You've got some hands on that.

Then let's try to prepare the score, the demon stone, then modify the magic keyboard, and then play a variety of songs.

That's why I asked Valentina for a change in the nature of the demonic stone, and while I was working on it, I called Lindblum to take a trip to the Peresford school building and the Royal Castle to rent various scores.

"I'm home."

"Oh, welcome home, Theo."

"Welcome home. I'm ready for the Demon Stone."

When I came back to the workshop, everyone was waiting for tea in the courtyard. While I was collecting the scores, the demon stone entanglement work seemed to be over. He also seemed to tie the boundaries in the courtyard to keep the influence of the curse from leaking outside. Something like being ready.

"Hello, guys"

And, Princess Stephania and the others greet everyone who was in the courtyard. When I went to the Royal Castle, I met Princess Stephania and the others face-to-face, so I explained the experiment I was going to do, and she seemed interested, so I asked her out. I have accompanied Princess Adriana from the royal castle aboard Corliss.

"It meant trying to play different songs with new instruments...... who plays them?

And Grace asks while pouring tea into my teacup.

"Mmm. I'm trying to get the golem to play."

"Oh. If you control the movement as determined, you can perform the instrument perfectly."

In my response, Rosemary nodded as convinced.

Yes. Not everyone is that proficient on keyboards, which are new instruments in this world. So let's program the movement of the golem to the song and let it play.

"Well, experimentation is an experiment, basically it's like a concert because you just need to hear it"

If you don't guard with the junction and magic props, there will be a lot of influences, but there will be no drain on that. It's not a bad idea for everyone to listen to keyboard playing while drinking tea.

Keyboards, all sorts of ingredients, and what you need were available to me, so I will quickly incorporate Mithrill silver wires with wood magic, as well as the demonic stones given to me by Valentina.

That's how the work is done all the way through, and I start by playing existing curses - health enhancement curses, etc., to see if they work properly.

"Get up."

Expand Magic Circle. Create a wood golem with wood magic and cork-like elasticity. So the keyboard doesn't get dirty or hurt.

"Now let's start by playing the Health Enhancement Curse. Please remove your defensive magic props."

That's what I say. Let the Golem play the curse that passes between the Seylans. The magic accumulated by the Golem is poured into the keyboard, and when the melody sounds, the attributed demonic stone shines - the magic resides in the melody that can be played and spreads.

If you look at it in circular smell beside letting the golem play - the magic of the Illum Hilts had a resonant reaction as well. All right, all right. We got confirmation of the effect.

So... here we go. Let's play a variety of songs on the score we've borrowed and try to find something resonant.

As for the direction of the effect, there is likely to be a general judgment in the tune.

Hmmm...... It may also be interesting to try the melodies of the Earth-side songs in Jingku's memory. For example... the song that was used within the BFO?

I'm borrowing some kind of textbook from the school building on composition theory, and would you like to try it to the extent that it's not too much?