Boundary Labyrinth and the Foreign Magician

Knock on the train crew room to show them the equipment for driving. Normally, there's no way they can let you through. Virtual spaces can be visited there, too.

The sight of the subway moving from the driver's seat... I don't have a chance to see it inside, so I have a fresh impression.

As for the operating system, there is no need to reproduce it. It would be nice to just give it a flavor or atmosphere, but since I had some knowledge of the simulator system game, I have been allowed to reflect it in the operation of the train around it.

Train drivers' seats are as simple as they are, or detailed buttons, switches, etc. are less common than airplanes, etc.

Eye-catching is a digital monitor that displays various types of data, a clock that knows how to operate, and a speedometer. Pressure gauges involved in the pneumatics of brakes and doors. Plus a lever-shaped handle that regulates acceleration and deceleration.

Although there are other contact receivers, microphones for announcements, etc., etc., the device used mainly for driving will be per handle portion and meter type. Digital monitors are very powerful because they display train conditions and so on.

Whether the instrument type is digitized...... depends on the type of vehicle. There is also the idea that this kind of thing is more risk-mitigating if the mechanism is divided between analog and digital meters.

"If you knock the operating rudder back there, it slows down, and if you pull forward, it accelerates. No acceleration or deceleration if intermediate. Trains running over laid railways proceed at speeds and inertia from low friction until then.

So when you get to the speed you need, you don't have to accelerate or decelerate much while you're driving. "

Less friction can also mean longer distances to stop… we are in contact with the train side and the railway side, so that we know the status of the direction of travel in advance, so we are handling it in detail.

Install signs, perform predetermined operations at a predetermined position, and stop perfectly at the location determined by entering the station campus at the assumed speed. Scheduled harmony, but that's only if daily maintenance and safety checks are in place. Very safe rides are sufficient only because of the thoroughness of such a basic part of every day and the good security to which the railways themselves are not subject to attack.

When we can also give those explanations, we all nod as if we were impressed.

"Sure. If the railroad itself is attacked, it won't take shape like this."

Claudia says with her eyes closed to convince.

The same may be true of the system of direct policing, but raising the overall standard of morality and stability of life is imperative in the first place, for which a high level of education will also be required. It's not something you can handle overnight, so it's only because there's a stack of different things.

When I look at Japan again in my position as a lord, it makes me think about the parts I should aim for and the parts I can't apply as they are... don't make me think about things.

It's a training facility, and among other things, the virtual Japanese stage is an experimental use to do things... but if you get lost, you can probably change your perspective and get tips and thoughts.

I think it's important to look at things objectively or overlooking. I just want to be able to say I'm glad I made it.

That's how they give me a tour of the driver's seat, then I settle back in my seat again, and I get rocked by the subway with everyone to where I want to be. Pass several stations and watch the platform and advertise the walls. It's a normal subway sight, but everyone still seems to enjoy the rarity. I show it to the kids and smile at the reaction, or I'm soothed.

When I was taking questions and answering them because there didn't seem to be a lot of questions, or checking everyone's vital data to see if there were any problems, the travel time quickly passed and the announcement came in that I would arrive at the station of interest.

Even when it comes to getting ready to get out, the inside of the car is empty, so it's a smooth one. Everyone stops near the door and sits and waits, and the train starts to slow down too - that's how it enters the platform.

Everyone seemed to be paying attention to the train's behavior because they explained how to slow down the train earlier. "As Theodore said," Stefania smiles and Mallane snorts as she stops so that the vehicle body landing and landing openings and the station home door position fit perfectly.

The station in the heart of the city is - quite spacious and complex. Guidance boards are also everywhere. Although it reproduces some stations in Japan, the complex structure inside is really meant to create an atmosphere in this regard. There is only one city because it is a virtual city, and the routes are not complicated, so there is no need for such a massive structure.

You've got specifications for installing elevator-style transfer devices that lead directly to the ground everywhere so you can get lost, or you can take any route to the station in front of the waiting room in the virtual space. I'm also interested in exposing too much of the situation behind the stage set while guiding them, so even if I'm lost, I'll just tell them that I can get out to the same entrance if I take the elevator that guides the station crew golem. Although it is possible to leave virtual space at any time, even if it is remote.

"It's a labyrinthine structure."

"Mm-hmm. There are information boards everywhere, so if you get used to them, it doesn't seem like there's a problem."

"Sometimes people actually say that. I thought it was funny, so I recreated it."

Answer Ashley or Sheila divulging your thoughts. We're all used to the labyrinth, so there doesn't seem to be that much resistance. If it's a combined structure, it's a structure, and it's a station, so it's easy to understand. It's still not like a labyrinth designed to get people lost, but it's interesting inside because the difference in that area seems to be getting to everyone.

I didn't have any particular problems getting out of the ticket slip. I also need to get over the settlement.

"Tickets to get out of the station are not collected and come out, so you just put them in here and pass through."

When I tell them so, they all nod and go through the ticket for each and every one of them with the float pod safety priority. They are faces like Stephania, Mallane, Illumhilt and Mother who seem to have fun putting tickets in their ticket slots.

That's how I get out of the basement to the ground part. Transfer gates and tenants to routes everywhere. Information board on ticketing machines. Vending machines in advertising, coin lockers. I mean, it's busy, or once again, there's a pretty cluttered atmosphere, but it could be exotic for everyone.

That's how I walked out of the entrance to my purpose, and when I went out into the city, everyone said, "Oh, my God." The front of the station is spacious with waiting areas, bus terminals, etc., but the outlook is good for that.

The sights of large buildings and buildings are unlikely to be in Rungald on boulders.

"It's a unique architectural style."

"Bill, right? Companies of all occupations - merchants borrow it as a place of work to do business or do some business. Sometimes it's my own building."

Explaining to Rosemary's words, I do my hand on my jaw and nod hum hum hum.

"What is that tall tower?

Grace looks up and tilts her neck. At the end of the line of sight is a tall, thin structure.

"That's where we're headed. Enjoy your arrival."

"It sounds like it would be fun if Lady Theodore could show us around."

Elena answered with a smile and everyone agreed. Mm-hmm. You seem to be expecting me, and let's move on. I don't think it's a good time now.