Boundary Labyrinth and the Foreign Magician

Grace and Glendale confront each other. Grace builds up her fighting spirit as she scatters sparks.

What did Glendale think watching that - a fellow who was nearby. When I grabbed the oak's leg, Grace threw it at me looking for it.

Although Grace gave a surprised look for a moment, he bounced it unconstitutionally with a struggling back fist, impending with a shell-like momentum.

Did Glendell identify Grace as a formidable enemy in that response, clapping his hands at his feet with a joyful look on his face? It thrives when you wonder if the soil at your feet has changed like mud, becoming a giant stone stick and solidifying. It would be more right to call it a pillar than a stick in order to be a good value for a giant.

Grace thinks, even as he sets up a double axe and measures the intermission.

The evil spirits possessed and brought the swamp giants to this occasion. That's for sure.

However, while goblins and orcs are acting in the military, earlier actions are far from coordinated.

Even if it was a jewel tarantella, it seemed like another demon who approached me inadvertently was jerking off with yarn and sucking up body fluids.

It's in the population, obviously heterogeneous.

You thought getting close would cut your power, the others are taking distance from Jewel Tarantella... but on the contrary, it also means that the measure is sufficient to that extent.

I mean, what does that mean...

"... the evil spirits are so possessed, they're not out of control"

Are you benefiting from the amplification of power by the evil spirits' resentment? Glendale's fighting spirit is unusual. Seen in every Grantios, it exudes the same evil that Eckels and the others used. It's - the power to use the wrapped resentment of evil spirits as a source.

Which one of you can say is using this? But if you think about what you've done here, you should look at the influence that the evil spirits possess.

Then there's one thing I need to do. It's all about keeping the swamp giants here.

Break the ground with a kick foot and step in at explosive speed from a stationary state. Glendale has also slapped the pillars of the stone unconstructively once again if he tapped in the dark struggling axe.

Clash - heavy noise and shock sounds.

The swirling resentment unleashed by the evil spirits and the stone pillars of the giant's fighting spirit - beaten against Grace's axe and yet, never shattered.

Axes and stone columns swung with fierce momentum that did not even retain the shadows as they were. Heavy and clashing noises tearing the wind apart. The shock of rocking the ground continues to wind up.

Swing the double axe vertically and horizontally. Grace's blow, which wraps up the black struggle, is so destructive that it can even be called a special restraint. Grace slamming it unconstitutionally. The giant takes it with a stone pillar and strikes it off at the mercy of his might. Grace's blow went slightly over the offense, plundering the giant's cheeks - but only cleaved a slice of thin skin.

The axe that plundered my cheeks quickly turns back into a counterattack. Beat the stone pillar to the axe and shake it off at your disposal. That moment when the time opened up.

When Glendell put his hands on the ground, a mud was created there. If you wave your arm as it is, the splash becomes a pointed shotgun and approaches Grace.

The dark struggle rising from Grace's feet swirls and sprays scattered bullets. A muddy wall intercepts her as she steps into her hair uncontrollably. Rapidly hardened and transformed into stone walls.

It was Glendale who split into two bodies that intercepted her, smashing her with a fist wrapped around her struggle - breaking through. He takes an axe at the blow of the stone pillar that will be swung down and intercepts the attack from the other one with a kick. The aftermath alone blows one half of the body, but soon the mud thrives and regenerates. I've been packing my distance with Grace as it is. The hell I'm going back in the meantime.

"This is-"

with the body and the impostor. They both wrap mud around each other like armor. Fighting weapons are also covered with mud and concealed, and from their appearance there is no distinction between real and fake. He manipulates the mud doll as if he were manipulating the golem. So is the method of warfare between Stefania and Corliss - the mainstay of earthly magic is where entities exist. Is the simultaneous multi-faceted ability to control only with the help of evil spirits?

- A giant spider bearing gems on his back. The identity of the jewel is, according to legend, a demonic stone.

Eat demons and produce demonic stones, incorporating and using their own known magic there. A high-ranking demon who instinctively acts as a magician. That's Jewel Tarantella.

However, I am not good at controlling the procedure itself. I guess that's why we're incorporating a surgical formula into the Demon Stone for immediate activation.

As a rosemary, it is an endless demon, but I cannot even say something so long in this case. Because it's your job to take that one down before you do any damage to your surroundings.

Let's start with a little hand check, and let Ignis just stick it in.

Jewel Tarantella intercepted it with a tough forefoot. Meet with Ignis cleverly, wrapped up in a steely hard foot. It also has sharp nails at the tip - the range of motion of the joints seems to be considerable. As Ignis and I meet each other, we seem doomed to slash each other from the front. They would go over Rosemary if they were brought into melee.

Rosemary gives Ignis cover by flying a light bullet that explodes from Wand while performing an analysis with a cold eye. Deviation shooting. Three rounds with a change in bullet speed so as to crush the direction of evasion. Ignis dominates any space that hasn't flown a bullet.

But the attack was lightly avoided. It drives at incredible speeds that don't snag at giants, and makes an inexplicable change of direction. Rotate as you scratch the ground. He turns a round, emotionless eye to Rosemary floating in the air.

Rosemary has never put me under pressure. Look directly at Tarantella from the front.

A unique movement consisting of eight legs. That's - more than ever since the giant spider was born, maybe I can call it the body technique I've drilled over the years. A giant spider with high intelligence and manipulating a variety of techniques just over the years. Calling me a strong enemy would make no mistake.

A spider runs on the ground at high speeds, rushing towards Rosemary. At the same time, Ignis steps in from the side. Torso. Avoid the blow of a battered hammer by jumping heavily on one side of the foot. He jumped something from his mouth at a fierce rate as he jumped up into the air.

Not Ignis, towards Rosemary. That Ignis is not a creature. They were seeing out that Rosemary was its lord.

Rosemary also continues his analysis as he battles in Rosemary. Expand the Magic Shield wide and thin as you flaunt yourself, making sure the more powerful it is.

The power to easily pierce thinly expanded shields. Who is the flying tool - the bullet in the yarn that wraps up the fighting spirit?

Normally Rosemary understood that spiders thread out of their asses, but this spider seems to come from both.

The jewels on my back were emitting light and something incomplete but like a junction was born here and there. There - Jewel Tarantella flies and sticks glowing yarn from her mouth and ass. In no time a thread junction is formed. The yarn shines because it has some kind of enchantment. The number of jewels emitting light on the back is increasing. That blue glow. Probably a fire retardant.

"... of roaming and ambushing spiders, I wonder if that's a good place to take them. Actively going hunting and creating your own favourable space ahead of you -"

Rosemary is impressed that it can be the Lord who monopolizes the magic build-up. If you are also good at moving in the air and strong in melee combat, then you should fight in conjunction with Ignis. Ignis' body can be used as a shield, and there will be no more fear of space being dominated by yarn and subordination. It is also possible to make up for each other's movements when they are sealed with thread.

Put Ignis back in front of him, and that's how Rosemary unfolds the Magics Rave.

As it was, they poked at each other when the preparation and analysis were complete. The gemstone spider meets Ignis, who kicks his shield and flies as he flies from yarn to yarn through the air in an unusual behavior.

Of the eight legs, two are used to cut with Ignis and four legs are used for body surgery across the thread. Then he cleverly moved the two remaining pieces, and flew the yarn that wrapped up the struggle like a slash.

Rosemary flies around in a position that shields Ignis.

Rosemary expects that a fire resistant enchant is used for the yarn. Spread a scatter of ice over Magix Rave while shielding Ignis.

Avoid Jewel Tarantella like you dance it.

Ignis, who was slashed with thread, has no scratches. But every time, the impact runs like it's cut with a thin knife. The attack is mild to yarn, but I guess it boasts considerable cleavage. Feels like you're just sorry if you eat it alive.

Body and Magic Slave. And Ignis. Add a star saucer satellite to it. It strikes simultaneously and multifaceted, but the Jewel Tarantella reacts very quickly to what it means.

He also seemed to have cut out attacks in positions he hadn't seen with his eyes. The spider's leg makes an inexplicable move as he spits a bullet out of his mouth and snipes at Rosemary. The sound of cutting the wind. If you expand the magic shield in all directions to the unpleasant hunch, the slash of the yarn slaps the shield from the diagonal rear.

I stepped in, played the bullet, and the swinging down Ignis' blow was cutting off the sky. The spider's body flies inexplicably diagonally up. The thread released like a throwing rope adheres to the thread of the scaffold. They flew stretched like rubber.

Changes in elasticity and elasticity. This would be the attack from the blind spot earlier.

Interfering between yarns, launching 3D attacks to eject them, or changing the nature of the yarn itself to fly in recoil.

Jewel Tarantella forms a scaffold in the air, letting multiple legs leap off the spot like a conductor.

"This is -!?"

Countless slaughters and rounded thread bullets descend from all directions onto Rosemary and Ignis. Yarn junction. That's a space for hunting and killing someone caught inside.

Wide and large expansion of the shield. Fly left to the right at the same time as Ignis while identifying the direction and type of attack to avoid. Avoid.

Pack the time while avoiding. When he hid himself in the shadow of Ignis, took the medicine bottle out of the magic bag, used the magic yarn, and threw it to arc to bump from the side - Jewel Tarantella was using the elasticity of the yarn to fly away from it in different directions.

What is sensing and moving? It's not vision. Impossible. The sight should have drawn to the satellite and attacked it completely from the blind spot. Even so, the reaction rate is unusually extreme. This one was responding faster than bracketing magic thread in the medicine bottle.

Like Corliss, you have the ability to detect magic? Or another ability?

There can be no magic sensing. Ignis is using Halvaronis technology to cover up internal magic moves so that he can't read ahead of his movements from those bills.

It has a tremendous reaction rate even though measures are applied, so that means it is not caused by magic sensing.

Circle through the thoughts. Unless you nurse it and work out countermeasures, the attack will not be properly hit by Jewel Tarantella. I'm not sure I can continue to flaunt myself forever if I repeat a simultaneous multifaceted attack.

I feel the accuracy of the attack has increased since earlier. If you are cutting off the habits of Rosemary's movements, etc. from your instincts as a hunter, you must strike at your hands, such as distributing consciousness to more defenses and intentionally changing your avoidance methods. Negative on the offensive side. The amount of time you divide your consciousness into yours really reduces the hassle.

Follow them on Magic Slave, putting up a multilateral barrage but avoiding 3D attacks from their opponents.

Think, Rosemary tells herself.

What makes you think Ignis is not an organism? There - there is a way to an answer.

"Go!

Multiple Magics Raves were released from Rosemary. Yarn junction. Let it expand wide and wide inside so that the Jewel Tarantella will work wherever it flees.

Jewel Tarantella comes packing her time. If there is a widespread attack, the rationale is that if you pack it up close, you will not be able to launch an attack of your own accord.

That's - that's right.

But Rosemary was fine. Magic Circle Expands Multiple. A manipulative thread is connected to a plurality of magic slaves. And -!

"Play, fly!

Wind magic, an applied form of resonance mine. Multiple Magix Raves became a bomb of acoustics here and there, rocking the interior of the junction of the yarn with loud acoustics. It is a technique of internal destruction by making the orientation and overlapping the vibrations on a single point of coordinates, but in this case the orientation is very fragmented.

The spider moved visibly and strangely. Rosemary's hearing is also paralysed by loud acoustics, but it seems that Jewel Tarantella's sensory confusion is more than that.

That would be so. Yarn and body hair and. If you are sensing the vibrations and sounds transmitted there -!

A manipulative thread is connected to Ignis' back. Magic light erupted, pulling off every yarn strewn through the space and rushing at the shortest distance to Jewel Tarantella.

Still, the sight is alive. Jewel Tarantella received a battle hammer that was swept through the upper part with her forefoot - Ignis lets it go lightly. Let go and slide right down, letting the magic light erupt from here and there to rotate your body for sudden braking. Knock in the hook nail and hook it up.

Defense in Struggle. Just because it's also woven, a pile bunker planted in a hook claw bursts. I pierced Jewel Tarantella's torso. The magic planted in the pile is explosive flames. A blast bursts from the pierced pile and bursts from the inside, dispersing it.

Looking beneath his eyes at the remains of a burning spider, Rosemary looked at the hearing pain and the recoil of sudden braking, which could not even be killed off in the revulsion.

"I see, swamp giant, is it!

Muddy swamps expand rapidly, mainly in Glendell. back while producing mud dolls to split from their own wrapped armor. Spread the time as he moves to shake left to the right to shuffle.

Grace flies a black fighting slash in the face of her rear-end opponent. But blowing your head off doesn't have anything in it. It's not about the tail end, it's about getting lost somewhere before that. The aim is not to take a distance, but only a division for illusion.

That's how Glendell created and showed off so many phonies, he kept hitting me. Some with stone columns. Some have mud bullets.

You can't see through the body's lurking mud doll due to its sharpness of motion.

Because the body aligns the level of movement to the mud doll side. Are you after Grace's wear and tear? Or to knock a blow in where you made it look that way and showed the gap? Perhaps it is right that the aim is both.

And, assuming Grace tries to take a favourable position by flying at high altitudes, Glendell should instead try to lure Grace by ravaging the ground generals.

So Grace has to stay here and fight.

The bullet released by the mud doll waving his arm hardened rapidly. It becomes a pointy stone bullet and flies.

It's not powerful enough to break through Grace's fighting defenses, but it can't be used for all of his attacks. All the more so if the target's aim is on the run. Keeping altitude slightly off the ground, Grace flies to the right to avoid the bullet as she steps, sewing the gap and precisely clawing the neck of the mud doll.

Jump inside the stiffening of the enemy and flash a fighting axe. The surrounding mud doll wraps it up and blows it up, but a new mud doll is created from a place a certain distance from Grace. Is there a limit to the number that can be manipulated at a time, and that number is constant?

At that moment when his gaze is turned on the newly produced doll, he smashes the torso of the mud doll from directly behind Grace, and with fierce momentum Glendale's gains are tapped in. I jumped and avoided it - the moment I turned around and tried to turn into a counterattack, the body almost went down trying to mix my body with the other mud dolls.

Shuffle and get confused somewhere. That's what Glendale's doing.

Follow the movement for the shuffle as it is. Slash into the mud doll on that track as you chase him, and cut any joint venture just because the mud doll and body have nothing to do with it.

The move - chases me to the main body. The lurking individual in the body took a heavy blow from the axe - at that moment a struggle erupts from Grace's body.

The double axe pulled a black tail and the slaughter was carried out early with arrows. A swamp giant who was about to step back is pushed into Grace for only a minute of momentum. Or - do you have a minute for Grace in pure melee combat, without special abilities?

In a fierce meeting, the tactic Glendell took to re-order was the exercise of his special abilities while standing back. Avoid overbody blows that are knocked in at the same time as stepping in. It cleaves Glendale's chest plate, but it's only a slight cleavage of the thin skin and underneath it. Shallow.

The mud was shaping like a giant arm and approaching from behind Grace. Huge hands move to grip and cure before enclosing. It turns into an impromptu cage-like object that covers Grace.

smash it with a flash of axe. By the time it was smashed, Glendale was already confused among the mud dolls. Mud dolls have been created one after the other to spread left and right, creating two or three choices, making it impossible to catch them simply by following the track.

That's how I think I've increased the number, and it strikes me at the same time. Now the whole thing in it, the real thing was mixed up. An attack directly from the front, after showing a surprise attack from behind beforehand.

Heavy shocks push Grace's body through. I take it with an axe. But he suffered with sufficient force against the blow of his fate.

Grace's body is bounced wide behind her, and the mud dolls run after her in large numbers. Once the dolls overlap each other's bodies. split to fly directly above, and to the left and right. Attacks from four simultaneous directions...

Discover the slight time difference to reach, kick the shield and flip. Stuff and intercept the time at the shortest distance to the mud doll coming directly from the front. When I rip my torso open and break through, I turn around and fly a fighting blade into ten characters.

So I wrap up the three remaining mud dolls and cleave them, but there is no body in them. Attack and apparent wear and tear. Are you unwilling to attack me? Now he flew the bullet as he picked up his time.

Reduce your fighting temper, sprinkle it with an axe, and fly wide rearward.

There's still room for Grace. But they don't look worn out, either because they use resentment as their source. Grace had estimated that there would probably be minutes over there in the protracted war.

Close range fights that are being pushed by the quality of the struggle will also become unknown if they wear out. Still - Grace showed her fangs and laughed.

"Sure - it's a nasty ability. It's time for me to understand the nature of my new power."

Say so. A huge amount of dark struggle rises from Grace's entire body. Grace - he didn't even look at the others, he looked at the whole mud doll and went into it.

On the verge of axing the neck of a mud doll. Grace punches a fighting shell in the face of the mud at his feet when he suddenly brakes in the air. Play it. At the bottom of the flying mud - the main body was lurking.

Both the shuffle and the mud doll made the attack seem as if it had been found.

Everything is blind. He was sinking into his feet and moving from it into the mud doll and attacking him.

Glendale doesn't understand why he's been found. Remains a stunned look and withstands the impact of a fighting shell. The disguise - it should have been perfect.

says Grace. Laughing.

"I've already remembered the smell of your blood"

Grace's dark struggle - transformed her nature as a detached vampire, her power. And once a vampire remembers the smell of blood, he can figure out where the subject is. In other words, the body can be found ahead of it by sensing the swing of the rising fighting spirit.

Dressed in a flurry of struggle, he hits Glendale directly from the top. That's exactly it, Grace's full strength.

Rain and slaughter from the double axe pour down.

Bear. Bear with a fighting stone column. It sends magic into the mud and tries to grab the thread of counterattack from it - but it doesn't form a shape.

Grace's struggle to radiate around him expresses the nature of the energy drain and interferes with the mud.

assimilation and erosion, from which dominance is the mainstay of vampires. Although its fighting spirit has the nature of an energy drain, it is not reduced to Grace herself, who is exuding vampire sexuality externally.

Grace's depletion is purely upped for using extra abilities. Pretty bad fuel consumption, I felt. So. That's why...

"Here - I'll cut it off!

Glendell gets shredded at more speeds than that. No fighting, no evil. Magic and stone columns. In no time, every power is lost from Glendale's body, and what supported the strength of the gain is gone.

Stone columns that became unbearable were chopped up, piercing struggle and the defense of evil spirits. Grace's axe, wrapped around a dark struggle, slammed into the body of a swamp giant.

Grace pops out of the bottom of the hole with the shock of rocking the ground. The impact of the battle caused the splashing of mud - covering it over Glendale's flesh, which slowly stopped moving.