Boundary Labyrinth and the Foreign Magician

Wrap your Kimaira coat around before launching an attack. Somehow the sleeves were spread out and the details deformed into Japanese clothing style. The face of Nemea and Capella floats on some of the coats and laughs, and the acorns round their eyes at the sight.

I see. If you can change the length as you repair and grow, you can change the shape from a western to a Japanese style in a little time. It is gratifying to be able to wear it all the time even while infiltrating a hitacanokuni.

"Cut in from another direction for a stir, and magically break them first. It would be helpful if you cut in from there to match."

"Okay."

In a field made of wind magic, Acorn nods to my words and takes his gains out of the wrap.

Hitacanokuni's knife? It looks like a less decorative piece in action... but it strikes me as it wraps around a blurry, distinctive magic.

I'm pretty sure it's a pretty good business, but it doesn't seem like it's just a weapon. I don't know, maybe they're endowed with magical abilities. It also means that you have enough strength to keep all that stuff - so you need to be vigilant about the fact that you've successfully struck her.

Their leader. Especially that magician, I'll have to take it on.

Okay, let's just say we start.

- Far from the sky. Valor, who has unmasked light magic and wind magic, becomes a light bullet from just above, turning up the wind cutting noise and penetrating it. - The scourge of the beast man raised his face as soon as he noticed the approaching of Valor.

"Now!

I held out my protruding fist, at that moment. White light and loud acoustics burst from the valor that came down.

"Nah -!"

The gaze and attention are drawn to Valor. At the same time he jumps out of the bush, jumps left and right while creating a split by the Mirage Body, and penetrates in disillusionment.

The aim is just one person. Only the Sorcerer, their leader!

Slip through the avant-garde and cut in from the diagonal rear. Uroboros' blow pressed to suck into the back of his head...

But the first shot had been played. Something jumped under the operator's clothes and struck. Paper. That's thin, elongated paper. But it is home to powerful magic.

Dancing around the operator's body like a snake, taking an attack from me just takes a defensive stance. Late, the surgeon looks back here.

"- All the time!

The surgeon is a misunderstanding. What, I didn't care for the extra mouth. Fly away as if you were going to accomplish what you were supposed to do, cast a spell as you distance yourself from me, and tie your mark with your hand.

Several jaundice emerged in the space, which approached with a large mouth open from all directions as if it were stripping fangs.

Notably, the rarity of its existence. The beast of the yang flame that is clear if you can't make a sound or make a figure... This is the one that fed the acorn the accidental blow!

Create and serve magical creatures on the spot. Assuming this is a ceremonial god, is he a yin yang magician!

Straight into the Yin Yang Magician as he plays the impending beast of Yang Flame in Uroboros. I don't aim for anything but him. Because if you fill your hands with attack and defense, you won't have time to give your side a ceremonial god.

I saw an avant-garde recovering from an unintentional blow, trying to rush toward us - but he was taking the blow of an acorn that had been slashing him in, and he was being stopped.

There are two of us left. Valor creates an impromptu golem to draw attention. This also buys time.

The numerical disadvantage is quickly filled. Because Sheila and Ingway ran into us from the Sirius like we were running through the sky.

"This, these guys, where the hell are you from!

Sheila wants to scout the Beast Man. Ingway was slashing into an avant-garde with a knife.

"See what you can do."

"Hmm. An eastern martial artist? I'm exhausted."

I brought it into a one-on-one situation - gathering intelligence or powerful reconnaissance has strong implications.

Even the implications of using it as a reference for future battles need to be extrapolated in the first battle for strength and methods of warfare. So everyone else is - taking on the role of siege so as not to let the enemy escape, moving as a hindsight so that if the fellow slashed in deems it dangerous, he can crack it and let it in.

The split was fulfilled. Keep going, move on to destroying each -!

Acorns when we were talking normally - I had the impression that they were polite and serious... He had a sharp eye like someone else when he stood on the battlefield.

The man confronting him - measures the intermission with his sliding feet as he builds his fighting spirit. Shaped like watching the acorn move one hand at a time, standing in front of the other.

The moment you step over the line. Step in at a rate that explodes against each other.

Metal sound like a mistake. When I wonder if each other's swords have bounced off to be bounced, I immediately turn around and cut them together. Acorns and the arms of enemy martial artists are considerable. Accelerate the movement of the body in moments of struggle and cut it at an unusual rate. Countless metal sounds and sparks scatter. Scatter. When I was bounced, I thought I had shown impatience, I stepped in and struck a knife at each other.

It's the same for both of us who use fighting. The fact that acorns, who should be inferior in appearance in stature, muscle strength, cross each other with more strength and velocity than one another - from her knife to her whole body, is no longer irrelevant to her standing in shaky spirits.

It must be some kind of combat technique, established in Hitacanokuni. He is the one who will be asked to escort the witch. He's not a simple swordsman.

Meeting, on the way away -! A three-day moon-shaped shockwave was running like a man crawling on the ground if he waved a knife. If Acorn turns around and avoids it, the standing tree behind him can be torn in two. Quite a bit of speed and cleavage, but it doesn't even seem to be the real deal.

I was reading the direction Acorn avoids, and a man just steps in. Slash knocked into the hanging. The opposing acorn was slipping through like crawling through the ground. Scrape the ground to slip over the soil, arc, and reposition the body.

"I'm coming!

The sword of the acorn was in the sheath when it was broken. Acorn hands hung on pattern. A demonic mind rising from the sword and body explodes and swells.

"Shh!

Outside between steps, it should have been. The man who sees it tries to get more distance than he needs.

Never mind, Acorn waved the knife from the spot to the sheath. What was unleashed was a slashing wave that was neither fighting nor demonic. Fly towards the man, re-orbit him before he hits him, sprinkle a vortex and create a stream that involves what's around him.

It draws every body into its flow. I was drawn in, and my blood splashed all over the body of a man trying to bolster his fighting and carry out his defense. Even that winds up in the center of the vortex.

"Grr!"

A scream of bitterness. Acorns were stepping in where they stopped moving. It looks like a blow to the torso, and the knife jumps like a mistake. After scattering the defenses of the struggle, the defenseless medulla prolonged, Acorn's slap had been tapped. At the same time as the sound of a knife, a man's body collapses behind his back.

"What's your move -!?"

A beast man confronting Sheila sprinkles his flying tools as he flies away. With a struggling hand sword, Sheila flirts with a delusional movement by jumping to the left repeatedly appearing and disappearing. It seems that the belligerent hand sword changes its orbit even after it is released from hand - but it can't capture the movement.

"Ninja... From Theodore, I'm listening. I've also previewed it in Yokocho Sakura at night."

Soon I scratch my flying tools and Sheila thins flesh. The beast man receives the pearl sword to be punched in with a ninja knife that was resting on his hips.

But Sheila thought we had a combined blow. In the next moment, she's bouncing off in an unusual direction.

He must be in an operation that doesn't let him focus on hit-and-away from hard to read moves because he sees his opponent as having special skills.

The opposing beast man has to step back against Sheila, who jumps around the sky to the scaffold. Because you can't chase through sprinkling flying gear, and it's inferior to the speed of movement - Sheila is totally in control of the fight.

Emergence and disappearance. Sheila steps in without even making a sound. In contrast - the beast man breathed heavily. If you accompany your mouth with a hand that is not holding a knife and breathe out loud, burn and scorch every space where a fierce flame would stretch out of your mouth and Sheila would step in.

It is not like exhaling. Using drugs or something to set the flames on, it's a form of fire. But even that was within Sheila's predictions.

"During the first contact, I breathed heavily trying to set something up -"

I was predicting the type of attack from the preliminary motion. It wasn't Sheila who got caught in the flame, but the water separation. A fighting throwing knife pierces the beast man's hands and feet like a bullet as it evaporates through a spreading fog.

"Gee!?

Demon - An invisible dagger knife obtained from Invisible Ripper. The reaction is really delayed even when thrown from the other side of the fog.

A pearl sword peak swung down from the great upper section is slammed into the beast man who collapses from his knees. It sounded petty, and the Beast Ninja was unconscious.

"Bare hands are - they're insulted!

"You're clumsy. I don't know how to fight."

He said that whoever and whatever moves they use just do the same thing. Ingway steps unarmed, wrapped in a struggle on his limbs.

Deviate, step in, and reward an arc-drawing slash with a fighting defense that is perfectly aligned with physical surgery.

Even among the beasts, it will only be possible because they possess exceptional technology and speed of reaction. Don't miss the slightly heavily swung gap - a struggling nail strike rolled out to jump through the sky high. The man, who avoided a blow that should also be described as a pillar of struggle with a piece of skin, turns his eyes to Ingway like he sees something incredible.

Not clear or alarmed. They must have noticed it was a special blow with a drill on top of the drill. Ri, and eat up his teeth, fine and sharp, and wave a sword.

Eastern swordsmanship - the sword is a little different from that of the West. Slash to attract to hand rather than push to slay. These songknife techniques are close to those of the Bahárzad kingdom.

Either way, it's somewhat unfamiliar to Ingway. Still, it doesn't get to capture Ingway's body. I stood around showing the gaps, and still...

Get out of the way with your body surgery, and let go of the fighting claw blow and play.

Step inward so as to crush the disadvantage of intermission.

Wave the knife as you retreat. A shallow, cleavage blow that would make him step in - lightly Ingway was slipping through and packing his time to slip in.

Just waiting for it, the elbow of a man with plenty of fighting moves up at explosive speed. Intimate, ready body technique in time when the knife is useless. Handless vs. unarmed. It would also be possible to prune consciousness if it were hit.

But - instead of recirculating it, Ingway was taking it with the back of his hand, which had concentrated the struggle head-on. At the same time, a stormy knife draws a small arc and plunges into the side of the man. Crossing of attacks. Knock in moves at the same time to kill the opponent's moves momentum. Techniques to hold the opponent's moves with less fighting. In that aspect of handless body surgery, there was an isolated difference between the two.

"Damn...!

A falling man's body rotates in the air as Ingway's hand moves. At the next moment, by a kick swept through with tremendous momentum, the man's body flew straight to the side parallel to the ground - crashing into the trunk of the tree and rolling.

"What, you are! What the hell is that?

Yin Yang magician screams. Tie your mark as you scream to create and manipulate one beast after another of the Yangtze.

Intercept it - with the magic of surgical inhibition. Dark Magic Venom Force.

It's a technique used against magical creatures. shooting inhibitory information into a magical creature and causing it to malfunction.

I expected it to be highly effective against magical creatures that create instantly like Formula God - but apparently it works fine.

I guess it's this guy's special tactic of war to manipulate it if it creates it and be attacked in quantities using an elusive formula God. It is also suitable for use in assassinations, as it did with acorns.

Certainly a highly complete attack magic creature. But - so if you get one malfunction after another before you do the work you were hoping for, it is decided that the fuel consumption will be poor.

Yin Yang Magician, huh? I don't know how skilled this guy is among the hitakanokuni.

Within sight, the magic of the magician attenuates and his breathing becomes rough. He smashes the beast of the Yangitis, which caused the malfunction, with a uroboros, and does not hesitate to pack the intermission.

"Oh, my God!

I wondered if I had stretched a large number of curses out of my sleeve, and that would be the light sword in a row. I guess it means letting the defense be left to a paper snake dancing around the body and intercepting it with a spell sword. Or curse the movement of Uroboros with a spell sword and let the serpent of the ceremonial god attack it... In any case, the arithmetic in which the surgeon himself joins the attack so that he doesn't use the Venomforce on this hand card.

I don't mind. If you step in and slap Uroboros at the mercy of your strength, the man of the sorcerer will support the spell sword with both hands and stop the blow to contain it head-on. The paper snake becomes like a whip, approaching from a blind spot. But - the blow never arrived. Deploy multiple shields. Take the attack of the ceremonial god...

"Ha!?

That was it. Valor, flying directly from the side, penetrates deeply into the flank of the Yin Yang Sorcerer. This is where the acorns were struck unexpectedly and where the dimensions are not different. I heard bone crushing, so far.

"I'm sorry. It was full of gaps."

Do you specialize in assassinations and ranged warfare? I guess I'm unfamiliar with melee. The operator himself is set to be thin when turning to attack even a hand tag for defense. Multiple shields to prevent paper snakes from returning to inhibit movement. Barroll leaves Yin Yang Magician in a conical state as it is and makes him push through to blow it away.

"Ugh, whoa, whoa!?

I don't mind shaping. A magician who scatters spells and still shows his will to resist. Do you want me to go over the steeple field, or the curse stays in space and is fixed like a shield? But I can't do that.

- Dance.

Link to Valor for direct control. If you wave your arms to take command, Valor, turned into a light bullet, draws a complex and strange orbit, slips through the curse walls unfolding here and there, bouncing the Yin Yang magician's body in the air to the right and to the left.

The last time he blows up toward us, he slaps the magician off the big upper stage - in Uroboros. The magician is slapped in the big letter so that it snaps to the ground. The paper snake, which was rampant within the boundaries of the shield, was also grown up with it. I lost my magic and fell back to just a piece of paper.