Dancing Circles on the Horizon of Events

Do you want to keep the princess (Teresa) company?

It won't be easy to decide.

It's just that he's guilty of kidnapping, and he's out there looking dangerous.

This party is now in the midst of building on everyone's strengths as they travel.

If there's anything like losing your life, it's not just kidnapping.

Well, it's possible that the crime of murder has already been adapted.

"Hey, do you really want to join this party?

"Mm-hmm. You're definitely in!

Apparently, Teresa's intentions are stiff.

But when you travel with Teresa, how much risk do you have to follow?

Then Waltz asks Teresa a question.

"What if it turns out to be like being chased by the Knights?

"What are you talking about, Lord? Kick your ass."

"Yeah, right? I thought you'd say that."

In the first place, there seems to be a huge separation between Teresa and Waltz's thoughts.

Before you think about whether or not to put Teresa in this party, you should first make sure you understand the basic stance of this party.

"You know, we decided not to interfere in this world as much as we could."

"Haven't you been caught hunting witches or knocking down angels, then?

"That's force majeure. I didn't think you'd get caught all of a sudden. About angels, too, I had to take them down because I got my eye on them for the first time..."

(Speaking of which, I wonder if I would have killed an angel...)

I think more about waltz now.

(Well, come on. If I didn't knock him down, my people would have been hit)

You're a cautious person, but you don't seem to care about big things.

"Hmm, I see. So why are you acting so that you don't interfere with the world?

"It's..."

You can't say at this stage that you are a Guardian from the world.

Therefore,

I'm just saying, "You can destroy the world at any time."

I replied.

The point is, there's a dispute over our own power, so we're hiding to avoid it.

"Sure, if you're lords, maybe you are."

But power isn't the only reason.

"Later... right..."

Waltz will consider information that can be disclosed to Teresa (the princess).

"... Is it tempo?

"Did you call? Your sister."

Tempo comes forward.

She's a homunculus, isn't she?

"Hmm? What do you mean?

Likewise, the hunter gives a strange look.

"So artificial man. We made it."

"Hey, give me a minute. What's this all about?

Speaking of which, I didn't tell the hunter about the tempo.

When we first met, we missed the timing of the introduction because we were named after each other on our own.

"I'm sorry, Mr. Hunter. I totally forgot, but the tempo is a homunculus made by me, Lucia and Catalina."

"Homunculus isn't the kind of guy who makes it at the expense of those many people..."

The hunter blues.

"Of course not. Nobody's sacrificed anything."

"... right? Waltz and the others, they don't even make that much."

Apparently, I'm relieved.

"I mean, we can't just give someone the technology or the knowledge we have."

Especially without the neurochip blueprint and semiconductor production facilities, I can't make brains.

"I see..."

Teresa seems to observe and admire temper.

"So you said you wanted to be human, but you wanted children."

"Hmm, well, that's the thing"

Apparently, there was a connection between the tempo and the conversation.

And Teresa with a nigga and a grin.

"Again, you lords are interesting.

Seems to have taken an extra interest.

"That's why I want to avoid being weirdly connected to people. And, of course, inadvertent combat. Will you understand?

"Mm-hmm. (Aye) Okay."

"Well, I'm going back to the beginning, what if the Knights come?

Waltz making the same inquiry again.

Then,

"Then it's not the magic of the concubine's transformation."

"Transformation magic?

It's the magic of the first ear for Waltz.

Well, it's a fox and it's normal, Waltz thought.

"Watching but good"

Theresa started saying something.

Then, suddenly, Teresa is wrapped in light.

Doron, what doesn't, because it's still magic?

After a while, the light will subside.

Looks like the transformation is over.

And she (Teresa) tells.

"Teresa-Applefall, the magic girl!

Killah!

But Waltz's reaction is thin.

"... I didn't just wear made-up clothes"

Yes, although the skirt was short, it was a made-up garment, no matter how I looked at it.

For once, I had something like a stick...

Depending on your appearance, is it a magic girl...?

It is troubling.

By the way, I'm just curious that Lucia was freakishly blinking her eyes.

Let's hope the princess's cook II disease is not contagious.

"Besides, the outfit hasn't changed, but the rest of it hasn't, has it?

'What?'

Everyone raised their voice, except tempo.

"What? Are you unusual?

"To me, it just looks like Teresa in made-up clothes..."

Apparently, he hasn't even turned into a tempo.

"... who, so strange as to say this guy, doesn't he look like your sister?

It was Lucia who said.

Apparently, he looks transformed into a normal human being.

(I wonder if it also has the effect of changing the perception...)

When it comes to perception, the difference between waltz tempo and a normal human being is brain and eye.

Apparently, transformative magic is something that works on either of these, the spirit, or, if it exists, the soul.

No way, everything, there won't be.

(Which means you can assume that the Guardian has no psycho-magical effect)

In any case, Waltz decided to see this magic as' spiritual magic 'in his own memory.

Especially since it's the only knowledge I've pulled from the story of the world of stories.

But if transformative magic is spiritual magic, what the hell does it mean that clothes are looking different?

"Hey, Teresa. Can I touch your clothes?

"I don't mind..."

Waltz tried to touch Teresa's maid clothes.

As a result, I touched it normally.

That means the clothes seem to be entities.

"Did you magically change your clothes?

"Of course not."

Then it would mean that the witch clothes turned into maid clothes.

In other words, it may also contain magical effects similar to smelting.

(I wonder if combining multiple magic means you can sublime to more advanced magic...)

The combination of water magic, thunder magic and fire magic seemed interesting, and waltz thought about disturbing things.

Okay, let's get back to it.

Apparently, transformative magic doesn't work for the Guardian, but it does for normal humans.

(Which means that even if the princess accompanies us, there's no problem.)

Of course, if you don't get hurt, we're talking about.

That is the same thing for hunters.

"Well, I know all the problems are gone."

I spoke to Teresa, who was posing for Lucia.

For some reason, the hunter looked at it with envy, but at her age, the Kitchen II onset would be awkward.

"You're gonna help me understand."

And then all I have to do is tell me who Waltz is, or no...

After all, is it premature?

I couldn't help it when Lucia was there.

When Catalina was, she was already seen.

When I was a hunter, I had the time and opportunity to understand her, albeit for a month.

In the case of tempo, there is nothing to say.

But if you don't reveal who you are here, you'll be restricted in your future actions.

What to do.

The troubled phrase, Waltz decided to offer the terms.

"Teresa. You can admit to being one of us. But it's not long since we met, so can I put one condition on it?

"Mm-hmm. I don't know what else to do. So, what are the terms?

"I'm sorry, but I want you to show me proof that you won't betray me. Of course, I don't mind the way you think."

Waltz heard of the disrespect.

"Hmm. Sure, if you're going to be one of the Lord's people, it's going to be necessary."

Then, approaching Waltz, Teresa knelt.

"... these things are on the side of being treated as concubines, so I don't know what a swear word to say. But if the concubine is going to say what she thinks right now..."

So, kneeling and lying down on her face, the princess (Teresa) said.

"Body, mind, whatever you want"

That's what I said, I took Waltz's hand and kissed the back of his hand.

Suddenly, it was a waltz that was about to pull my hand in, but I also wonder if it would be rude to inhibit the princess's behavior, and leave it at that.

"No, nothing, I didn't have to go that far."

But would Teresa have acted otherwise?

That's all Teresa can do when she tells me to show evidence.

Without thinking about it, it's a bad waltz for making such a statement.

Teresa added another word when Waltz was on the inside, regretting what he had said and trying to give it back 'ok.

"Marry me..."

"I can't."

Reply before you finish.

"Why, why not..."

I'm about to cry, Teresa.

"Hey, do you allow same-sex marriages in this country?

"No, I don't think so"

Catalina responds.

(I wonder, the owner of a special sexuality...)

incomprehensible.

Waltz therefore stopped thinking.

"Well, I know exactly how you feel."

In many ways.

Waltz said, Teresa fixed her mood.

"Um, well, it's my pleasure now"

Thus, Teresa was to attend a waltz party.

All I have to do is reveal who Waltz is, but I can't put a manoeuvre armored book (...) body (...) inside the house (workshop), so I decided to do it later.

Well, if it's about applause, I can get in, but that's all I can do to show you.