Boundary Labyrinth and the Foreign Magician

A young dragon flying with wide wings. But who it is is is the last Guardian to protect the depths of the labyrinth.

Vinckle flies at a bullet-like speed while leaving the trajectory of light in space, and that's how he swings through his nails. Rip it up and kick the magic shield. Repeat reflexes in complex orbits.

You can't chase the Warcraft around in unexpected orbits in addition to the arrow-like velocities unleashed. Swing your tail, and cleave it with your nails. We'll take a deserted field through a herd of warcraft. Vincle flies around like a light bullet and ravages it.

The warcraft to be chopped are still regenerating, but are they still incompatible with the art of ruin? The very figure of the Warcraft captured within Vinckle's attack zone seemed to shrink to regeneration.

"That way of moving. Theodore's Influence"

Sheila releases a web of adhesive threads as she says that. To the warcraft imprisoned there, the arrows unleashed by Illumhilt and Serafina in cooperation pierce and burst the power of evil.

To the battlefield, the song began to sound good. That sounds from the Sirius, Yura's singing. Kagura, which quenches the rough spirits, blunts the movements of the Warcraft.

"The tall cows fly in the sky -"

The cows called in by the deputy officer, they can all fly in the sky. Each has different clothing and equipment. However, the movement, which was arranged in such a way as to manipulate the score in a delicate motion, was so beautiful that it could be described as quite hand-worked.

Double hook. He who holds a sword with a curved tip in his hands, spreads his legs wide and stands low. A stick crossed at right angles - one equipped with a tonfer in both hands and standing on one leg. And behind them both, he who stands calmly, unarmed, and rises up the purple aura.

All of them would also be the trump cards of the deputy. These people shouldn't be allowed into battle with Orier.

"I'm the one in that back row. It's going to be difficult if you're not the subject of surgery."

Tsubaki says, Ichiemon and Ingway nod.

"The Awkward shall take on the Double Hook - the one with the crooked sword of the tip"

"Then I'll be the one."

If the three of them go for the cows and step in, the enemy will go in again without hesitation.

The first one I set up was Ichiemon. Soon he takes his back sword, throws it between two and three pieces and one breath with a cow with a double hook, and jumps to the sidelines after attracting attention.

When Kyoshi waved his double hook and played his back sword, he followed Ichiemon's movements. Shaking the double hook vertically and horizontally, Ichiemon responded with a struggling ninja knife and no bitterness.

Incidentally, the sound of countless spears echoes around. Ichiemon steps into the inner, inner, inner tip of the double-hook that cuts in.

The length of the score is as good as the ninja knife and the double hook, respectively. Then the power of the double-hook will be reduced only for stepping in, and the bitterness free can be effectively used in both defensive aspects. At present, Ichiemon has devised a way to hold short bitterness to the other side, so as not to lose from the length of the gain. I mean, it stands around defensively, but it's the late closest fight. Even if it is enhanced by the fighting spirit, the strength of the cow is phenomenal.

However, a weapon called a double hook also has axe-like blades and pointed parts on the handguards and patterns called regular weapons.

Kioshi is also fully aware of its advantages, coming protruding the blade to protrude his fist so as to use that area, or launching another attack of arcing orbits to snap the blade or pattern head, responding instantly to Ichiemon's movements.

I clashed and the spark of fighting was close and bounced many times. Like sewing a gap between moments.

If you roll out the bitter nothingness that you gripped in your reverse hand around the neck of a cow, the cow becomes half-hearted and takes it with one double hook. The other double hook, which draws heavily, is thrust out with fierce momentum.

Ichiemon can be used to twist and avoid the body, but a weapon with a bent tip called a hook can also be used to hook the spike back.

Out of sight. Shaped like a blade looming from behind. You expected that. Ichiemon kicked his shield as he bowed his body and jumped wide aside.

Seeing it, the cows hook and couple the twin hooks that pulled it back together. It became a great weapon for two verses. If you wield it and wield it at a tremendous rate as you follow Ichiemon's movements, the part that was the handguard acts like an axe as it was and strikes Ichiemon's neck.

A piece of skin. of the ichiemon avoided off the upper body, passing through a ridge position, like tearing off a portion of the mask.

But it doesn't stop. Keoshi doesn't stop. Coupled Double Hooks far outweigh Ichiemon's gain.

He wraps a demon around it as he swings around to draw an arc, and follows Ichiemon's movements as he releases a slaughter even beyond the intermission of the coupling double hooks. I put plenty of centrifugal force on the strength of a cow. That's not something I can properly take.

"I knew how to use the hook sword..."

Ichiemon wraps his tongue around his heart wondering if this is something he can manipulate brilliantly when he is proficient. If I compete in the right martial arts, I might do my best. But...

The moment they thought the twin hooks that have been swirling would hit them. A blast is emitted from the body of a swiftly marked Ichiemon. A strip was wrapped in black smoke, scattered with black smoke.

The art of fire... It is the ninja who incorporates anything into the performance of his mission, and the creed of Ichiemon. Martial arts, physical arts, of course, pharmacy and disguise techniques are just one means for sneaking. Then naturally, the Yin and Yang technique.

Keoshi follows. Follow the smoke movement. Smoke moved. Towards there, he taps into the coupling double hook - but only the sneaky outfit that Ichiemon had wrapped around his upper body was torn.

The figure of Ichiemon is in the exact opposite direction to the art of the empty cicada. Tie the scrolls to the mouth one after the other.

Then black sand rolls a vortex from the ground to dance around Ichiemon's body so that it is drawn to Ichiemon's body.

"Secret - Dragon Crumb"

Sand iron - that's sand iron. Countless sand irons come together to form a shape that can't even be dragons with giant black snakes.

On the head of a dragon created by a running stream of sand and iron. Ichiemon fly with his mark tied.

The art of manipulating gold is the mainstay of Ichiemon's lineage. He therefore has the last name of Tatsumi, which means gold in the fifth line.

Intercept the approaching sand iron dragon with a coupling double hook. However, the sand iron wraps around the vortex so as to interfere with the movement of the double hook. Slowly twin hooks of motion were slammed, and a dragon of iron chips drank the body of a cow.

As the swirling sand iron sees, it sticks to the bovine body and solidifies, inhibiting movement. Sand and iron swirled around me as well, like a black tornado.

It's not like there's enough momentum to cut it directly like the grind dust that Theodore uses. But the sand iron controlled by the technique gathers together as if it were an amorphous creature, sealing any movement of those captured by being weights or restraints.

This technique is not intended for attack alone. It's flashy, but it's used to draw attention to it, to threaten it, to crush it, to darken its eyes, to choke it... to inhibit movement - it's a ninja technique, it's a method.

But Ichiemon, who moved directly beneath it, poured yet another powder out of the wrap into the sand iron vortex - so.

"It's burning."

I threw in a seed fire with those words. The seed fire instantly turns into a giant blast flame, wrapping the entire tornado. Take in multiple pieces of air to burn down the cows captured inside with explosive flames and high heat.

It wasn't long before I burned it down. It was the cow that became like a charcoal extinguisher that fell toward the ground.

Ingway and Kyushi - clashed with the momentum going straight in. Fighting claw shooting and demon-wrapped tonfer belly bump into each other at a squeaky speed.

Wooden weapons. However, by wrapping demons there, he has been subjected to Ingway's claw blows that also tear iron apart.

As it were. Close and mutual arms, as left to the momentum of the clash. My legs. Jump up, arc and the fighting and demons collide.

Simple shapes and the use of tonfers are diverse. If you release your fist, it will be a spike worn at the tip and can also be used like a armor. Step away from the blow of a cow with his struggling arm, releasing a back fist-like blow from close moments.

I don't punch you with my fist. The focus of Ingway's struggle is on his wrist. By bending your wrist, you can tap a blow that exploits the stiffness of your joints from a near intermission and unfamiliar orbit.

I don't think the tree and the flesh have bumped into each other, the sound and shock of knocking something heavy. The shape that Keoshi received in Tonfer's belly, but Ingway, who wraps up his sharpened fighting spirit, punches in decently and still doesn't seem to be in pain, and Keoshi doesn't make it slight, even though it was a tremendous shock. That's right. Because cows don't feel pain in the first place.

Immediate counterattack. Tonfer, who changed his way of holding it and widened his range of attacks, is swept from side to side with great momentum. Try to pinch it with your elbows and knees to stop the tongue fur, and if you release the palm bottom, the cow moves away from your body and avoids it.

Reward each other's martial arts in the proximity of fire. Squeeze, deviate, bump into each other. From there, I fly from body to body into a motion to wind up in a tonfer and try to take a joint. There Kyoshi follows. Beat the tongue fur crossed from the top, kicking legs jumping from the side of the ingway you took. Take that on your knees.

"Keoshi? I heard there were people who could use martial arts in their lifetime."

Big deal, Ingway takes praise for Kyushi and the martial arts of this country. That's how I avoided the spike plundering right next to my face - stripping my fangs and laughing furiously to show it, as I said it was getting fun.

Ingway and Kyushi fists, kicks cross. A tremendous density of offense.

Kyoshi's diverse moves. Unfamiliar weapon. Together, they slip through Ingway's fighting defenses slightly to convey pain. Reward the attack, not even by accident. Ingway's attacks are also hitting the cows again, but they can't be seen to be painless. Still using the technique of offense in discipline is the remainder of Kyoshi's life?

Then what? Ingway asks himself.

Easy. If pain doesn't inhibit behavior, you just have to destroy it to the point where you can't act in the first place -!

At the time of separation of time. Fighting concentrates on the heavily pulled Ingway nails as he tries to crush his move to hold back the tongue fur. The reaction to it is unusually fast. Stop the tonfer spin and concentrate on the demons. Show defensive movement as you try to roll out the nail strike.

It was the next moment. Both arms of Ingway were swung through in a way that intersects the cross. There must have been two nail strikes unleashed -

But there was overlap in the insane coordinates of the dimensions - cutting through the tongue fur I tried to defend and carving a cross wound to the body of the cow.

In time for the unleashed fighting claw strike to hit. Seeing the bursting position, its unusual business -.

So, it's not the end. The posture that left the cross nail strike unleashed - a tremendous amount of fighting swirled around its crossed arms. Did Kyoshi - look at it and decide it was inevitable? He was concentrating his demons on the other tonfer who stretched out to try and fight back from the spot, not to try and take it.

"Whoa, whoa!

Roar. A blow I left to the power as if I had left my moves behind. A cross blow ripping outward and a demonic blow swinging straight through it clash.

Explosion with each other's moves bumping into each other. Take it in the form of mutilated and falling cows and hitting and damping moves head-on... Ingway staying in the air and laughing while raising white smoke.

"Interception without avoiding it is brilliant -"

Such is the praise of Ingway. Says Keoshi's will is rare, but still out of the control of his deputy due to the impact of a clash of moves? A moment of light dwelt in the falling cow's eyes, laughing... and it seemed to Ingway's eyes as if it had collapsed that way.