Boundary Labyrinth and the Foreign Magician

Now, a lecture on magic architecture will showcase the general knowledge gained in the textbooks. The technique used, tips on how to use it, etc.

Unlike building a whole house, partial repairs will be the object this time around. In the case of a collapsed wall, etc., it is fine to reuse the collapsed parts as building materials, etc. … For example, if the collapsed debris, etc., has been lost for many years… it is necessary to procure it from somewhere else.

So we petrify the soil, create it on the spot, transform the stone, reshape it, process the wood with wood magic, and so on.

"- So what we're going to need when we fix it is to use the technique we just taught you to match shades and textures."

Later, depending on the power and habit of the surgical control, it becomes in the direction of making the traces of repair itself less visible, or scaling up or streamlining the work so that it progresses at once.

If you go ahead and work with your strengths and experience after you've figured out the basics, well, you'll figure it out. I did the same thing when I first built the storeroom.

Stephania nods with a serious look at the content of those stories of mine. Vinckle and Corliss too...... no, I don't know one thing about Corliss' expression right now, but I was listening quietly to both of them.

So I'm just finishing up the conversation and moving on to the actual repair work. The walls of the castle may be crumbling... but I still don't think the overall amount of debris is enough. Speaking of why the castle broke in the first place, it is easy to imagine that it was blown up and drilled, because the Lord would be responsible for the damage done when he fought the demon, not for its deterioration over time.

Especially since a high-ranking demon like Gardinis was part of the Bellion Dora offensive. It is also possible that a great magic like Starless Buster was used.

"Well, here we go."

Stephania exercises the technique she taught earlier - initially by chanting.

I started by mixing the debris that was rolling with each other because it was a practice and returning it to the shaped stone.

Having created the stone several times, it seems that we can now exercise the technique from the Magic Circle already. The ability to exercise magic in this area can be described as a boulder.

Vincle, like Stefania, exercises earthly magic to return debris to stone. Magic control is perfect here too. Magic power, output, etc. are still in the process of being developed, but control capabilities are boulders.

Speaking of Corliss - chewing the debris that was rolling, he kept his hands in front of him to grow similar shades and textured stone walls off the ground.

Oh, yeah...... The lack of stone seems easy to make up for. It won't be endless because it consumes Corliss' magic, but as a partner in magical architecture, I can say it's no more of a user demon. The magic of handling demons is a Corliss-like technique that has many specializations in inherent abilities or something, but that sees the flavor and sensibly reproduces building materials from it.

Such a corliss, a smiling Stephania strokes her head.

Next phase. It's made of stone to repair the walls. Stone is assembled, stacked, and cemented in concrete between the stones to avoid collapse. This is what we call ancient concrete on Earth.

It is made from volcanic ash, etc. … Regarding the castle of Belliondola, these are also believed to have been made using the synthetic furnace and earthly magic of the ship of the moon.

As for the making and construction methods in earthly magic - these are also established once and for all. There can be a good technique for making concrets.

Without following the normal construction process, if the building material is magically poured into the place where it is placed, it will be possible to create a state in which the concrete has hardened without the hassle of draining the air, etc. This neighborhood would be an advantage in magic architecture. So all you have to do is make a concrete apart from the stone and then magically position it correctly and process it.

Create a golem to position the stone correctly. Then it fills the gap with the concrete it creates, solidified and glued by chanting. The basics are a repetition of that.

In my case... I make golems out of the building materials themselves and reshape them. That means application.

That said, it seems that Stefania and Vinckle have become accustomed to the basic form and are challenged to reshape from the Golem. If the number of golems handled at once is low, we both seem to be able to proceed without problems.

Where the stone is placed, Corliss manipulates the conch into it like a creature, and Stefania and Vinckle flash the magic circle to cement it.

"Building materials, would it be okay if we put them here?

"Yeah. Thanks, Marie, Mallane"

Rosemary nods barely across the feather fan, and Mallane nods cheerfully with a smile. The two carry building materials and debris to an easy place to work in Stephania.

Not just the two of us. Everyone else, too. He helps bring debris and building materials nearby to make it easier to do the work.

"Though it is limited to the use of earthly magic, in fact, this is going to be a pretty magical training."

Nodding like Claudia was impressed when she saw the repair as she moved the debris in the revue.

"Mmm. Actually, I think so. I've thought about training a lot, but I need to look at some fine controls that I'm not usually aware of when it's magical architecture. In that sense, the magician's technique might be the same."

When he said that and turned his gaze, Alfred nodded quietly.

"Maybe. Well, whatever control I have, it's no big deal, so even if it's training, I'm not going to use it to attack magic."

It is Alfred who laughs lightly.

"Is magical architecture by that light sphere still difficult?

and Neck Tilting Scion.

"Mmm. I do use that for the construction of airships and buildings, but it's really magic in the alchemy realm."

I do use it for large-scale construction... but in the original sense, it has nothing to do with magical architecture. It can be the art of magically fusing some materials together and forming them arbitrarily, so it's possible if you want to use them in magical architecture.

"That's pretty advanced magic in itself. Output and control capabilities must be excellent, both. The fact that we extend the effects as extensively as Theodore, while at the same time treating them sustainably as the Golem... well, they're too digit to be a reference for others."

And your grandfather explained it to me.

Well... whatever that fusion ceremony is. If the original earthly magic of magic architecture, the basic and applied form of the wood-magic subject, Stefania and Vinckle can do it fine, and Corliss seems to be able to support it exactly. With medium work efficiency and speed, the finish is also beautiful.

Since this time it is an architectural style that combines stone materials, the joints are irrelevant, and it can be said that it is a fairly suitable condition for gaining experience in magical architecture.

Stefania seems to be able to handle some wood magic, and Vinckle goes without saying. If you get experience this way, you'll be able to make a lot of other things later. Stephania continued to work happily ever after.

We put in a break along the way and went on to repair the bellion dollar in a lively fashion as we all ate the chilled peaches and drank tea.

I also joined the repair of the broken spire. Let's just say that the area that was eventually broken from the outside is much cleaner and looks better.

The interior is already undergoing repairs and still rough... well, there are parts of this area that are closer to cleaning up than repairs. You should just look at the fold and take it easy and go.

Apparently, plans were also set for Queen Aurelia and King Leandre to be ready to welcome them. A correspondent was contacted that a letter had been prepared for a meeting with Drafdenia.

So if you move from the Magic Transmitter Tower to Count Sirn territory and transfer from the Temple of the Moon to deliver the writ to Drafdenia, you will also be able to finalise your future plans. So King Leandre, Robelia and Petra are looking forward to visiting Termwilds.