Boundary Labyrinth and the Foreign Magician

There was a similar feeling to the floating feeling like in the water. But it is a dark sea with no moon or stars, without the light plunging in. In it, only the glow of life and magic stands out in response.

The surgical standalone does not allow you to swim so fast, but if you provide assistance or kick a shield by creating a flow with further earth-magic control, you can get a good speed. This area was verified by the time we built the magic props.

The enemy's position, too, is visible. I have no problem fighting.

The head must be grabbing our position by some means. You confirmed me and Corliss moving straight towards you, and you pulled out your sword immediately after solidifying in amazement.

There is some intense magic reaction shining around the neck. spherical, something.

I mean, it would be treasure. A bead-shaped treasure. The next moment I thought the magic it emitted had increased its power and diffused to all quarters - the magic came into shape like a fish and rushed towards us.

"Coming!

Corliss snorts at my words. Crystal armor is created is visible across the soil in a magical reaction.

My voice is transmitted to the bridge through demonic props and from the bridge through Stefania to Corliss. Corliss is already sensing it, but it also means making sure that he can interact with his voice.

Soil magic interferes with the surrounding soil. If you use the magic of dark vision while expanding a soilless space around you... A silver fish like the tip of a spear penetrates through the wall. If you slap the uroboros, it will splash apart and then return to the dirt mass.

Corliss is also easily torn apart with crystalline spears that pop out of his armor and his claws. It's not my fault. The movement is sharper than on the ground, or it is a lively corliss. I don't think I need to worry about this.

But again, it is possible for enemies to "create bandits by themselves". Swim freely through the earth and create a substitute similar to a golem that reproduces even texture and color. Such a treasure.

I couldn't find it after the bandits. That's why. The lower end of the bandits just goes back to the dirt. The head just swims through the earth and runs away. No one can chase them without measures.

Does the head intend to be a pigeon, producing earthlings dressed exactly like himself? They come in a row of sideways... It's no use. I distinguish between life and magic reactions.

"Enemy Split! This distinction is fine!

"Corliss has a distinction, too! He said he knew the difference from the main body!

Stephania answers my question. Then there is no problem. Keep each other clogged - cutting into the head in the dark sea.

If you take the slaughter in a uroborous way that gets punched in a neck mowing orbit... The face of the guy who stunnedly opens his eyes jumped into view. At this distance, you can even tell the expression just by the life response, and the voice can be transmitted.

"Hungry, you say!? Who is it?"

"Do I need to answer?

Answering so briefly, he jumps up the dragon wand, plays the sword, and beckons on the side of his head, but his head turns away from his body. At the next moment, the third arm holding the sword grew out of his shoulder and hit him with a slash. Generation of weapons or parts of the body!

Capella misses that slash with a horn, and I cut myself with the head body. Reward for slaughter and blow.

The problem is the sword that should be in his hands - it's inherently hard for my eyes to see in the ground because there's no life or magic response to this. It wraps up a struggle, but I don't see it clearly to the point where the contours are flimsy.

So - I think of the image in my head. Which hand is the enemy's gain? At what angle is it punched in and how far is there in between? I haven't grasped the exact point until the length of the score. Therefore, I will not try to avoid it by deviating from my body so that I do not understand it. Step forward and cut it together as you push it in to let it distance you from the city.

But I can't pack my time. Because we try to swim in the ground with each other to reward the attack.

In an attempt to break down and kick the shield and step in, he tries to push the whole body back to get a certain amount of time. I have succeeded in pulling them away from the city... but it is difficult to step inside the time and cut them apart. Magic shockwaves have also diffused throughout the earth, making one ineffective right now. Again, fighting in the earth is a lot different on its own.

A strong life response covers the sword's full body. Struggle slashing wave. Shoot him down with a head-on, magical blow of Uroboros and step further in. Bad hand. With the move now, I also got a good idea of the time between the gains themselves. Now - we can cut deeper and sharper.

Nemea responds to the earthly shape that penetrates from the side. Nostalgia Valor creates a bullet of dirt to respond. Even behind his back, Corliss is using claws and crystalline bullets to fight the swarmed splinter.

They're shooting at the top of the stairs. Plus - a spear of elastic crystal is released from the back of Corliss' hand and pierced. Weapons captured from demons in the depths of the Labyrinth are also valid in the earth. Because it's the weapon I originally deposited with Corliss so I could snipe it out of the dirt.

The earthly shape itself is not a great strength. But the problem is that the earth is all around us, and it can be created indefinitely. Cut to the main body, but also in such a way that Nemea, Capella, Valor and Corliss are exposed to undrawn corrugated attacks.

If you don't finish your head off, you'll be forced to wear out.

In it, which cuts off with the head... Mutual weapons clashed and bounced, opening for a moment. Earthbound... So how about this?

Link all body movements and magic to emit a spiral shock wave. Directed shock waves do not diffuse, and can burst at one point. The next moment a magical twist was released from his palm - he tried to turn himself a moment late and sent to show it. Shockwaves can be played where he was on the verge.

"Gu!?

The aftermath caused an explosion in the ground, and he turned away from the impact.

I see. Is that the power of the treasure? Or is that some sort of procedure?

I'm sensing magic moves. Otherwise, there is no reason to turn around between the release of the helical shockwave and its propagation.

Are you putting treasure magic through your body? So, not from the treasure, but from the surroundings of his body, the earthly form is created. If it is possible to control the earthly shape because it can sense the magic passing through the earth masses... Tsuji fits.

Step in as you work out your magic. Head trying to back off and run away. From there countless snake-like earthly shapes are created and coming this way. Shake the uroboros and smash it so that you can bounce the spike of dirt from the valor.

Such small tip deception is not an issue. But the magic released from the treasure is increasing. Are you saying that you have abandoned the margin that should be left in the sabotage?

Involving the surrounding soil, the magic spreads widely. If I followed that contour with my eyes - something like a giant dragon was about to show up.

Corliss, put me on your back.

Speak to Corliss behind you. The head split looming from both sides - Corliss, who was smashing and crushing his last two heads to pinch them with his palms, nodded back here. Ride it across its back and I'll be incorporated into the crystalline armor.

Magic supplies to magic props have also increased. Corliss is also placed under the influence of the procedure. Valor goes to Corliss' feet. Involve Corliss in circulating smell to enhance. Corliss throats slightly belligerently.

Come on...

It's almost at the same time that his dragon is ready. A dragon swimming in the dark sea opens his jaw and rushes towards us.

Magic light propulsion from Valor and my own earthly magic reduce propulsion resistance. Fly through the earth at such a rate as to shake off a blow to the jaw. Behind us a little bit, the dragon's jaw was closed and a terrible impact spread all over the earth. Fastness I don't think of as a giant. A dragon of earth with treasure and an operator at its core. They are not the ratio of earthly shapes detached from the body. But...!

"Let's go!

Corliss responds to my words with a growl.

"Sword!

Class 5 Light Magic Starblade. A great sword of light unfolds from the tip of Uroboros. Slash and slap the looming dragon's arm. From Corliss, it is dispersed by the magic of the enemy and the position of the body is not known. But I can see it. Radiance of life response. its position.

I'm caught in a circulating smell, that feeling tells Corliss and Valor what I intend. Corliss also informs us of what he senses through circulating smell. By understanding each other's intentions and moving, they function like one creature.

Fly freely through the dark waters as a crystalline bullet. Scratching the jaw, nails and tail blows of the dragon to see the slaughter, Corliss punches the crystal spear into the twisting dragon, aiming at the position of the enemy body. In the body of the dragon, I can see that whenever the head deflects the body and turns it away, the movement of the dragon also disturbs.

Slash. Slash. This one wins at speed and small turns. Let the dragon's body be slaughtered by thought, and disturb the treasure's magic with a magic blade. By causing more waste to be done on the restoration, Corliss punches in the crystal spear while aiming at enemy depletion. Fast combat and main unit aim. Disruption of magic. Operation that thoroughly disrupts enemy control and targets waste.

In contrast, he deforms the dragon's body and responds. Suddenly the grown dragon's arm approaches his eyes like it rips open. But in disturbed control, the attack's orbit is sweet. Off my face and cut off my arm. But from us, the main body tries to take a distance.

"How about this?

Control the surrounding soil to widen the cavity significantly. If I redirected and popped out - he seemed to have lost sight of this flying direction for a moment, and was launching an attack in the wrong position.

Sense the magic in the soil. Incomplete magic sensing. If so, he can't sense what's going on inside the cavity that was magically spread. So - I can't even tell the decoy from the main body.

If it's a battle in the earth, if you really exercise your magic, there will be traces around you. The magic of those who stand on the surface would also be sensible, so it would be a drawback that would not even have been a problem in nature. But there are weaknesses. Did you understand that? Do you want to bring him into the battle in sight, too? He runs up and up.

Spraying a simple golem in the form of a Corliss without combat capability into the earth, he plunges into the main body. Tear down some decoys with your fingernails - a giant spear of dirt spits out of the dragon's mouth at us. Corliss flies to add lateral rotation, avoiding the spears of the soil in a rind, from which he fires off the spears of the crystal. Through the body of the dragon, he pierces the shoulder mouth of his head.

of life reactions - see the movement. The surgeon growls abominably, while at the same time allowing the dragon's body to swell and deform. He deformed himself into a giant body and put it together to show off his moves. The scale of the expected blow from the increased magic. This timing is - dubious as to whether it can be avoided by boulders. The aftermath alone would have considerable impact.

Take in environmental magic and refine your magic more - roll out magic circles.

A huge slaughter looms with fierce momentum. A blow to the ground shakes us away.

But... we're not there. Escaping slaughter trajectories and aftermath with compact leaps. From the position of the dragon - up there. Sometimes the surface was approaching, taking it off the ground and escaping into the air. Cut the Magic Supply to Magic Props. Stop maintaining crystalline armor. If you block all the magic that interferes with the soil - you can't see it from him.

As confused by the fact that the reaction disappeared without any help. It rises further on the surface.

"Corliss. Throw me at him. I don't care if it's full."

Did Corliss understand my intentions, when he puts me in that hand rolling out magic circles, he swings and throws me to the surface.

More acceleration with magic light propulsion. Downpouring Crystal Armor Shards. Rain of shining shards in rainbow. The surface is approaching at an intense rate. Jumping out of the surface, dragon's jaw. Head figure inside it.

The gaze fits.

"Why are you up there!?

Stunning look. As I burst in laughing, he tried to intercept me in a desperate shape, shattering my eyelids with his jaw.

But neither power nor movement lacks glory. That's right. It's just after we roll out the big moves...

Unleash the unfolded magic. Disassembly Magic - Disassembly.

A surgical armor wrapped around the body - the moment I touched that white glow.

Both the fangs of the dragon and the sword of the man to be slapped were broken down as magic. The white glow spreads on all sides except me and him - breaking down, dimensioning and making meaningless the art of diffusion from his treasure. Flew out onto the surface, the dragon's head self-destructs, and some of it touches my magic, breaks down as magic, and vanishes.

Now it's time. There was a color of fear and war on his face. Whether or not you understand the fact that any amalgamation broke down as magic the moment you touched the brilliance.

The result is this. I can't replenish the earthly shape on the guy who jumped out into the sky. I'm at the end of my eyes and nose. The score is also broken down.

"Ugh, whoa!

Roar as if trying to smear fear. He releases the soles of his palms with a fighting spirit in his bare fists.

Avoid that with a piece of skin and grab that arm.

"- Take it. It's for the inhabitants of the village you burned."

It doesn't get into the numbers of things, such as moves that were stuck in the feathers and confused and rolled out. An empty arm was trying to retrieve the spell, but I didn't let him do the next thing. Because I grabbed my arm and unfolded the lightning magic for proximity as it was.

"Damn!? Giaaaaaaaaaaa!?"

Scream. Class 6 Thunder Magic Lightning Claw. It has a wide range of surgical controls and is a magic that can be used both for killing purposes and for non-killing repression. This time...... intense stun gun-like adjustment. I will not allow you to escape or fight back, depriving you of your physical freedom and space for thought.

Expand your magic circle with plenty of electricity. From an intimate distance, he pokes the tip of the uroboros and pierces the wedge of sealing light directly into the treasure and the head himself.

If you let go of your hand after the revitalization, the chains of light become tangled more and more so as to indicate that the procedure has been activated precisely. Towards the wreckage, which was a dragon of dirt, his head slowly fell as he blew bubbles.