Dancing Circles on the Horizon of Events

Security in this land, close to the realm of the Devil Nation, was correspondingly robust.

The Royal Castle, in particular, seemed to be so heavily guarded that a large number of soldiers rushed instantly if there were a large number of outposts among them and if any anomaly occurred somewhere on the premises.

That said, as the Beatrice thing goes, it seemed like a monkey for getting out from the inside out.

Then, from an establishment inside the royal castle, enter another facility located on the same premises (?) What if?

That depends on the location...... the facility called the church seems to be in a bit of a special treatment, and even compared to the surrounding facilities, it seemed to be provided with a particularly high level of security.

Perhaps the fact that the knights of Mid-Eden are here also has a lot to do with it.

Julia and the others were supposed to break into the church like that... but apparently it wasn't a big problem for them, like the number of outposts.

"(………)" Sa

"(………)" Kokuri

Even in a transparent appearance, Julia and Sylvia walk on the ground and approach the church, alerting themselves to their surroundings while issuing special signs that only each other can see.

On top of that, just in case, let yourself slip without sound into the shadows, sometimes deliberately creating sounds to guide the soldiers...

And they moved on, never to be found.

Their movements like that usually seemed to be on a different dimensional level, either because Cortex taught them about intelligence activities in the modern world or compared to other spies in this world.

By the way......

Why did they not approach the church from the sky?

There was a reason for that.

…………

Just a few moments away from the church, as their actions, which suddenly stopped their feet, showed… an invisible junction was strewn around the church.

It is unclear what type of junction it is, but from the circumstances, it presumes that it has the effect of either informing the operator of the intrusion, or not allowing it to be intruded other than the admitted one.

If this was an attempt to break out of the sky... noticing the junction would not suddenly stop because of inertia, and the two must have been hitting the junction.

They predicted it beforehand, walked muddy on the ground, trying to get closer to the church.

"(I knew there was...)"

"(You were right to get close to the ground)"

and Julia and Sylvia having a conversation with just the signature without putting it in their mouth.

Later, Julia said, standing in front of the bond…

…………

Rarely, it seems to have begun some long chant.

There is only one kind of demon (...) method (...) she can use.

A slightly different kind of phantom magic than what Teresa uses (?) alone.

For this reason, Julia could not use the magic of neutralizing or disarming the inexperienced bonds stretched out there... but there is the use of magic.

"(... oops)"

"(So, do you want to go)"

Julia exercised yet another phantom magic from above the phantom magic to become transparent that hung on her.

If we were to change the way we say it... could we describe it as multiplying phantom magic and expanding phantom fields with two effects around us?

Then to the junction that was in front of us, the two men, who approached it with dignity… in the next moment, they pass the junction, as if there was nothing there from the beginning.

"(That's senior. I can't believe you tricked the sensors of junction magic with phantom magic...)"

"(Really, you use magic... If I were you before I taught Master Cortex the idea, I would never have thought of it......)"

"(Right)"

Julia succeeded in breaking into the interior by deceiving the perception of the ineffective junction that was strained there, as the two signatures exchanged that

... Yes.

Nothing that could be deceived by phantom magic, not only creatures such as humans and demons, but magic itself was the object of it.

If we go into more detail... she seems to have made the unfolding juncture recognize their existence as' air '.

'Light' if the air doesn't work.

'Radio waves' if the light doesn't work.

If the radio waves didn't work, there were as many ways to deceive the perception of the junction as there were in the form of 'sound'......

I noticed such a phantom magic effect, as their conversation suggests, thanks to the research being done at the experimental facility set up by Cortex next to the chancellor's office.

From then on, Julia and Sylvia proceed carefully through the church grounds while carefully hiding themselves in the shadows, even though they remain transparent, saying that the surroundings are dark.

In doing so, observe carefully if there is no trap or another junction magic...

Having avoided some trap-like mechanisms… it seems that they have finally reached the entrance to the church.

"(Well... here's the problem. Senior)"

and Sylvia sends words to Julia as she turns her gaze to the large door of a closed church.

On the other hand, if you were in Julia, you didn't seem to think it was a particular problem.

"(So we're going, then?

Say so, and hang an extra phantom magic on ourselves again...

Bun......

Without opening the door that was there, I walked away to blend into the stone wall.

That also seems to be another effect of phantom magic......

See how that goes,

"(............ no pa, seniors......)"

and Sylvia chasing behind Julia, albeit flashly.

Even for her, who has spent not a short time with Julia, phantom magic (?) Didn't seem to think it was so versatile that it was bouldering.

Then into the interior of the church, Julia and Sylvia succeeded in breaking and entering without difficulty.

There are no signs of traps or boundaries there...... apparently they succeeded in getting inside the security that was stranded.

Inside the church you can see from them like that - - the sight of the cathedral was... very different from what is in the national church in Mid-Eden.

Although the air itself was no different from the harsh (rough) air emitted by the church, the ceilings and walls were adorned with festivals decorated with precious metals such as gold and silver, as well as objects of strange elaborate design, emitting an atmosphere that was opposite to the qualities.

Well, this is the site of the Royal Castle, and it may still be a natural sight, given that the Orija government has not been able to fulfil secularism.

"(... is this covered by taxes?

"(Maybe...... Mid-Eden would give the senator a pretty level......)"

and Sylvia and Julia having a conversation at the signing, observing the sight.

Then as they proceeded towards the altar, hiding themselves in the gaps of the numerous lined chairs, there…

…………

…………

Looks like there was a strange man standing with the Lady Olija she was looking for... who came in priestly clothes.

So the two of them seemed to be talking about something intrusive.

"(So I'm going to go around from the right, so junior's going from the left, right?

"(Roger!

And Julia and Sylvia break up the cathedral to the left and right.

Such their purpose is to eavesdrop on the content of the conversation between Lady Olija and the man.

Then, as Julia and the others slowly approached from the shadow of the chair, they heard the content of the conversation between the two who were whispering.

"... So, what do you think? Are the angels coming on schedule?

It is Lady Olija who speaks with

Apparently, she was chewing one on this angel thing, too.

"... Yep. So far, so good."

"Really...... It's a superimposition. Now you can bury the lowly Ecclerians with the haters of Mid-Eden." chuckles.

Let's do it.

and Lady Olija, who speaks of things of great importance.

Apparently, the Mid-Eden knights who came to this country are likely to find that the meal they had this evening was their last supper.

Then the conversation between the two continues.