Dancing Circles on the Horizon of Events

8.6-09 Over the Mountain 9

A row of carriages that started running again ran up the uphill just newly created by Lucia.

And then we head out to the other side of the tunnel, and there's...

"Hmm. There's no snow here, is there? It's like a different world..."

As Lucia said, there was no snow, the throat of the forest (...) true (...) n (...) medium (...).

It is such a place, with high mountains lined up neatly on the left and right, and depressed forests everywhere between them.

In addition to being a valley surrounded by high mountain ranges, there is also a relationship between the biwesterly winds, which apparently, coincidentally, creates a climate in which no snow falls.

Waltz stops the carriage again when they get off to the ground like that.

Because there was no way at the end of the tunnel I wore and the depressed woods were spreading, as mentioned...

In order to move forward, trees, rocks, and so on were in the way, and there was no way to go any further.

Other than that, I stopped the carriage for a reason.

There should be a road near here that runs north and south through the valley bottom, but travelling that far with the carriages connected, as they are today, was too reckless an act.

If even one of them fits in or falls on the shoulder of the road, since it's a mountain path from here on out, even though it uses magic and so on to cut through the woods...

At that moment, it was visible that all the connected carriages would be caught up in a catastrophe.

"Once here, let's un-couple the carriage, shall we?

Waltz mouths like that as he looks around and sees if the area is safe.

As far as she can confirm, there are no people nearby......

There seems to be no such thing as the men of Eccleria were ambushing them on the spot.

Then the hunter who got off the carriage says this while holding down the mouth of what (...) the late (...) with his other hand while putting his hand on the beloved dagger that was on his own hips.

"It's still early for camp, but let's reveal the night here today. We need to disassemble the carriage, but we don't know what lies ahead..."

"Right.... but hunter? Isn't the real reason different?

"Hey, what are you talking about?

"It's no use hiding it with your hands, is it? I can see your mouth catching."

"... ha. You can't hide it from Waltz..."

"No, I think we all know that, don't we?

A hunter who couldn't hide his grin before the deep woods he hadn't seen in a long time.

Needless to say what the hell she wanted to do here.

"Then I'll gather my men and hunt for fresh supper!

"Yep. Looking forward to it, huh?

That's what Waltz said when he tried to send out the hunter.

"Oh, yeah, Mr. Hunter? If you had rice, vinegar, sugar, soy sauce and fried, would you pick it up?

Lucia, who seemed to have no brilliance from her eyes at all, suddenly began to say that.

Note that I refuse, the forest in front of me is merely a forest, a natural shop (?) There is no such thing as being able to pick a variety of ingredients.

Since the beginning, soy sauce and fried chicken are unlikely to be available in the woods, but Lucia couldn't seem to judge that.

"... hey waltz. I figured maybe we should hurry, huh? Lucia's confused, isn't she?

"No... not yet, I think it's okay. Tomorrow, if it's a day or so, the stock should still be there......... there is, right? Lucia?"

…………

"What... no more?!

"Ugh, yeah...... Earlier, when I used magic, I was hungry... so when I realized, I ate instead of snacks at some point... When I checked now, it was all gone..."

…………

The waltzes look at Lucia, who was still about to cry while holding a pochette embroidered with Inari sushi, with what a complicated look to say.

Again, even if Lucia stopped consuming Inari sushi, instead of starving to death, magic would become unusable, and so on.

... it just causes an abnormality in the spirit.

For Lucia's sake, after all, Waltz asked me to go to Cortex...

And first thing tomorrow morning, they're going to deliver supplies.

Then Waltz just looked like he was walking blah blah blah blah on the spot without participating in the carriage disconnection work.

But the truth is, they were checking the carriage for damage.

From time to time, she seemed to use something like a pen to mark the carriage.

Well, it's too shabby for me to deny the possibility that I was graffitiing...

When she was checking out some carriage like that, it seemed to me that a certain figure had gotten into her eyes, proceeding with the work with her hands muddy and dirty.

"Is that it, Feilong? What are you doing?

"Of course, with everyone else, I'm working on disconnecting the carriage?

"No, I suppose so... a little surprised..."

"Surprise?"

"Yeah. Normally, because it's not the kind of task a girl like Fei Long does..."

"Hmm...... but Master Teresa is doing the same thing?

"No, it's okay, Theresa is. It's like being sick..."

"Hmm?

"Yeah. Nothing"

and waltz, deluding, turning his frightened gaze toward Teresa.

However, at that time, when I saw where her mouth was caught just a little...

Apparently, Waltz wasn't just stunned by Teresa's behavior.

In contrast to such waltz, Feilong has had a suspicious look since.

As she began to move her hand again, she began to explain the situation as it was.

"As a matter of fact, when I was studying manoeuvring skills at Lord Ene's (Energy), I also received guidance from her on how to handle machines. Because of this, I thought I would use the knowledge I acquired in doing so here..."

"Something tells you, Fei Long, amazing? If you suck, don't you know better than the craftsmen who work in the workshop around there?

"Mm-hmm? Do you mean Lord Silanui? … not even at foot…"

"No, there's something wrong with the comparison..."

After that, Waltz reminds me of Silanui.

Then she turns her gaze in the direction where there will be the town of Zapato who will be on her way...

And, basically, I groaned like this.

"Maybe, Silanui, stay in the town ahead, huh?

In words with such a hopeful colour...

"... What's the sudden matter?

Fei Long stops working hands and looks up about Waltz.

Waltz then began to talk about why, narrowing his eyes.

"It seems that the town ahead is a mining city. That means Silanui, who loves minerals (?) I guess it's not weird that they're attracted to flirting, so I thought.... Well, that's a hopeful story."

"Hmm...... Master Waltz cares about Lord Silanui... I'm worried, too. It's just... to tell you the truth, it's not purely worrying. Lord Silanui said he had the power to slash down and push through any kind of fortune... I think so."

"No, I don't know if I'm going to slash you down... you might slash me down... In fact, Atlas, I'm talking about getting slaughtered..."

I heard from Atlas that Silanui had two iron slaughter swords (?) waltz remembering the story that he attacked while swinging.

In her head like that, there seemed to be an emerging figure of Silanui cutting the Eccleria tank she had headed for in two straight from the front......

The truth is unknown.

Then Waltz seems to have rarely read the air and decided to pull himself off the spot so as not to interfere with the work of the Feilongs.

It shouldn't be because Teresa, who was there, changed the color of her eyes after Waltz spoke to her and began to break down the coupling part of the carriage with intense momentum...

And that's when.

Gwwwwww!!

Such a loud roaring voice echoed from across the woods unexpectedly.

When I heard that ringing, it was Waltz who reacted first, not the working Flying Dragon.

".................. Dear Waltz. Looks like we've got a little bit of a problem."

"Huh? What?

Waltz asks what the hell Fei Long said.

Then Feilong said this, turning his serious expression toward the other side of the forest.

"Apparently, here is the state of the dragons' territory...... We seem to have set foot without knowing it."

"Wow... poor..."

"... Huh?

A flying dragon who doesn't know what Waltz came up with and doubts his ears.

Whatever.

The waltzes, who have dug holes so far, have apparently been blinded by the dragons.

No, I put my eyes on you, should I say...