Boundary Labyrinth and the Foreign Magician

A few days after Albert and Ofelia headed for their stay in Marquis Foblester territory. One day at a time and the scheduled date for Ophelia is approaching.

As I've decided since this one, I travel through the Count of Ortland and the Marquis of Foblester at the transfer gate while doing my daily duties and work, doing circular smelling... First of all, there doesn't seem to be a workload problem. Workshop work also tends to shrink as Albert is on vacation, but the area seems fine as well.

Guests at the Labyrinth Referral are also convinced, according to Miriam, that the workshop owner explains that she is on vacation, refraining from giving birth and childcare.

It is not already known that the Brightwell Workshop owner is Albert. No one is unscrupulous.

So I'm also moving on with my work after I get back from circulating smell. You're ready for a phantom play tangled up in the demon world besides your daily duties.

"Well... what about this?

Show stereoscopic footage on a recording medium and have it seen by a checker. So ask the Fangonoid Bolkeor or the Papetian Carla to check the quality of the 3D footage.

"Ooh. That's good. It's well done as a demonic landscape."

"I thought it might be good as video beauty."

At the corner of Forestania Castle, with a far-sighted view of the demonic world, Bolkeor and Carla say so.

I'm actually looking into the parts of the demon world where you can see if there's anything strange about it. At the same time, I want to put out a part that I feel is beautiful with a view of the demonic world if possible.

The demonic world shifts the color of the sky much more varied than Rungardo, but if you find it beautiful in the color you actually see among its shade changes, you want to show it to the audience.

It's just important that it's a change that actually happens.

I want to show you the roughness of the demonic world. It's important to get a better understanding of the right form, and I don't want it to be too off the real thing. There are also places where I want to increase my liking.

There's a lot to think about and it's hard to adjust inside when it comes to dropping things that you can think are beautiful on both the Rungard and Demon sides.

Since it is a phantom play to be shown on the Rungard side, we may also need a dramatic lie about making the landscape suitable for the occasion.

I don't know what it was like to have just had a disastrous shade of sky even though it was a soggy occasion. There is no need to be thorough about realism in weird places, in this case, I believe. Because falling out of purpose is the end of the line.

The part of Queen Meggiastra's memory... is a faithful reproduction of it. It's gratifying that I didn't even have to change the shade of the sky because it doesn't mean it doesn't fit the occasion that well.

That's how I watch out for all kinds of adjustments regarding this phantom play...... I think it's pretty helpful that Bolkeor and Kara are coming to the Rungard side in that regard.

Being a resident of the Rungard side, I cannot say that I understand the sensibilities of the inhabitants of the demonic world. In that regard, Carla and the Papetians have a high level of understanding of the aesthetics of other species, and Bolkeor has a high memory because he is a Fangonoid, and he said that the residents of the demonic world have such a beautiful view, and he showed me a real example in illusion.

That's why I'm asking the two of them for their opinions, and I'm working on the adjustment and production. If there is supervision, the wrong foreign statue, things like that don't happen.

"Sounds good about the part I made this time"

"That's a lot of reproduction. I'm not a resident of Rungald, so I don't know if I can help with aesthetics, but I prefer it."

"I thought it might be a shade that a good race might like even on the demonic side."

Bolkeor and Carla respond that way. The degree of reproduction and shades are fine, etc. It's hard to stir up, but I just want to do my best to make sure that residents of the demonic world enjoy watching it.

"Albert's not here, so for that matter, I'd like to split the time to get it done."

It's like a material that I'm making, so I appreciate that even if this one's in the mood, it doesn't change Albert's burden, and it's fine to be thoughtful.

"Mm-hmm. Looking forward to being able to do it"

"It's a pleasure to know about Celia to many people."

And she is Sheila and Queen Meggiastra, who snort at my words.

That's how I spent my days working on this and Phantom Theatre, doing clerkships and inspections... at last, the time comes.

Albert and Rosetta contacted me about signs two days late from the day they were supposed to be, about evening.

Even if I went to see the circulating smell and life reactions on the same day, there was no problem. We were talking about not having to worry too much because it's normal to go back and forth a bit... but there would have been some parts of Albert and the others that would rub their minds a little too. I know how it feels because we've been through it as well. Not to mention he's the first kid for Albert and Ophelia.

"I'm going that way now. Everyone has fewer plans, so I think we can go pray after we get together."

"Thank you. I feel reassured that the first person will consult me."

"I'm comfortable praying."

Albert or Ophelia make a grin over the crystal plate. The Marquis of Foblester also said a welcome word: 'I will be waiting for you'.

"I think we still have time, and you can rest assured that I'll take care of this one."

Rosetta says. Right. Ofelia seems calm enough to be able to talk about it as it stands, and I don't have the impression that we're going to have enough time to hang in touch and get together for now.

Therefore, the necessary content is communicated to each other, and once the communication with the Marquis de Foblester is cut off, the communication is further turned around. In the evening, we talked about the workshop, Miriam from the Chamber of Commerce, and friends from the school building. Many say it's time to finish the job, and a visit to the Marquis de Foblester doesn't seem to be a problem.

It is better to anticipate the birth of the child after tomorrow morning. The Marquis of Foblester told me that he was all set up so that I could stay, so I don't think it would be a problem when visiting or staying.

"Prepare meals if necessary."

And the Marquis told me that as well. It's very gratifying to know that people are eating at this hour.

Explaining, including the receptivity of the area, everyone responds that they want to be right away. Though I guess there were a lot of faces that I would have prepared a meal if I had been a little more. In the meantime, I'd like to meet you at the transfer port and say we'll keep moving when we get together.

"Can I accompany you?

"I want to wish you all the best as we are."

That's what Maxwell and some scumbag told me. I want to celebrate the birth of Albert's child, which means that some magical creatures were born in the workshop.

Since Albert is on the maker's side, it can be said that he stands like a parent, so it is natural to wish him well.

I don't care how many you pray for. We got an answer from the Marquis that we'd welcome him too, so let's just say we keep moving together.