Boundary Labyrinth and the Foreign Magician

Black pattern and white mist-wrapped torso. After being contacted about the sword, what we saw with our faces was that.

I feel a mysterious atmosphere not least because... my body is wrapped in white mist. I think it comes from the quality of the enchantment and the beauty of the finish as a weapon. He says he has resided in the water dragon... but the quality and quantity of magic is considerable.

It has enormous magic within it, but rather than intense power, it has the impression that it is quite calm. Is it a sign close to the thickness felt by Tierra?

"That's a beautiful weapon..."

"It's quiet, but I feel great magic."

When Yui looked at the sword and muttered, his neighbor Oogi said it that way and nodded quietly.

Now Viola hits the clasp and attaches the clasp... and is doing what should also be called the final finish.

"Excellent material... what I was able to handle has been a good experience. As for my job, I'm going to put all I can into it."

Princess Elkham, who forged the knife, said with a satisfying look.

"Right. I was put in charge of the pattern, but unlike normal materials, it was fun."

And, the comatee also gives a bright grin. Princess Elkham and Komachi created the knife and pattern, and Viola was responsible for other parts such as the clasp.

"I was in charge of sheaths and fine parts this time... I'm glad you like it"

In addition to the sheath, Viola advanced me not only on the fine parts, but also on the usual work of the Oogi vessels and workshop. Although it seems to be a division of roles on the grounds that Princess Elkham and Comati are more experienced when it comes to Hitaca's weapons.

Regardless of the sheath, parts that are everywhere, such as clasps, patterns, curtains, and stone processes, are also used as components for lightweight shenzhen iron.

Design is the reason for coloring and decorating the essentials, but if you don't build fine parts with the same materials, you won't be able to enjoy stretching and deformation.

"The sheath part was also about magic props."

"Right. We make the automatic repair of weapons more efficient and enhanced by generating magic wavelengths, five lines of symbiosis, converting them to match the sword and replenishing it."

Answer Elena's question.

It has automatic repair capability, so it's a dimension that it stays at its best without maintenance like a normal weapon.

The fact that Yui, the last Guardian, will continue to fight so hard that he can't even repair his weapon in time... is something to avoid in the first place, but it doesn't mean he won't assume it. Auto-repair capability is essential, as it is not necessarily possible to arrange a blacksmith like the violas who can be trusted when needed.

That's how the sword finishes while we're talking.

"Oh... Now you can do it"

Cheers and applause arose from everyone when Viola said as she confirmed the finish.

"Go ahead, take it in your hand"

So the violas look at Yui and say: Yui turned her gaze to me, so she laughed and nodded. She stepped forward. Then gently grab the sword as if dealing with a broken object.

You can see the magic of the sword amplifies Yui's magic.

By incorporating the demonic stone of fire and earth into the sheath and propelling it into a magic prop, the five rows of symbiosis will be formed. If you put it in the sheath and send magic, Yui will increase the power of the sword, and if you pull yourself out, the sword will increase the power of Yui.

"Congratulations, Master Yui"

"Congratulations......!

"You look great."

And Oogie says, and so does Ashley and Rosemary nodding. That's how Mallane and everyone applauded.

"- Yeah. Glad to hear it. I'm so familiar with it."

Close your eyes with a serious look, Yui says as you scratch and hold the pattern of the sword.

"Eh. It's a weapon you use all the time, so if you say this, I have a point, but I'll take care of it."

And I laughed bitterly when Yui said it that way while choosing a few words.

Right. Because it's a weapon, you have to get used to it in training if you're going to be ready for action, but I know you want to take care of it, and such Yui's reaction would be delightful as a facade you've made. Everyone with Viola and the others had loosened their expressions.

"Hehe. Glad to hear it."

"But I think it's a little too rugged to break."

"Finishing it so that you can use it safely is what you want to work out."

Comati nods yeah too when Viola and Princess Elkham say it. To the words of such craftsmen, Yui was pointing a face like he was impressed.

"So that it can be used for a long time... it seems that you can fine-tune the sword as your body grows and changes."

Stefania says with a broken expression on Yui's face.

"Right. I calculate it so that I can handle it much the same way, even if I grow taller, or I can change the basic size and fix it later."

The labyrinth nucleus predicts what Yui looked like when he grew up, but that is only a prediction, with parts that fluctuate depending on the actual living environment, diet, training, etc.

So even when Yui grows up, he also makes data on how much to adjust based on estimates so that he can handle the weapon in the same way all the time. This neighborhood is... unique to deforming weapons.

"Mm-hmm. Want to give it a try?

When Sheila asks, Yui nods with a bright smile. Everyone will be interested in finishing the sword as well as Yui. I put up a hidden field in the courtyard of the workshop to try the sword while trying not to be seen from the outside.

Build a target with wood magic, and line the courtyard with the reinforced structure, and Yui holds the sword in his hand as everyone watches.

First of all, it means standard use, usually with a fighting spirit on the blade, over the normal interval of the weapon - somewhat outside the position.

Quiet, no gap.

From there, take half a step. At the same time, a massacre was being carried out at a tremendous rate. Move from quiet. It is technology that prevents us from knowing the origin and trajectory of the attack to the brink.

Flashing. Slightly behind the slash, the lower part of the tree's target is cut diagonally, sliding off the incision.

Yui waves a sword before the severed target falls to the ground. The slaughter was released as the flash ran, and when it fell to the ground, the tree target fell apart and rolled.

Even though it has a strengthened structure, it can be cut off without being swept up in the hollow - because the blade muscle stands firmly while also accentuating struggle and instantaneous force.

The next moment - Yui was kicking the ground and stepping into another direction, carrying out a definite slaughter. At the time of stepping in, the pattern was extremely short, and the blade had also changed to a shape closer to the Japanese sword than the Japanese sword.

The spike extends in the direction furthest away from the position as it was when I thought it had been made into a torso giraffe with a sword. It should be in a position that it doesn't reach - it deforms into a spear and penetrates the target at the same time as it rolls out the move. The wrist moves to match the motion of pulling the spear back, tangling like a whip into the torso girdle just now.

Swing like a throwing rope according to Yui's control and drop it in an orbit that beats it to the ground. On the verge of hitting the ground, Yui is pulling back his weapon and putting it back into the scythe shape. If it's in action, can you take a passive or beat it up? Or it would be possible to grab the opponent's weapon and follow it, but Yui's structure seems to have put it in the assumption as well. In any case, it puts the pursuit in perspective, so...

Everyone cheered and applauded me for the way I handled Yui's sword, and Yui was laughing and peppering and bowing like a soldier.

I guess I can also use it for slaughter with fighting and centrifugal force while stretching my weapon... I can't do that in the workshop courtyard on a boulder given its destructive power. If it's not enough, I'll take you to the labyrinth later so you can practice those grand moves fully.

Either way, Yui himself tried out to get a good feel, he looked at the sword and nodded with a satisfied look. Instead, he shrunk to the size of a short-knife, stretched himself out just like a wild knife, and was quite surprised that the sword could be reduced to the extreme and treated as a stick, and the range of change was wider than expected. It's funny how the violas are laughing at things like that.