Boundary Labyrinth and the Foreign Magician

I will go around the city in consultation with everyone and arrange the necessary materials from all over the place where the policy of various things has been established.

Demonic stones, catalysts, metals, etc. … We will use the help of the labyrinth nucleus to procure enough items in the labyrinth output, as well as arrange inventory of Adventurer Guilds, items on the market, workshops in the West Side and shops in the North Side.

There is also the ability to arrange for lords and kings of allied nations from all over Verdogal. There is also an environment called communication machines and transfer gates, which means that when materials and catalysts are needed, they can mostly be aligned as quickly as possible.

Albert and Viola are currently working on making clocks for Prince Hellfreet, carving magic stones, building internal structures and increasing accuracy. Prince Hellfreet's watch is an important item, so I'm also focusing on it as a workshop, but my work on the watch is over, so let me move on with another job.

The task of interacting and building with the nucleus of a magical creature is something I have to do. So this one can proceed fine, so as I arranged the material everywhere, I got ready to get Beatrice, the alchemist, ready to move right through the conversation. That's how he brings out of the treasure trove of Forestania the demonic stones of Tempestas and his... eyes that would be necessary for dialogue with magical creatures.

"I'm home. I've arranged everything I need."

"Welcome back, Theo."

"Welcome back"

"Oh, this is Lord Theodore."

Speaking out when I came back to the workshop after all the arrangements and preparations, the faces in the courtyard and those by the window of the workshop smiled and replied.

Cuteria was showing up in the workshop along with Ingway and Regina. As for the cuteries, before diving into the labyrinth with the Ingways, you should get used to the air combat gear a little bit better.

He solves the technique of humanization and asks Valentina and Petra to adjust their magic props... he's just making sure of that salt plum in the courtyard of the workshop.

"What do you think? Not tough?"

"Uh... yeah. It's just fine, and I don't think it's gonna get in the way of movement."

"Would you like to fall out while it's moving?

"Uh... I don't think so. Cover it with ink, use a suction cup, it's stable to move, and it's got a band on it, so it won't fall out if you're distracted."

Asked by Valentina and Petra, Cuteria is swinging her hands and feet at quite a speed, making sure the sizing magic item with her belt doesn't come off.

Then he builds an ink beast, covering Cuteria's feet from above the demon props, and sees if he can use the Shield demon props even in that state.

It is used in conjunction with Levitation's magic props worn on the upper arm to kick the shield in the air - or the ink beast makes a head poke and jumps to the left to the right with its recoil. Since the number of legs is high, and flexible as a whip, I wonder if the motion when utilizing aerial warfare gear would be quite advantageous to apply if you were used to it.

"I was just talking about training with the little pumpkins when I got used to the movement."

And, when Ophelia smiles, Albert nods.

"But, Theo, you're back, too, so maybe even the golem opponent."

"It is. But Jake and the others will sometimes dive into the labyrinth, and it might be a good idea to watch the movement in training at this time. Easier to connect."

Cuteria and pumpkin magic creatures Jake and the little pumpkins...... Although it is an intermediately different color combination.

So when it comes to Jake, while we were away on a trip to the West, we had the treasure trove guarded, so this is the first time Cuteria and I have met.

Jake also has the same people diving into the labyrinth as Corliss, so he'll be able to throw a party with the Ingways.

That's why Cuteria and Jake's little pumpkins start chasing each other in the air. As you get used to air combat gear, you'll also be watching the movements of the little pumpkins that Jake commands.

It's about catching little pumpkins with time-limits and landmarks to be targeted. The other little pumpkins move to interfere with it.

If we get caught, we'll take a defensive turn this time. There is obstruction by the beast of ink, and if the body of the cutlery is not touched for a certain amount of time, the cutlery side wins.

Slightly game-like way, but Cuteria was getting more smiles as she jumped around the sky - and she looked pretty fun and enthusiastic about training.

After a while, it moves gradually better, not only to kick the expanded shield, but also to show a movement that bites with the ink beast and draws the body to the shield side.

If you expand the shield, you jump in the opposite direction. Used to break through small pumpkins that interfere, or to align multiple leg forces for an intense big leap. Jake, who commands the little pumpkins, also commands them to accommodate the movements of the cutlery, with a high level inside.

The people of the sea are used to 3D manoeuvres somewhere, but Cuteria seems to have good motor and reflex nerves from what I've seen...... promising for the future, this.

"Isn't this - quite skillful?

You can look forward to exploring the labyrinth.

Nodding as Ingway was impressed with Regina's words as well.

There are things that cannot be compared with these chases simply because mixing a solid attack increases the distribution of consciousness to you, but considering that you can operate multiple ink beasts at the same time, excellent regenerative abilities, etc., Cuteria's ability to control and defend can be said to be quite an object.

"Sure, Mr. Cuteria is a good move"

And, Grace smiles.

"Right. It's just... if you look at the movement and nature of the Cuteria, you might want to equip it with some sort of magic equipment elsewhere as well as an attack by a leg and ink beast. Highly regenerative means that the opponent will also be targeting steep points in the upper body, so I wonder if it would be good for defense."

Highly defensive... but it would be reassuring to have your back hand in case they break through that. Everyone nodded as they were convinced to say so.

"It might be a good idea to call it a reflective spell barrier."

When Elena smiles and says, Calcedone and Citria are all there too. Yeah, nodding.

"Mm-hmm. The reflection is interesting since we made him aware that there was a shield."

And Sheila also says and endorses it that way. Sounds interesting too to put your hands on the spell and make it look like a regular magic shield.

That's how, talking to everyone about the better part of making up while watching Cuteria's training, Beatrice, the alchemist, showed up in the workshop earlier, face-to-face with materials and catalysts arranged.

I had been making preparations at the store until earlier, so when I was free, I promised to bring all the items I had arranged.

"Did I make you wait...?

and is Beatrice, as usual somewhat careless.

Dolores and cuteries. Introduce Beatrice to the first facial touch.

"Regards"

"Nice to meet you"

"Nice to meet you..."

Dolores was happy to say hello to my introduction as an alchemist with good arms. Beatrice was also interested in Dolores because he was a magician with shipbuilding skills. This was the first time I had seen Scylla as well, and she was shaking hands with both of them even as she was in mypaced shape.

Well, let's just say we're ready to build the self-consciousness of magical creatures just after we've introduced them. The basic concept of a magical creature has already been decided. First of all, we have to focus on dialogue.