And the perspective returns into the labyrinth.

While Energia and Fei Long were rubbing in maneuvering and attacking methods, the waltzes were rescuing other citizens after passing through stomachs and thoughtful places, through places where people would have lungs.

Of course, about them, they've already been released outside.

By the way, when was it releasing, if you say it during the interaction between energy and the Fei Long... the Fei Long was calibrated for energy, at that time.

The labyrinth was turning its back on the city in the form of a chase about energy, so it was shadowed and invisible from the Feilongs, but the rescue continued smoothly.

So far, the number of rescuers... roughly, 70% of the population, etc.

Well.

It was a long time before such a rescue operation was carried out.

In other words, it has now been a while since the transfer of operations to the Fei Long was completed.

To be more specific...

Dogowong!!

When Fei Long was carrying out a body attack by a giant of energy operated by him, can you clearly tell?

... In short, a powerful shock from the energy was shaking the entire wall of the labyrinth (from) heavily.

If you're a normal person, you can say it's a shock that you can't help standing.

... but.

To vibrate so loud that it rocks the whole labyrinth like that... the waltzes never noticed.

If they touched the walls, they were floating in space to be sucked of magic, and since the surrounding walls were fixed with gravitational control by waltz, they had no factors to transmit vibrations to.

In that...

Sylvia follows Waltz and Lucia with a symphony.

Julia, who was next to her, turned her rugged expression to such a junior.

"Junior... you can sing your nose a lot in this view..."

Then Sylvia, who looked black as usual when she was told the story, interrupted her nose song and opened her mouth with a happy grin at the senior.

"We can safely explore the labyrinth with Master Waltz and Lucia, right? So happy, don't you think putting up with a nose song is a biocide?

"I'm gonna use a hard word..."

To Sylvia's strangely rappy words, Julia narrows her eyes.

Sylvia continued her words afterwards.

"Is that good? Seniors. When you can afford to enjoy it, you should honestly enjoy it. My mother used to say it like a cliche, didn't she?

"... for a long time, you're positive. Junior lineage..."

And whining, Julia looks to the surrounding scenery.

There followed a tunnel of dim, bright red meat that seemed to start from nowhere and end nowhere.

Whatever you think, it wasn't the kind of sight that made me feel happy... but in my positively sinking head enough to have Sylvia's 'super' on it, maybe it's reflected in the view like a flower garden...

"(The only thing that will provide eye care is the appearance of Master Waltz and Lucia...)"

Then when Julia glanced back from the wall of the labyrinth where the waltzes were, just to see, she saw two people talking about friendship.

In that way, against Julia, who accidentally smiles bitterly...

"... I knew seniors would be happy, right?

Talking to him, Sylvia also smiles with a bitter smile.

"... I don't know if I'm happy, but for what I'm looking at the two of you from behind... right. I wonder if you'd be happy with this... The labyrinth walls are superfluous, though."

"You just have to decide you didn't see it there. Is that what you're good at, Master Waltz? Did you know?

"(That's probably... I feel different...)"

Julia realizes that her mouth is moving pimply as she feels the ingredients of bitterness have increased within the 'bitter smile' she was floating around.

When two people are interacting like that,

Looks like we're going into some kind of open space, huh?

Waltz, who was walking in front, said that and stopped slowly.

"Next... was it the liver? Was it the pancreas?

"Junior... that, you just passed..."

"No, no. You're moving up, why are you talking about the organs down there..."

Waltz accidentally says such a scratch to two people who have a good conversation about being off target.

Was I?

Sylvia's... didn't seem to know what organs were there in the first place.

The only thing I seem to remember is the name of the organ.

Perhaps, in her head, she has a liver and pancreas inside her chest.

"Up there... oh, you were aiming for your brain"

Apparently, Julia remembered her destination.

Nevertheless, even in her head, a schematic diagram of the same incredible body as Sylvia seems to be unfolding...

"That's right. Along the way, I stopped by to go through my heart."

"Does that mean... did you get to the heart?

Did you find out where the heart is on the boulder, Sylvia, who mouths like that while keeping her chest hand?

"Probably. I can't hear a heartbeat from the other side of the wall, but..."

"(... and he's dead?

Seeing that we all have the same harsh look on Waltz's words... apparently they all thought the same thing.

"Well, we don't have time, and we're just gonna go, right?

That's all in his mouth... Waltz instantly eliminated the meat walls that had been shredded to the thickness of a single sheet of thin skin (30 cm).

"... what are you doing here..."

Lucia inadvertently utters such a surprise at its strange scenery of a suddenly vast space.

"It's fantastic..."

Sylvia seemed to have the same sentiment for that thin, walled sight.

... but on the other hand,

"Oh, is this it? You've seen it once in Deftery Vixen."

It looked like Julia had seen it before.

Waltz, who kept his mouth shut until the end, also gave no surprised look, but rather, a difficult look, so I guess it was a view I'd seen.

Then she took Lucia's hand as she was about to move on... and somehow pulled it (...) back to (...).

"... well. We're going back, right?

"What...?

Together with the words Waltz uttered, doubting his ears.

Why the hell did she say those words...

It's...

"This is the nucleus of the labyrinth.... your final destination."

... because the nucleus of the labyrinth that I thought was in my head was spreading in front of me.

Initially the waltz was the body of the labyrinth (gut?) was going to destroy the nucleus of the labyrinth, in order to stop Protivixen, after rescuing every possible citizen from the

If you have stopped the activity of the labyrinth before you rescue it... it is easy to imagine how this skeletonless labyrinth will turn out.

After that happened, Waltz wasn't sure he could successfully rescue the people left behind in the meat mass.

So she suggested moving to another organ... but it didn't seem like she could do it anymore.

"Oh, sister!

Lucia pointing to the heart of a huge space, looking like she noticed something.

To that sight, waltz, frowning, only slightly strengthens his sister's power to hold hands.

"... uh..."

Julia and Sylvia, too, seemed to notice Sole, leaking a less surprising voice.

Because there...

"Hmm? What are those...?

A man with a face I've seen somewhere and

Another man who, for some reason, looked taken in in the form of a half-burn in the labyrinth...

And most importantly...

"... Yuki... F, is that okay...?

... because there was a long woman dressed in harsh armor, sitting quietly on a body that could not be counted.

Quite a distance away. When she reacted to Waltz's words, which should have whined small, she raised her face, which was leaning...

"I waited... for this moment"

I said that, and I looked happy... and I wept.

And

"Please... kill me!

Dogowo!!

... has unleashed a mighty ice magic like nothing I've ever seen before, toward the waltzes.