Boundary Labyrinth and the Foreign Magician

"Again... the movement of these ninjas, it's not like they're in contact... But -!"

Ichiemon throws back two or three bitter swords himself while avoiding the backswords thrown by the liaison ninjas to the right and to the left. But that bitterness was not aimed at the ninja itself. Lights and moonlights, aimed at shadows on the ground.

I guess I couldn't handle an anomalous attack like targeting a shadow, not a body. That's the moment I stabbed him to the ground aimlessly - if Ichiemon made the mark, the mark that was engraved on the bitter patterned head would react and shine small, stopping the ninjas' feet.

"Ninja, shadow stitching -"

The next moment, Eggbeast and King Ignado were penetrating at windy speeds. The ninjas also respond. But if your legs are stopped, you can't stop the beast kicking the ground to the left to the right, and King Ignado says...

"Right there."

At the moment of contact, a magic circle floats at the end of Elena's wand. Accelerate like a bullet in response. Egg beast sweeps through the head of a liaison ninja at a tremendous rate.

The remaining two ninjas were blowing apart as if they had also been wound up in a tornado, wondering if their fighting spirit had swirled at the same time as King Ignado's step in.

Awesome sight. But the demons of the labyrinth are not frightened by it. It's of that nature.

Especially in a square like the one you just stepped into - that is, in a large room where you call it in other compartments.

Crossing swords with King Fareed is an outgoing monster that should also be called a ghost warrior who is spraying a blue and white flame from the gap in his armor and accompanying the fire. No, there are no demons of undead origin in the labyrinth, so you're more of a firefighter than a ghost.

The firefighter's knife and King Fareed's song knife stagger with tremendous momentum to sound the sword trident. Whatever the firefighter looks like, the swordsmanship itself looks pretty orthodox. Against King Farid - the martial arts of the Bahárzad kingdom polished up in action. He makes good use of it to attack and defend the curvature of the song knife. The movement is like dancing a dance.

With its unique movement and its good rush coming from years of battle, it is slaughtered against a fiery warrior who boasts tremendous power, making him look and pull when attacked, making him look and step in when pulled, and securing a safe zone by diving into the interior of the intermission. I guess the firefighter is a big man's category in this big room, but he's definitely shredding it while taking it to his hands without risk.

Especially since it is a ground battle but uses a magic shield for scaffolding at a stronghold to widen the movement. I can see that it is a ground battle to match the firefighters, but it is meant to keep them from going to the rear guard.

The song knife is specialized in the nature of slashing, and when compared to a straight sword, it has a different place to concentrate your fighting. From hand to tip. If the fighting moves to flow - combined with a curved shape, it is possible to divert and flush enemy attacks with moves rather than forces. King Fareed cuts in to recieve the slaughter of the step and dance where his body swayed greatly.

If you see a misguided slaughter, the blow of the struggle seems to inflict a great deal of pain on whether there are entities or even suspicious beings. Hold the flank. The firefighter was flying away big.

"- Good knife. And I can see Elkham falling in love."

King Fareed laughs when he sees the sword in the hands of the firefighter. The next moment. The blue flame rising from the samurai's body erupts strongly. The accompanying blue flame wrapped around the knife to draw a spiral.

"Are you serious? Come on, come on!"

Also King Fareed. Raise the fighting spirit from the limbs and set up a crooked knife. It shows an unusual movement, but does not waver in any way in the struggle itself. It's like the way you fight represents King Fareed's honest personality as it is. With that impression...

Over their heads, King Leandre and Zephyrd were playing a big stand against each other by cutting the net and making the roundabout.

Even in sporadic battles until he got here, Zephyrd was kicking umbrellas, etc. with complicated behavior, such as triangle flights that used the junction backwards. That doesn't mean he can't do it without the junction. Neither King Ignard nor King Fareed, but it's a peeking move that I guess I used my time for that mastery since I got my air combat gear.

I guess Zephyrd is sensing what's going on around him with a little movement of King Leandre riding on his back. King Leandre takes it to a hunter-friendly position while avoiding a net-cutting attack that penetrates from the blind spot. Almost simultaneously with Zephyrd kicking his shield and rising to high altitude and King Leandre waving his sword. A slashed mesh cut falls to the ground.

The moment the roundabout tried to chase Zephyrd, the sword of King Leandre, who had descended from just above his forehead, was being tapped in. I got off Zephyrd's back and slashed the hell out of him.

To the mesh cutters whose movements are disturbed, Zephyrd now comes in from a diagonal angle and tears them apart with his forefoot claws. He tangled his tail around King Leandre's wrist, and when he thought he was wrong, his lords were far apart... King Leandre and Zephyrd and... Maybe it's natural to be breathtaking because we've been dating since we were born and raised, but again, it's quite proficient. It's not normal for the two of us to breathe so much as one.

Ninja guys with anomalous movements, liaison samurai guys with assault power are held down by Ichiemon and King Ignado, one crack in the egg beast.

Okay, Elena to be the guard. My lord, the libra.

I was arrayed at the entrance to the big room. I guess it has the aim of trying not to be surrounded and limiting the direction in which the enemy will attack.

The folks, who should have said they were careless, came straight in with a spear. It's Elena's manipulative egg night that intercepts it.

Place a shield in the hand of the Egg Knight on the spear to be penetrated. Strange things happened as Elena unfolded her magic circle at that moment.

The moment the spear was stuck in the shield, a strange pattern floated up and blew up holes like those worn by the spears in the torso of the feet, the side where the spears were stuck. Egg Knight, which is supposed to be a small body, doesn't seem to have any shock or itch, plainly forming in front of Elena and Libra.

"- Car Reflection"

Such Elena's voice. He activated the operation from a shield in the hands of the Egg Knight and bounced back the attack he had taken, as it were, to the enemy. Around suddenly reflection damage occurs even though there was nothing in the look of it, I guess that's like a spell. The curse of reflexes is activated when an attack is launched where the procedure has been deployed. Looking at the principles, it's really a spell......

"That's a beware if you're dealing with a Beschmerck operator"

I was watching the war a little further away, but Sheila said so.

"Right. We need to ask Elena more details later and figure out what to do."

And I nod at Sheila's words.

The earlier acceleration of the egg beast is referred to as the reflection of the egg night.

In Elena's case, she can mediate the magic creature she created and activate the spell from there. Elena uses more power than specs by activating the technique according to the situation on the magical creature acting autonomously, and responds to the situation on an ad hoc basis.

Anyway, I can tell you that next to Elena, I refrain from libras and egg beasts, and it's pretty hard to break through with two egg nights protecting the front and some of those reflex spells. Egg Knight hasn't used the spear yet. Even for Elena, she still seems to have the bills.

That's how iron walls are protected, so the libra can also concentrate on controlling the surgery. He keeps another big monster remotely in his hands with summoning.

When the libra sticks the silver scepter to the ground, the Magics Rave is created countless times to fly towards the center of the square.

The libra is dealing with - a monster with a spider-like body on the head of a cow, a cow ghost. Boasting a giant, he exhales poisonous exhalation from his mouth and storms around it - continuing to hold it in his hand with a partial summons from all directions.

A small summoning gate opens everywhere in response to a flashing magic circle at the foot of the library. From there, Kraken-like feet pop up and become tangled in the hands and feet of cow ghosts.

When an irritating, loud cow ghost tries to exhale a poisonous breath or chew it off a thousand times, he quickly returns into the gate as if to mock it.

Partial summoning of the whole demon from all directions to mount a 3D attack - you didn't do it when I was there. It may be more of a tactic of war than Lord Wagner's technique. That's how I sealed the motion, and the fateful giant summoning gate opens, and a tremendous giant tree grows from it.

- Old Ent. A giant tree demon looking up peeks his torso through the gate, and when his fists and fists meet, he slaps an awesome mass of hammer knuckles at the cow ghost. A cow ghost who can't get physical takes it by concentrating his struggle on his back. Still, the bull ghost's body was slammed to the ground and the shock and crack ran. When you make a blow, Old Ent leaves intact.

... That's also a partial summons. Advanced control capabilities are needed, but I guess it looks like a massive summons and the magic consumption for summons is suppressed.

Even as the cow ghost who boiled the business tries to shake off Kraken's restraint by concentrating his struggle on his hands and feet, the face of Katobre Pass pops up in the front. When a bull ghost growls in the demonic eye of petrification and resists the curse, this time the struggle to focus on his hands and feet is fogged and he can't shake off the restraint.

Good or what. It's a way of fighting that combines a hand-held subpoena with a partial subpoena to completely seal the movement of a big man and ensure that it shreds. At this minute, it will be only a matter of time before the cow ghost can't take it out.

On the other hand - samurai and king farid, to say the least - he was sounding his sword trident with great momentum. Slash and tear the scalpel of a burning fire with a songblade. The firefighter raised the fire even more as he roared to say no offense.

The flame spraying from the gap in the armor builds momentum, stretching out so that the flame spreads wide, and the neck. My hands and feet. Fly in all directions. My hands and feet are approaching with tremendous momentum as they surround King Farid - a whip of blue and white flames.

But... He had left a residual light of unshakeable fighting, and King Fareed's flash had cut off his arms and dropped them as they approached from the blind spot.

"- Bad hands. He's good at getting and breaking sieges. I'm used to fighting multi-on-one. I'm sorry."

That being said, King Farid strips his fangs and laughs furiously. Is that - the late battle with the Kahal faction of the former Prime Minister? Because you were dealing with the Duobelis Church?

The fiery warrior hurriedly merges into one place and returns to normal, but King Fareed steps in at a tremendous rate as he further increases his fighting spirit.

Intercept with a machete. But one arm was cut off, and in an unbalanced samurai...

A flash of misunderstanding. The torso of the fiery warrior is swept away by the blow of a cross letter fighting temper. Behind King Farid in a shaken position, he collapsed as the upper body of the firefighter shifted to the side.