Boundary Labyrinth and the Foreign Magician

It could be observed that there is resonance in response to the tone that can be played, and a unique magical reaction like a tonal fork.

It is a hypothesis from there - I suspect that just as demonic stone factors exist in the demonic body, the species that can handle curses and curses contain some factor that establishes them.

The magic transformed by that factor rides the melody, establishing the curse, the curse, and the intensity of the thoughts enhances the potency by making the resonance more amplified.

And the fact that a curse can be established even from an uninterrupted golem of intent and an instrument takes advantage of the nature of the fork.

If the tone reaches the Illum Hilts, the demon stone side of the instrument reacts by resonance, thus exerting similar potency. So if the Illum Hilts aren't on the spot, the instrument's power is likely to weaken as well. Verification on this point is easy, so I'll try it later.

Before we begin the concert, we arm ourselves to Rosemary's idea when we explain those thoughts.

"I see. So this was part of the experiment, too. If it's the same song across races, it'll have a similar effect, because it's strange inside."

"Oh, in terms of effects, I guess it's because if you see a spell, a curse, as a form of spell, you can see the song as a ritual. There are ritual procedures in place, so they work the same way, or because factors are common among many races... I'm thinking a lot, but there's no certainty around them."

Or could there be something like collective unconsciousness from which efficacy becomes common? No, that might be too much thinking about boulders.

"A spell can be passed on to the recipient, can't it? In that regard, songs and performances are nothing more than representations and appeals to the outside world."

And Claudia closes her eyes and nods. She also lived with residents of Labyrinth Village, so she knows more about spell songs, so she has a lot to think about.

Indeed, a curse is not established solely by the thoughts in your head. It can be established by conveying it as an expression of a claim or something. The song determines the shape of the curse, or something that comes from that part, maybe.

The strength of the thoughts of those who sing and play thus is proportional to the strength of the curse - the strength of the potency. Is it a curse, because it is a song at the same time, to amplify by resonance or to enhance power by unifying the will in a group and putting thoughts into it?

Well...... the discussion would be good around here. Everyone seems to be looking forward to it, and ready to go. Let's just say we start playing fast.

There are golems on several magic keyboards, and drum sets are available. That's how the performance started.

The golems play a variety of songs by layering the tones of different instruments on the keyboard, as controlled. Can I even call it a golem sequencer? They all seem to enjoy it because of its rarity.

It's not as big of a concert as it sounds, so I told him it would be nice to do another job... both Alfred and the Siegmund old folks are listening with pleasure. I don't know if this is the best way to breathe the work of the workshop.

Familiar song, no song. To the lively songs, quiet songs, magnificent songs, brave songs and… After trying everything, we see magical reactions with circular smell and note their effects on paper from the way they resonate.

"Music. Mm-hmm. Good."

And, Maxwell. Something tells me the nucleus is blinding to rhythm.

When she saw Maxwell like that and Claudia shuddered her shoulder small, she looked at Hervorte and said:

"I don't know, Hervorte"

"I'm not sure about the music... but I don't think I hate the time that everyone seems to enjoy. Then in the labyrinth village, it's a little bit like a festival day."

Asked by Claudia, Hervolte twisted her neck a little and answered as she conceived. Claudia smiles and nods calmly at such Hervorte's reaction. Grace, Ashley, and Mallane seem to be having a lot of fun with how they look. Rosemary's expression is unknown because he's hiding his mouth with a feather fan, but if you look at just a little bit of rhythm earlier, I wonder if he's enjoying the current situation as a percentage.

Animals also fall asleep in the sun listening to songs that can be played, and have major stretches, etc. Charlotte sometimes shakes her body to the music while brushing such lavine, belius, and flamias.

"This song is said to have been written and given by the successor of the Sahra aristocracy - in anticipation of a misbehaving aristocratic lady. The owner of the other family was moved by the song and admitted to socializing with the courtier, which led to a settlement between the two families."

"It sounded like a funny song... but it's a good story to hear."

"The power of music is wonderful."

"I like this song, too"

Marion and Ramona break the look on that episode.

Lily also sat on Dominic's lap and was delighted to have her hair stroked by Illumhilt and Justia.

"Oh. They say the story is true. It must have been between the court nobles in Verdogal a few generations ago."

"It's a nice story inside."

And the Princesses of Stephania were also nodding at each other as they fed Corliss the ore.

"If there's an anecdote about the song, hearing the same song might make another impression. It's an experiment, but I'm going to play the same song again."

It's also something to just make it listen pale, so I'll play it once and then exchange episodes about the song and see how it responds differently by playing the same song again.

Then...... there was certainly a change in the intensity of the resonance. We could also demonstrate that thoughts and emotions enhance the effects of curses.

In that case, ancestral curses and the like would still be more thoughtful.

Practice each other's songs as a sign of friendship, mix songs that have the same effect and incorporate thoughtful phrases into each of them, or maybe increase the power of the songs when played jointly. It's called a mashup.

And because of the trend of songs I've played so far, I've also seen candidates for new curses, songs that could be short of curses.

Maybe many of the songs they didn't have in their culture are sleeping with unprecedented effects. It could be because it was an effect not needed in my normal life.

If so -. What would happen if it were a song far from this world? Again... let's move on to the song within the BFO.

"From here on out - I'll experiment with a lot more. Because if it's an unusual song, it seems to have a different effect."

"What are you going to do now?

"Mmm. I'm thinking about using my ability to control the procedure to assemble some unusual songs, with reference to how I compose from these books."

Answer Alfred's question with a book on music. In response, Alfred and the others gave a surprising look.

"I don't know if it's going to work, but I was wondering if you could just wait a minute"

After putting in such a no, it evokes Jing Jiu's memory.

Well - this is my first attempt, but I don't know what's gonna happen. Touch the keyboard while gripping the uroboros.

By degenerating magic with the Orihalcon and mediating with the Demon Stone side, which is inside the keyboard - play the tone in your thoughts using a technique for playing a variety of tones.

This is close to the unchanging feeling of doing magical chants within your thoughts and taming your body with magical movements. It replaces the magical movements caused by chanting with the tones of various instruments and plays music within thoughts.

Together with the feeling of controlling the surgical formula, control the tone played within the thought.

The magic circle is developed as a substitute for the score and reassembled over and over so that it is as close as it can be to the shape in memory. A magic circle that does not make sense as a surgical ceremony changes its shape visibly when it goes around.

Oh. Apparently... I can even wake you up to the score.

If you imprinted him like a vermin with dirt magic, it wouldn't take much effort. That way, if you get the hang of it, you can see that it's getting more and more efficient to work.

If you let them down to be reflected as a golem move - you can do it.

The songs used within the BFO were also quick to assemble just because I had been listening to them for dozens of hours in the game.

Having said that, it's not exactly the same as BFO because it has to consist of instruments that Seylan and Harpy and the others are familiar with...... with a magic keyboard and a performance golem you can do enough to make up for some of the missing parts, and it would be good to replace the main melody with singing.

"So, a rare song,"

"Huh. You mean maybe I composed it from a theory of textbooks?

Alfred tilts his neck.

"Hmm, no, braid...... I guess it's close. Using the ability to control the technique and the keyboard technique, do all sorts of melodies and trichords in your thoughts, and use your musical promises to massively pinch and roll around to make sure you're doing well."

It's not a song I wrote, and I'm arranging it to suit my current environment.

"It's..."

When I answered that, Ramona's expression attracted me. Other faces, on the other hand, seem convinced somewhere. Sheila is nodding with her eyes closed.

"It's not magic architecture... does it feel like magic braids or magic compositions?

"Oh. Maybe."

Nodding at Ashley's words, she nods pleasantly.

I just pushed it to my goal because it has an exemplary shape this time... but I don't think it can be used as a compositional method. It would be useful because it can be tried at the same speed as the surgery unfolds. The various scores and melodies I've seen can also be used as reference material.

Sounds like you could use it when mixing Seylane and Harpy songs. It seems to work from their psychological point of view, so let's try this.

Then...... what effect does the song used in BFO have? I'm not looking forward to anything.

Magnificent fanfare of the opening, moody songs from the tavern, mysterious songs used in the Temple of the Moon. Then there's the song that fuels anxiety in the labyrinth, the upbeat fierce song from the Boss War - and there's all sorts of tunes that have never been played before.