Dancing Circles on the Horizon of Events

"Hmm... from the King, I accepted your entry this morning...?

To the words of such a prime minister, I think a little bit about Theresa.

Depending on how you answered, you may have developed into an international problem, which seems to be what you thought.

Fulfilling, the king's mouth truck (?) Should I ride or not?

Slightly later,

"... no, I don't remember making any such contact."

And I answered.

After worrying, he decided not to ride.

Then, tingly, the Chancellor's right eyebrow moves.

I hear she had something on her mind.

"Was I? Because of this, please use only the rooms you have prepared during your stay"

"Uhm... Thank you for letting me use it."

"Now, I'd like to show you to your room... but I have a little urgent business after this, so please excuse me here. The maids will guide you through the rest, so please follow them. Bye."

Having said that, the Prime Minister was returning with the three guards (SPs).

In doing so, one of the SPs was asked to:

"Hey, look for him and make him throw up."

and waltz didn't see (...) miss talking in a whisper... but it didn't matter to her, so she quickly forgot.

"Waltz? There's no problem, is there?

Looking back, Teresa speaks toward the arm of manoeuvring armor, hidden from the shadow of an energy talap.

"Yep. It's rude to say no, but I don't know what else to do."

"Well, let's go."

It was when Teresa turned to the pier side again and tried to walk.

"Oh, wait a minute"

After stopping Theresa, Waltz spoke to an energy boy stuck to his feet.

"Hey, energy? Can you leave a message for a little while?

"Rusuban?

"Yep. I'm just gonna go see my guys for a second, so I need you to wait until I get back..."

"What..."

Stunning, energetic boy with a look like that.

He's got a crying face somewhere (?) slightly resembled Lucia, and Waltz smiled bitterly inside.

"Um... you don't have to wait here all the time, do you? You can fly around until you get back."

"... okay?

An energy boy who flips from his crying face, opens his big eyes and looks up at the waltz.

Apparently, he likes to fly.

"Yep. But not if you bother the people around you, damage buildings, or use weapons, right?

"Yeah."

"Oh, and be careful, you might get lost when you get to the point where you can't see this big ring, okay?

"Okay, sweetheart."

With that said, the energy boy disappeared away from the waltz as if he were going to blend into the universe.

I guess I went back to the energy body.

"And since energy is not the only thing, can you ask the swordsman to leave a message?

"Hmm? No, I don't mind that..."

A swordsman looking less ridden, though.

Do you feel it even with a bad feeling?

"It's okay. There's a rear on board, and someone's got to stay for security. So, who do you think is appropriate in this?

Then a swordsman sends his gaze to his companions.

"... you're not here. I get it. But I don't want you to leave a message all day. Your body will be dull."

"Yep. Until we retrieve Catalina and evacuate the zombies."

"... then I don't mind"

And after a deep sigh, the swordsman returned to the bridge.

... If I were, I'd go back to my room, but I don't have one anymore.

I won't have a choice.

"Well, then, shall we go"

"Yes (yeah) (um)!

The waltzes then started walking along the pier (20 m wide) towards the crestling, with Teresa at the forefront and Waltz at the rear.

Behind Teresa's diagonal, the water dragon carries a knife (dust) (tail), and on the other side of it, Silanui follows it with a knife, so it was an atmosphere such as to (but not) and other dignitaries and their entourages.

By the way...

(Syranui, when did you get a knife or something...)

Just the right projection to put her left hand down, waltz I think about that while watching what she's getting at things like that.

I miss my hips, so I have a weapon for now as a connection until I make my own machete, etc.

Even if Waltz doesn't say anything, he's apparently confident in sword moves when he sees where he got Theresa's protection himself.

(Next time, let me show you how to make a Syranui sword...)

Waltz thinks it might not be a bad idea to try a demon modification at last, etc.

Well.

As everyone crossed the pier, the soldiers naturally gave me a sharp glance.

After all, I guess they have at their roots the fact that they shot down flagships and numerous airships.

At that time,

Dgowwwww!!

energy to start the buck with considerable momentum with a roar that

And then I lifted my neck straight up, and then I twisted my hull and turned straight back,

'Bye, hey. You're coming.'

Leave those words in wireless communication,

Gowwwwww...

The energy disappeared somewhere.

I couldn't see it from the Waltz and the others' place, but a giant nearly 300 m would literally be moving endlessly around the Endelusian sky.

The spirit of the soldiers did not seem fat enough to ignore such an energy thing, and all those who had been hostile until earlier were hardened with their mouths open.

Well, that was lucky for them, should I say?

I almost got under the pressure of waltz lock-on.

Leaving the dazzling soldiers intact and crossing the pier, the maids, who had come into the wrong place with the Chancellor, lowered their heads deeply to Theresa (Waltz) and opened their mouths with their heads bowed.

"We'll show you to your room."

"Uhm. Nice to meet you"

When Teresa replies on behalf of them, the maids who raise their heads.

... then, for a moment only, the made-up length who was behind Teresa, showing a frowning (hissing) look at Julia and Sylvia and Lucia.

Hi, they thought you were Teresa's side maid about the three of them.

I guess they wondered what it would be like for them to look around uncommonly without their luggage and serve as the top (chancellor) of the neighboring country.

Nevertheless, it was also a matter of a moment, and it did not seem possible to recognise it to anyone other than Waltz.

"Okay, come here..."

That's what the maid said and proceeded to the inside of the crestling.

It should be noted that the other maids who probably would have come for luggage came with nothing, especially from behind Teresa and the others who didn't have any noticeable luggage...

Cancer!

"Ugh?!

Cancer!

"Huh?!

Cancer!

"... I want to be"

and hit a motorized armor (waltz) that became invisible or

"(Hey, what's that floating thing?

"(I wonder if it's an avant-garde design object...)"

"(... monolith?

I was worried about the arm of manoeuvring armor floating behind Lucia... and flirting with the waltz that made it invisible (?).

The row then steps from the pier to the inside of the crestling.

Similar to the exterior, the interior also continued with white walls, an atmosphere as if it were a hospital.

However, the ceiling was high and made to feel open, either from the influence of the sunlight coming in from windows that were open everywhere or from the kind of magic props that emitted light.

And most importantly,

"... I knew it was an accelerator"

Running overhead, Waltz accidentally squeals his thoughts with his eyes on a thick pipe that extends nearly 50m in diameter.

That pipe was wrapped at regular intervals, like a large coil, and for her, with the knowledge of the modern world, it only looked like a giant accelerator.

"Instead of matter, I wonder if you're turning it with magic (ether)..."

It was when Waltz crushed such a soliloquy, thinking that there could be such a fantasy setting... etc.

At the same time, the maid chief and the maids turned to Waltz.

Neither did Waltz expect to be heard talking to herself, so I'm surprised by them like that.

It just didn't seem like my people could tell.

(Whatever the 3 maids nearby would react, what do you mean the maid length walking in the lead would react?!

Waltz thinks this is Hell's Ear... etc.

"... Dear Teresa. Has anyone spoken to you now?

"Hmm? No, my concubine didn't hear anything?

Theresa responds calmly, without looking particularly hasty.

Rather than... it's how I didn't really hear it.

"... is that right... then it would be good..."

"Is something wrong?

"No, it seems like my mistake. I'm sorry. Let's move on."

At the same time as the maid chief said that, the maids' vigilance was lifted.

Apparently, the maids behind the waltz just stood by following the maid-length reaction.

"Anything wrong? people with expressions like 'come on?' There are those who show a reaction, so there's probably no doubt about it.

(Danger. Danger. I almost found out you were hiding... that maid chief, you're not the only one...)

Well, there's no way I'm just a maid serving the royal palace...

From there, you walk in the crestling for a while, and you come not just to a narrow cavity, but to a compartment with several small rooms lined up.

"... here we are. This is Theresa's room."

And even compared to the one in the room where the maid length was around, she looked back at Teresa and the others and opened her mouth as she opened a large door at first sight.

"Hmm? You're not from a castle on earth, are you?

In response to such Teresa's question,

"Yes, we have a transfer magic team to Royal Castle, so guests are asked to use the rooms in the crestling"

and the length of the maid who answers.

Perhaps it is a consideration that the crestling in the air will enjoy the view better than the royal castle on earth.

"And here's the room for the people I'm with..."

"I don't care if they're all in the same room."

For what reason... "

"Everybody's not one of us, and we can't stay that long."

"... did you"

Apparently, the maid director of how Lucia and the others realized they weren't maids.

"Now, if you have any questions, please ask the maid who is holding you back outside"

So the maid chief and the maids bowed their heads until they entered the room, and closed the door.

... it's also polite, lock it from the outside.