Boundary Labyrinth and the Foreign Magician

The reception at the royal castle was over and we all headed to Forestania. Some facades came to Forestania for the first time, cheering for a sight that I didn't think was in the labyrinth.

"It's a good thing that after the fight, we can have opportunities for interaction like this. The view of Forestania is amazing too"

King Melvin, King Eberberbert, and King Leandre also nod at the words of King Farid, who is in a good mood.

"Opportunities for interaction… with the celebration of victory and the meaning of praying for peace to come,"

"In that sense, I hope Theodore and the others don't have to go through the trouble of making it easy for them to move around."

"I feel like it would be easier to take further kindness or deal with it in the unlikely event."

Is it like a so-called hotline between heads of state? It is also possible to share and exchange information on a communication machine at this time, but it is different to stick your face to each other.

Sure, it's pretty hard to travel and pick up with metastatic magic everywhere. Claudia's magic is shared and compensated for by circulating smell.

"I wonder if it would be impossible to install and come and go in the form of restrictions on stone tablets. Starts only when permission from both parties is granted, or sets limits on the number of people that can be transferred at one time and the interval between uses."

I can touch the labyrinth nucleus, so I can't even build such equipment.

"That would certainly make it harder to abuse."

"After that, it's a matter of national control."

Queen Aurelia and Queen Eldraine nodded at my words.

Would it mean airport-like equipment with a single collection of transfer gates restricted to royalties and dignitaries in each country? Though if I were to make that, I would make it to Termwilds, not Forestania.

Talk about that, travel slowly watching the city... that's how the carriage arrives in front of the Phantom Theatre.

"I'll show you."

Guide guests into the theater. Royal nobles from all over the country and acquaintances inside and outside Termwilds. The spirits have fairies, harpies, seylanes, etc... I wonder if the invitees are quite varied faces.

"Oh. Is this Corliss?"

"There's a statue of Belius over there."

and find animal group statues and relief to thrive on.

Guide everyone to their seats, then stand in front of the screen at the end to say hello.

"Thank you for gathering at the inaugural ceremony of the Phantom Theatre today. It's a new form of theatre, but I'd love it if you enjoyed it."

After that, tell them the precautions to take when watching the play. There are snacks, drinks, etc., but since the screening time is long there, should I finish the toilet, etc., in advance?

Then, don't be surprised because it mainly has the illusion of stimulating the five senses, but there is no harm. 3D drunkenness - or the possibility of symptoms like seasickness.

In that case, water magic magic magic magic props are incorporated next to the elbow hanging in the seat, thereby stopping drunkenness.

Then ask for snacks, drinks, and get the toilet done before they get there.

Originally, it was bought by each customer at the store and matched with the showtime, but this time it was inauguration ceremony and the visitor is a VIP, so it's a special specification.

I have some kind of food to make hamburgers with meat, lettuce in bread, sandwiches, fried chicken, etc., to pinch while watching a play.

Drinks are carbonated drinks and teas. I'm ready for hot and cold.

Spare me... you couldn't grow corn or potatoes in time and you couldn't offer popcorn or fries.

That's how ready we are, and the guest seats are dimming - the phantom play has finally begun.

It is the story of King Angelf, the high ancestor of the kingdom of Drafdenia.

The first episode will be a story about his partner Griffon and his journey with birth. He may have already made a stock of stories about fighting the evil king's country in three parts, building a country and then fighting evil spirits.

I am thinking in the form of having them look at it several times during my guest stay because it will be quite long when it is all screened at once.

The screen of the theatre shows the streets and meadows from the great sky - long idle views, with music of magnificent images worthy of the opening.

At the same time, the scenery reflected from the frame of the screen spreads across the theater's audience as it protrudes.

Soon from the Phantom Theatre, guests' seats were enclosed in the landscape overlooking the streets from above the heights. Birds flock around the guests' seats. Yes, from a bird's perspective.

A carriage is visible under the eyes of the passenger seat. A bird from a subjective point of view descends and the carriage approaches.

From here we enter the everyday part of King Angelf when he was traveling with his father and adventurers, the pharmacists.

The bird that was in charge of subjectivity flew to the other side, even as the adventurer broke the bread he was about to eat. From the perspective of being on the carriage, the volume of the BGM becomes smaller, and the story continues further.

The conversation with the adventurer tells of the situation of the King of Angelf, his father, the state of the country, etc.

When I get back to my native city, I have to pick herbs in the nearby woods to replenish the medication ingredients, etc.

This leads us to talk about meeting an injured Griffon child in the woods.

Now. Basically, if you look at the front, you can normally watch the play, but you can also characterize it as being able to look around 360 degrees in real time because you make up the play with a phantom using VR as your ideal.

You think it's a sense of swinging going along with the carriage, or you feel the moment the wind approaching you with grass in your skin? It's a dimension that allows you to feel the intensity of being in the spot while you get to your seat.

Treat yourself around the cities everywhere, or get attacked by goblins while traveling down the street.

If you look at the front, you don't notice because the camera won't move until that moment of the raid, but if you look to the side, you can properly find the goblins that are creeping into the grass.

We're not all very used to these plays, so sometimes it's too irritating to make a performance hard, and battles, etc. are an immersive but somewhat mild expression.

Because Olympia was still in the phantom play as she hugged the Corliss doll of Cork to the Earl of Wisnaia... well, it was a success as an addition to and subtraction from the performance.

The grownups were obsessed with the play so that they could eat in. Feel the shake or feel the wind. The scene of a goblin jumping directly from the front to an audience in the guest seat being beaten down by adventurers intercepted from the side had cheers leaking from the guest seats everywhere.

At that rate, the screening proceeds by exchanging various performances unique to phantom theatre. Boy - In scenes where Angelf helps injured Griffon children, the perspective shifts to Griffon, and Angelf boys who wave off from among the forest trees are shown under their eyes.

By the way, based on the statue of King Angelf, I imagine how he looked as a boy and so on. Learn a variety of techniques in interacting with adventurers to show one scale of their talents. That's how I let the Angelf boy and his father get emotional, and he moves the story.

The story moves in line with the historical fact that his father was imprisoned for his innocence and that the boy was taken to the slave market......

That's how the Angelf boy reunites with Griffon back then. He breaks out of jail and flies across the griffon, driving. The stars of the night. Angelf Boy and Griffon - the feeling of going off the wind with Gruke.

The boy's adventure while helping people continues - that's how his journey on Gruke's back takes him to Verdogal.

Where the royal castle Theorem has been seen in the distance, King Angelf's Phantom Play, Part 1, heads to the end. The surrounding phantoms converge toward the screen, and the royal castle Theorem fits onto the screen, showing Termwilds from Gruke's point of view.

That's how the ending theme, arranged for the opening theme, flows with a song, slowly exploring the perimeter of the Royal Castle Theorem.

As a result, the Golem Orchestra and Irmhilt, Justia, Dominic, and then Seylan and Harpy are all working together on the recording of the BGM in the play. So you let the magic props remember the songs used in the BFO.

At the end of the play and the sight of the screen blacked out, everyone in the guest seat stood up and applauded all the way to the theater.

"This is... great. No words..."

"Uhm. As a royal ancestor, I know what happened to my ancestors... and I accidentally held a sweat in my hand."

"This content… no matter how many times I look at the same thing, it seems like every time I see something new,"

I've had a lot of detailing and time proof around. One of the streets in the background very much reflects the customs of the time.

In addition, VR makes use of what I was impressed with for the first time. I'm glad everyone knows the same emotion...... there.

The children of the orphanage and labyrinth village are also not excited, and they talk about how that was amazing, how interesting it was here, etc. Everything from adults to children seems to have been enjoyed.