"Yeah. Looks like you'll be okay from any seat."

Albert smiles satisfactorily. I'm tweaking my phantom play so that I can seal it off by the spring wedding...... when I actually watch it from my seat in the theater hall, I have to find out how I see the phantom, how I hear the acoustics, is what I intended.

There is no choice in the characteristic of stereoscopic footage, which makes a slight difference depending on where you sit.

I think that's going to increase the number of repeaters... but I'd like to get rid of the inconvenience of seating making it difficult to see or unintentional performances, creating a blur in the 3D footage, etc.

I was going through confirmation work in the seats everywhere so that I didn't make that mistake first, but it doesn't seem like a problem for now.

Confirmation of each seat will be repeated, so the Phantom Theatre confirmation work will take quite a bit of time...... when I solicited help from those who wanted it from the facades close to me, there were quite a few people gathered, so this time it was not that difficult.

Grace and the others, the facades of the workshop originally knew the script of phantom drama, and they also saw the production landscape, so they helped me because there was no problem with the confirmation work.

I wondered if it would be okay to rattle out, but many offered to cooperate saying that they would be happy to be seen first when they spoke face-to-face to Forestanian servants, martial artists, and civilians.

There's also a background around here because it's supposed to be a phantom play, so I'm going to see it more than once.

I ask them to lay low on the content until they are sealed off, but they can also be the topic seed later than they see it when it is finished, so they are all quite motivated?

"The atmosphere is quite different between the story of King Serva and the story of the two kings......! Oh, as far as I can confirm, there was no problem. So!

And when the confirmation of the play between the two kings was finished, Comachi came back to the theatre hall of the first Beast King we were working on and said with a smile. Since Phantom Theatre is also technically a brand new part, the tension of Comati has increased since the beginning of this work.

"Right. I was aware of that area."

I also smile at the words of the commune.

"So is King Angelf's phantom play... but it's nice to start the story every time"

"There are big trees growing around, exotic cities spreading. That's all I'm excited about."

To Princess Adriana's words, Stefania answers that and the two of us nod yeah yeah.

Drawing into the world of phantom drama at the opening is the same as in Part I of King Angelf's phantom drama.

In the case of King Serva, the settlement of the beasts in the Great Forest at the time. In the case of the Holy King and the King of the Meadows, we aim to widen the streets of the Howe Country to grasp the hearts of the audience, but when we see everyone's reaction, it seems to be successful as an aim.

King Serva was a slave class at the time, but from Einfeus' national style and the image of the person he hears, he makes the atmosphere overall qualitatively rigid.

As for the Holy King and the King of the Meadows - because the two of them were at an early age, the country was also at peace, which also gave them an atmosphere of peaceful cityscape back then, and the life and air of the people of the Meadows - the nomads - during the making.

There are places where both stories can get heavy... but that means balancing them by creating a sense of refreshment in battle.

That's why I made the two pieces simultaneously, but I think Comachi is right, they gave it a pretty different vibe.

It is in line with the concept of making a good image of each country a highly entertaining piece while bringing it forward, so I hope it becomes something that you can enjoy for various faces.

The days pass as we adjust and finish the new plays and theatre halls of the Phantom Theatre, building airships and proceeding with our usual clerkships and patrols.

Preparation of weddings with Elena, invitations to acquaintances at home and abroad and their responses. I'm all set around here, too. Adjustments have also been made with regard to the two Phantom plays, which are likely to be sealed in time by the wedding. It seems like guests will enjoy it, so I feel safe around it.

And there's one more thing for me to do. There is something important. Interference in parallel worlds.

Labyrinth nucleus estimates showed that the manufacturing process of the interference device can be greatly advanced by processing the demonic stone given the attribute of awakening state into demonic stone powder and mixing it with misrilled silver and smelting it.

Mithrilled silver is also possible in the form of having it produced and prepared in the labyrinth… so let's move on with the work today.

Labyrinth Central - When you draw a magic formation on the corner of a compartment that is originally protected by the Last Guardian and ask the Labyrinth Nucleus to execute the order, the material dissolves in the photosphere and builds the foundation and arch so that it can be accommodated within the virtual frame.

Demon Stone and Demon Stone Powder that housed the attributes of my Awakening State. Gates that accumulate strength for interference. With the help of the labyrinth nucleus, they were first assembled only on the outside of the device.

"Now we can interfere in parallel worlds?

'Not yet, I guess. Even if the outside can be done, we will have to carve out a variety of procedures to increase safety. It's just like Dragon Ring Uroboros, and you need to take the time to keep it in a magical place. "

Respond to Sheila tilting her neck by comms from inside the labyrinth nucleus.

The exterior has a base and arch of misrilled silver, which also looks like a gate, and it's actually possible to transfer certain items over there - in fact, it's close to a monitor to see what's going on over there. The base part is also… a keyboard that performs fine operations.

It serves as a gate only once when sending the Dragon Ring Uroboros.

The dragon wheel sent to the parallel world will connect the two worlds so that they can see the situation there, as well as serve as a bridge to convey knowledge and memories that should not otherwise exist on that side.

As for the Dragon Ring Uroboros... now that we have all the materials, we are in the process of resting in the magic formation deep inside the labyrinth and accumulating magic over time.

Arches will also need a period of time to tame the smelting of misrilled silver and magic stone powder and accumulate magic. Therefore, it is ready until the procedure is engraved, but the actual start-up will be ahead of us for the time being.

"Parallel world interference also makes the time early, right? That's going to change a lot."

When Stephania says, everyone nods with a serious look as well.

Yes. The Dead Sleeping King - if you seal and seal the Istrum body at that point in the raid... maybe Ashley's parents will help, not just her mother.

Because the sprinkled disease of the Dead Sleeping King twitched to death, and the progression of the disease did not stop because the body was alive.

That way... Elliot will never come back by boat either, which means his destiny will change.

We can also help Albert and Mallane's mother by convincing her to move to Termwilds together. Mallane's attempted assassination was about two years after the King of Dead Sleep raid.

"Though I'd like you to tell me about the events and memories in the parallel world."

is the word of Rosemary.

"If I could show you all that, it would be impossible for me not to cooperate with Theodore," he laughed confidently. Grace, Sheila and Claudia used to snort like "I know" too... well, maybe we all do.

If we solve Mallane's attempted assassination, Rosemary, who was used to scapegoat, will come into contact with us as well, and Rosemary seems pretty sure of his actions in the parallel world.

Well, what happens to actual parallel world interference is still unknown. It may be an effective means of asking everyone who knows the circumstances to join forces to change history throughout the story.