Boundary Labyrinth and the Foreign Magician

"Well..."

And, with the usual tension, Sigritta leads me to the room.

The private room of the castle had a relatively new painting, so when I opened the door and everyone peered inside, the interior was pretty neat and tidy. The air purifying magic props also seem to be activated and the air inside is refreshing.

Rather than purifying the air, the living room has no sense of life. A room specializing in painting. As there are closets, the clothes and personal belongings are stored there... the furniture and conditioning items are not placed at the end or in the first place.

There is an easel and canvas in the center and on the desk there are paintbrushes and palettes… all kinds of painting materials are neatly placed. Would it be more like an atelier for Sigritta than a private room? Nevertheless, rooms outside the living room - although bedrooms, etc. seem to be used in a normal way.

"Talking, reading... that kind of thing can be done if you go to everyone's room or go to the salon... That's why I can keep it in my room for painting."

Sion and Marcesca, Calcedone and Citria all smile and nod at that word of Sigritta.

Sigritta's not just painting, she's also going to play in each other's rooms. The sofa is kept so that people can also be welcomed into the Sigritta's own room. I guess I'll even welcome the Scions and show them where they're painting.

Wouldn't that be a one-sided painting, living a full day inside?

From the short passage from the entrance side to the living room, I could see the back of the canvas and easel, which was in a positional relationship where I couldn't see the painting's contents - but the ciglitter pointed back at me for easy access and visibility for everyone in the room.

"Oh, this is-"

"The moment you're keeping your backs together,"

"Mm. Good painting"

Ashley smiles, Sheila nods yeah yeah.

In the underworld - the scene of the battle with Mastiel?

Maybe it belongs to the relay footage. It depicts my hindsight and Vallos and Beristio as depositing my back.

Surplus magic is scattered like a spark from Vallos and Beristio. It looks like it's about to be painted and not completely finished yet, but I know what kind of painting it is.

It's even expressed as a reflection by each excess magic radiation, and although it's powerful and I find the skill in Sigritta's paintings certain - it's each impressive look.

I get a mild impression somehow, even though I know I'm in the middle of a fight. Vallos, who looks and laughs at me over his shoulder, and Veristio, who is closing his eyes and smiling at his mouth. Though it seems to be something close to replacing each target in association.

"You had this look on your face then."

"The expression... reproduced as it was, I intend"

That's what Sigritta said to me, and Theon and the others agree.

I'm guessing there was a scene like this in the relay footage they were watching.

Some of them are a little embarrassing when it comes to my painting that cuts out scenes... well, it's backwards about this painting.

"So... here's a new one with the paintings I've drawn so far... and a painting that I like myself, and a painting that everyone likes."

Sigritta says, handing over the painting standing in the corner of the room. You have quite a few.

"It's a corner, and I think I'll show you a lot. But if we're all in the room, it's a little tight."

"There's more in the storage room, so why don't you take it to the salon and watch it?

Theon suggested it to me that way.

"You might want to relax and watch."

Quite a few.

The modified tears are also appealing to me by showing me a manipulator to create a forceful tumor, just as they work hard to carry it. The modified tears also know how to transport the goods without damaging them, so I'll leave some of the work to them.

I will form a cart like Ethel's in a row with wooden and earthy magic so as not to damage the painting while it's being transported. If you incorporate a medal golem, you can have an impromptu painting transport golem. Put a painting on this and he'll carry you to the salon.

That's how we all moved to the salon and asked Cecilia and the others to help us prepare, and we also relayed with the communications room before it became a viewing party.

I'm going to look at a lot of pictures of Sigritta. There are landscape paintings that not only depict people like earlier, but also depict what's going on everywhere.

A sea of colorful corals and fish swimming. Rungardo from the lunar side. The sky and wilderness where the lightning of the demonic realm runs...... A realistic depiction of the landscape as it has been cutting away from all over the place and the use of colours with a fantastic atmosphere.

"Oh. Is this near Grantios? Beautiful."

"The use of colors around here is... the result of research. It's a little different from the color of memory."

To Ashley's words, Sigritta answers. I see. Perhaps it can be said that the landscape was inspired by Sigritta's feelings at that time.

Others captured the moment Teal jumped into the water, or the occasion where Lavine, Alpha, and Belius were sleeping in the sun... some portrayed pictures capturing animal groups.

This is - the working landscape of the workshop that is magically replenishing the Tiers and Seekers?

"It feels like you cut off the everyday landscape, and you're almost there."

and Mallane snorts in a creepy way as she smiles when she sees those paintings painted on the canvas.

"... What time was this?"

What Forceto looks at with his neck tilted is his portrait. Forceto is smiling calmly, making sure the soft spotlight hits the black background. I have a courtesy and a cane, but I don't seem to have much idea of Forceto.

"That's - because I learned the trick of sketching... I drew it in my imagination. The portrait of Sandario... is also a reference for how to draw it."

and the answer returns from the ciglitter.

"Oh, by reason"

Forceto says as if he was good at it. The courtesy clothes were used when Forceto was wrapped up in ceremonies, etc., and the scepter was used by Forceto when fighting, so I don't think I remember dressing like this.

"Mr. Forceto's... he likes the look on his face."

When Marcesca told him with a smile, Forceto smiled happily after a slightly surprised look. The light of the warm impression you're plugging in... might be the one with feelings for Forceto from the ciglitter.

"There's a portrait of everyone, too."

That's what I can say and arrange a portrait. They all tie their hair in a courtesy, while standing with their hands on a weapon pattern, or the outfit and equipment that they thought Sigritta looked good in.

Some of my portraits are... Kimaira Coat and Wiz, not a costume. Barroll on his shoulder and Uroboros is laughing, Nemea and Capella also face off Kimaira Court, and Cadkeus is leaning at his feet, he said. There are so many magical creatures, it's busy for a portrait. Although the faces portrayed together happily face and throat out of the coat.

"What is this painting? Corliss......?

Stefania asks.

"That's the painting Theodore taught me...... I have a bit of a view"

That's what I say. Sigritta gets off Ethel and puts the painting on the floor while she says, "From here... take a look".

"I see...... From a perspective, Corliss looks three-dimensional."

Interesting stuff.

Like Rosemary was impressed, Claudia was also breaking her expression. Corliss, with his face out of a hole in the ground, is portrayed raising one hand to greet him, but the way he looks is largely three-dimensional. In short, that's trick art.

"You're saying that the idea of looking three-dimensional is elaborated by the position. I think holes on the ground are a staple of this hand, but it's funny how you're gonna get Corliss in position."

At that rate, he was excited to be shown a variety of paintings by Sigritta.