Boundary Labyrinth and the Foreign Magician

The twin swords and the four swords intertwine to make a metal noise with fierce momentum. The four-armed doll confronting Jake - despite its peculiar shape, basic sword moves and physical skills are close to that of the Orthodox.

Jake has two blade streams against the four knives rolled out early in the arrow succession. That's not true if I say that's why I'm at a disadvantage with my maneuvers.

A red-hot rock dances around Jake like a satellite. The magic shields all manipulate red heat bullets to compensate for the maneuvers of the missing arms.

Jake takes the slaughter carried out at a blasting rate by reacting as he sees it. Slashing like shooting out with a spring trick. Even if the basics are orthodox, the doll is a doll. I guess it still means it's not like that of a human being.

Jake sprays a blast of flame more closely than just a counterattack, and a puppet piercing through it without a problem beckons him with a slash that pinches him from all directions. He takes two with a twin sword of a claw and stops one with a rock. When the remaining blow deviates from the body and dodges it with a piece of skin, it packs the intermission and slaps the giant head with a thoughtful shake.

Even though it sounded dull, the doll was unfolding a spell to create a shield.

Jake packs a pause and waves his double sword like he dances and dances. Poke, hit, pay. A sword trident plays out at a tremendous density.

Jake turns around avoiding slaughter. The shadow of the body - a longer-than-two horizontal sword strike from the blind spot was rolling out to capture the doll's head from across. The moment he rotated his body, he joined the giant claw and swung it around with one side, which struck him with a blow in the pattern. He wields a large sword as if it were handled by a nunchuck, and when he separates it again and takes the form of a double sword, he immediately jumps.

The doll is also a doll. Eating a painful blow to the head, feeling no pain or surprise, intercepts Jake as he is. The face of the wreck opens to the left and right, and a spear pops out of his head. Jake only spins his hard pumpkin head fast to play a spear blow.

I don't see anything at all damaging in the doll's movements when it comes to adding a few head thrusts and blows. Since it's a doll intended for melee combat, I guess it doesn't figure out durability to shocks, etc. from the outside.

Mechanisms and swordsmanship rewards nearby by stopping each other. Jake's head's fast rotation turns into a body rotation as it is, and only the pumpkin head wields a double sword like a tornado with a frontal view. The doll also joined the four sword patterns to each other, rotating the double-headed knife at high speeds like a windmill.

Rotation and rotation bump into each other, scattering sparks, and Jake and the doll are bounced backwards from each other. Bounced, the doll separates the double-headed knife and holds it in each hand again. I wonder if he put the knife over his head with four hands, cutting together and rotating from body to body. I'm going in like a drill.

That - Jake took it head-on by trying to shield the red heat bullet. Supports a red heat bullet with a double sword crossed by a cross, antagonizes with a puppet blow that shreds with disappointment.

It's enough to stop the movement in an instant. If Jake's kicking leg jumps up and kicks the doll's torso, the blown doll unlocks the mechanism of a rotating attack in the air.

That's how he goes from right up to right down. He puts four swords in and sticks them in. Two of them are shaken in the big upper section, and he accumulates two left and right. The moment we were in time, a fierce slaughter by spring tricks rolled out.

I won't. I won't avoid Jake. Take it with pumpkin-head with the technique of structural strengthening. Along with the dull sound, the knife is played on the pumpkin head. By dissolving and adhering the red heat bomb with high heat when it was subjected to a rotational attack, it slowed down the cut of the blade.

Combined magnum looms from left to right. That - the doll took it with two knives. Just because he doesn't mind being defended, Jake leaves it at his disposal to close. The blade narrows with this principle while making a squeaky noise. That's another attack of a different kind than slaughter. It is slow as an attack, but the force exerted on the tip of the inserted force - the tip of the "" can be tremendously immense.

A liaison doll slapping the two extra swords on Jake. But it can't be slashed. I can't cut it with a blunt knife. The doll who saw it turns the rest of the knife not into an attack, but into a defense. By turning it into a defense, we have a plan to escape behind it before it closes.

But there were those who didn't miss it.

- Stuffed.

with a cool voice. Magic thread from Magic Slave is stretched and connected to both shoulders of Jake. Pumpkin-headed eyes shimmer in flames, and guerraggera and laughter leak out of its mouth. The force put in both arms exploded and the equilibrium was easily broken.

It makes a crackling noise of metal, and the great bamboo is closed. At the same time, the curse of fire burned the doll from the inside out.

- Arrow bullet reward. They shoot each other at a distance as they fly around the sky.

Shoot through where the opponent was to the brink. Precede the direction the opponent avoids from now on and release an arrow. The battle between Illumhilt and the Big Bow doll presented a complete shootout.

Nobody gets close there because the barrage, also known as arrow rain, is widely scattered and rewarding.

A doll whose mechanical arm draws a bow and whose technique sets off an arrow of ice, and an illumhilt that produces and releases arrows of magic one after another. In power, the Big Bow doll will have minutes, and at the rate of releasing two or three arrows, Illumhilt will have minutes. Though the ridiculous power of the Great Bow is so fast that it cannot be avoided if it is slightly misguided - due to the nature of the Ice Arrow, it can be discerned by the Illumhilt.

But neither is decisive. I also get the impression that the big bow doll is predicting angles and speeds and dodging when he sees the Illumhilt arrow again.

The big bow doll produces three ice arrows at the same time, staring and fanning.

Orbit that hits you whether you stay on the spot or dodge left or right. In other words, I guess I'm trying to move Illumhilt up and down -. Illumhilt didn't ride the invitation, releasing three arrows to continue standing, smashing the frontal ice arrows through the exact same track, and aiming at the doll body with the last arrow.

The third arrow, which seemed to hit, is bounced with a mechanical concealed arm that jumped out of the doll's shoulder. More concealed arms have been activated, and the six-armed doll has taken out a small bow and begun to keep an eye on the ice arrow.

Four for attack, two from the flank. Equipment like the diversion of the torso of armor as a medium-sized shield. Fully specialized in shootouts.

"I've seen it in the labyrinth, but the Hitaca doll is amazing."

Serafina nods at the words of Illumhilt, who is acting together.

"Yeah. But you can't lose! I'll take care of that little arrow interception over there! Ill move as far as the ops go and be fine!

"Eh, Serafina!

Smiling at each other, the two of us now shoot down the barrage of dolls releasing. A small arrow of ice is scattered with acoustic bullets, and arrows of light and large arrows of ice go together at fierce speeds.

The sound of cutting the wind by flight. The sound of an arrow passing right by. The sound of ice arrows smashing and scattering with acoustic bullets. Like swimming in the air, Illumhilt releases an arrow, avoids it and rewards a stormy barrage.

Irmhilt retreats with a twist as he rewards the barrage. The doll moves to pack more distance than it pulls. Because we know that the closer we get, the harder it will be to avoid a blow from the big bow. If there is a shield defense, it would be a decision not to take deadly damage.

"A little more......! A little later -!"

In it - Illumhilt and Serafina were moving with a clear purpose.

First, it must be in a position that does not involve enemy allies in the barrage. And -.

Illumhilt inadvertently stops the move. The big bow doll unleashes an arrow bullet with fierce momentum as he packs his time. Illumhilt and Serafina shoot it off the front. Light arrows and acoustic bullets. Shooting each other from the head of an ice arrow. The barrage shoots down the barrage, and countless lights and ice bounce off.

"Now!

With his voice, the tail of Illumhilt moves. Keeping an arrow with an entity on its bow - countless ice arrows arrived to push off momentum on the Illumhilt side, which was interrupted for a moment.

But... With the sound of being able to play, the ice arrows were turning into just water. Creating ice arrows is a surgical ceremony. It is mechanical to release. After it's released, it's just a physical arrow - a chunk of ice.

Then it is easy to interfere from the outside if it is Ashley. Serafina exchanged voices more remotely and set up an operation to interact with Ashley.

Through the water pouring like rain - the arrows released from the squeezed bow pierce. An arrow carrying the power of the curse passes the proximity of the Great Bow doll, disturbing control and blunting the movement.

Therein arrived the guardian beasts of the manipulative beast of Serafina. Arm to manipulate bow. Hit the shield and take that freedom.

At that moment, Illumhilt is watching a giant arrow. Watch the giant arrow with Serafina's magic on the bow and squeeze it using the whole body of the snake.

Its bouncing speed - power. It's not an easy substitute to avoid by the big bow dolls being eaten by the guardian beasts together -!

A giant arrow was emitted along with the sound of a blast. Sucked straight into the torso of the big bow doll - the magic of the seraphina bursts from the inside as a shock wave as well at the moment of penetration. The big bow doll blew apart due to the shock wave propagating from the large hole drilled into the torso, whether the mechanism was vulnerable to internal shocks for only a complex amount of time.

"You did it! As maneuvered!"

Serafina with a happy voice. Touching one of the hands mentioned by Illumhilt, the two smiled with a smile at Ashley in the defensive position.

Appear instantly and move to reflect as you disappear again. As such, it slashes into the Enzo from a direction that is usually impossible.

Even though Enzo is a large weapon called the Horse Slashing Knife, it does not exactly kill Sheila like that.

Differences in speed, differences in the degree of proficiency in aerial warfare, are certainly between the two. All of them will have armaments up on Sheila. Still, Enzo was laughing fun at Sheila against him.

Theodor-style aerial warfare gear moves by kicking shields, but Sakio and the others made it for a casual flight in the air.

Small turns don't work, but the highest speeds are quite a bit, and they can be used for applications such as stuck on the spot or pushed further when it comes to imminent forms, such as packing an intermission without breaking posture.

So Sheila avoids the kind of battle that would be a force bump if she didn't know the bottom of the Enzo. If it is a blunt weapon like a horse slayer knife, it is nevertheless advantageous to pack the intermission and cut it off while staying close range.

Slash it, leave. Hit and Away. Distance Enzo's horse slashing knife, which rotates the body as it lowers and releases a slash like a pull and slash at the tip, avoiding a piece of skin with the reflex nerve. That's how Enzo and the Demon Knife lose their abilities during the battle.

If Sheila lowers, she steps in only for what she lowers, and if she presses, she lowers and takes it, rolling out a horse-slashing knife at the moment of intersection. At the moment of intersection, the horse-slashing knife and the pearl sword clashed in an intermission and the fighting and demons scattered a spark.

"That kind of movement - I've seen it before"

"Hmm?"

Stay in the air and confront each other once you have made a mistake. To Sheila's words Enzo distorted the ends of her lips pleasantly.

I saw it before - because Enzo's movement was reminiscent of Zaradi, a high-ranking demon with predictive abilities, for Sheila.

Preliminary reading such as to compensate for the difference between the blunt weight of the weapon and the lightness of the movement, the speed of the racial reflection, etc. Choice of attack as we know how to fight this one.

I guess Enzo's sword arms and body technique are certainly extraordinary, but that in itself doesn't go as far as to surprise Sheila. However, only the speed and accuracy of the pre-reading is abnormal.

"Your demon knife - maybe prediction, reading minds... powers about monsters similar to that. But it's not that accurate. Do you know the direction this slash is coming from, or do you push or pull later? If you can read it to that extent, you just have to concentrate there afterwards"

"... this guy surprised me. I can't stop wondering what kind of training ground you've been diving through at that young age..."

Enzo laughs.

"But, well, that's the place"

That's what I said, I didn't deny it. I guess I have absolute confidence in my ability to fight when my skill and demonic knife abilities go hand in hand.

Sheila's standpoint estimates that the abilities of the demon knife are probably those of the reading mind. It's not prediction, it's what we know because Carbuncle and the others had the ability to read minds. Enzo's movements are closer to what the Carbuncles are all about than Zaradi's.

If you know where your mind is, that leads to a grasp of your position. If you know your emotions, you know whether to push or pull.

According to Akane's story, the demon with the demon knife enhances his physical abilities and also increases his defense against surgery.

Then what do we do? Sheila builds up her fighting spirit from all over her body when she sets up a pearl sword. That's how he kicked his shield and went straight in without even disappearing.

Show yourself or disappear. To an opponent with the ability to predict or read minds is nothing more than a wasted drain of magic. It was fully useful as one way to see through the bills, so it's a bad idea to keep using them after that.

Physical feints are pointless too. Then quantity. Talk about simply mobilizing all the bills you can hold and stepping over Enzo's skill and demon knife abilities.

Sheila wraps a swirl of water around her when she's ready, and goes straight into it. Take the slaughter of the horse slayer knife with two swords wrapped around the struggle and slide into the inside of the time. It's Enzo's kick that jumps. It is so destructive that if it hits it, the bones will be crushed. Sheila does not ride the battle between the swirl armor of water and which strength prevails. That's because Sheila's battle is not the way to fight, even in a total, spareless battle.

Like filling the prefix of the reading mind with a difference in reflectance speed. React as you see against the attack launched. Expand a shield on the soles of your feet to receive it and fly sideways to get on your kicking feet.

Big Upper Stage. Turn around and avoid the horse-slashing knife that will be shaken off. It should be avoided with a piece of skin, which is slightly derailed by being bounced by vortex armor. Slowly delays Enzo cutting back. Step in to sew that gap and see the slaughter.

He deviates with his hand and his patterned head jumps to crush his jaw. Sheila's kicking leg jumps off her torso. A blade planted on the toenail leaves a residual light of struggle to arc in the air. Enzo, dodged by a blow that was supposed to smash his jaw and, conversely, shallow cleaved his cheek, laughed with joy nonetheless. I see the slaughter of a horizontal giraffe before I regain my posture.

The opposing Sheila was watching Enzo move before kicking the shield upside down and jumping in the vertical direction. A three-dimensional orbit that can't be a ground war. Enzo can't read in either direction until he knows he's willing to avoid it. Follow Sheila straight down to glide her leg armor shining as she turns her body around without defying the momentum of the slaughter. I jumped the surface rinse straight to the side as I erased my body.

"It's no use!

I know where he is going to disappear. I can chase him. Enzo saw the direction Sheila was in, it was that moment.

"Your abilities... are not foreseeable until the type of attack."

With those words. The explosion and flash burst. Acoustic flash shells crush Enzo's vision and hearing.

"Gu! Give me a little work!

Still, I know where Sheila is. I'm not losing at the highest speed. If you mean to go on an attack, talk about it until you get a distance and outrun it...

Such an enzo's prediction was betrayed in a round.

The moment Sheila's slaughter was taken into consideration - on her back and flank, there were signs of burning, like when she was attacked with a blade.

"Fool, huh!?

There's a limit to the distance you can read, but there's one nearby enemy. It should be just Sheila in the front. Enzo circles his thoughts as he distorts his expression to severe pain, although he should be able to provide such perfect cover.

The thick adhesive thread released from Sheila's wrist is wrapped around a vortex of struggling water. At its tip are pearl swords and swordbore daggers.

The thread and the whip of water were manipulated like creatures by fighting. Make him aware of the body's intentions to attack, neglect his fighting and demonic defenses - he sees slaughter and spikes from a direction that is not like sewing a gap.

"Grr, ooh!

Shake Sheila off with a horse-slashing knife at her disposal. The distance is away, but Sheila's intentions to attack are still uninterrupted.

"Retain"

Such, Sheila's pitiful voice and strong will.

Enzo focuses his power on the horse slayer knife as he responds. Pull it wide and swing it out the moment you're in time.

Sheila - bowed herself, kicked her shield with both legs and flew the shortest distance. That moment about whether to go in between horse-slashing knives. Sheila's movements accelerated at explosive speeds.

You can't even pull out the horse slayer knife in time for an injury. Turn everything around to increase the explosive power of the Magic Light Propulsion Demonic Prop and the fighting spirit of the Vortex Armor. He slits Enzo's arms into pieces with his armor as his defenses diminish after falling one side of the attack.

"What..."

A horse-slashing knife removed was thrown up into space by adhesive threads and severed by a struggling pearl sword. Where defenses by demons were gone, Sheila's unleashed thunderbolts captured Enzo to ensure he reaped consciousness.

Thus, a few moments after Enzo collapsed, the monster sealed in the demonic knife was freed with the light.

"Appreciate it - do. Of the Beast Man, Daughter"

He was a monster whose whole body was covered in long hairs - or even looked like a monkey.

"Wear it down... If you're here, go back to your position... you're here. Then let's be adults and obey. You too... be careful not to get hurt."

"Mm-hmm. It's quick and helpful"

Sheila laughed softly and returned to the battlefield with the pearl sword in her hand.