Ragged, ragged...

A line of waltzes found a path near the campsite that didn't seem like much of a crowd.

I didn't know where this place was and where that path led, to Julia, to Null, and to Capella...

The waltzes seem to have decided to take that path without a choice, as the carriage lines went down a roadless path and it was difficult to shortcut the terrain.

Such a line of carriages still had the dragons in the mix today.

In the end, the only dragon humanized during breakfast was Polaris….

The other dragons remained large bodies.

First, they decided that only Polaris would experience humanization, see if it was inconvenient, and then recommend it to the other dragons if nothing happened.

Some of its lanes still looked like the people that were following it from the town of Aruba.

Besides, none of the shepherds since leaving town have been alone so far.

Everyone seemed happy to be chasing the waltzes' carriage.

It's unclear why they seemed happy, but no way, I saw the dragons coming after me and my face was just cramped.

And another regiment.

At some point there was a line of unfamiliar carriages at the rear of a group of carriages boarded by the people of the town of Aruba.

The design appeared to include a slightly more luxurious carriage made of metal.

Such were they who joined together when a row stopped in the city of Zapato.

For example, he who had taken refuge in the city of Zapato in the form of being pursued by Eccleria.

Or, military discipline (?) He who disobeyed, was condemned to death, and lost his place of return.

also a quote that someone vandalized the mine, someone who was forcibly deprived of the rights of the landlord.

Other people who lost their way of working in the mines, mercenaries who were in town, etc...

As a result, the waltzes seemed to have lightly exceeded 2 km in length in one row.

Still, there was no traffic because every few black carriages of potential were pinched?

"It's so long... If even one of these malfunctions, I wonder if it's going to be a big deal?

Running at the head of that carriage line, in a strangely mechanical wooden carriage, Lucia squeaks that sentiment as she looks behind her.

From her eyes, I can't see how far the carriage in the back is going to go, its end......

It seemed that the carriage lines were stretching everywhere on the road that had followed the creases, as they sewed through the valleys of the hills.

"Are you all right? When I have time, I, Teresa, Beatrice, and Potentia are looking around at everyone's carriage and fixing it where it's going to break..."

"Hmm. So that's what your sister was walking around the carriage when she was preparing her meal... I mean, that's what happened, huh? I was free, that's not why..."

"Ugh, yeah... right?

and Waltz responding with a behavioral suspicious reaction, listening to Lucia.

Apparently, she had something behind her back.

Especially in the case of Lucia, who can neither prepare the meal nor help with the carriage maintenance, although she seemed really spared some time in the meantime.

Well, aside from that.

In the carriage where they were having such a conversation (?) seemed to have some sort of sinister air.

"Damn, the waltz one...... I'll pay you back one day!

"... you. Can you say that in front of him?

And, next to Loricon, who looks furious, a cappella that reacts like a fright, or an interest.

At last.

By Waltz, who tried to protect Polaris' privacy, a super-gravity lollicon sat on your podium and manipulated the horses, speaking in dignity and dissatisfaction before Waltz's eyes.

Waltz doesn't execute him right away...

Instead, he said this in a mix of apologies, with a look of apology on his face that, on the contrary, seemed sorry.

"No, you think I'm sorry? Next time I do it, I'll give you advance notice, so don't worry about it in the future, okay?

"How can I feel safe with that!

"If you hadn't had weird sexuality in the first place, wouldn't this have happened?

"That's why I'm telling you. He said it had nothing to do with name and sexuality... simply looking at a young lady k"

"... Capella? You're the guardian of Loricon, aren't you? Do something about this dead guy."

"Me, you were a guardian, not a guide..."

A cappella that listens to its irrational words, directed from the waltz, and holds its head by accident.

Then you fold like that.

"Ah? What the hell?

Loricon, who was furious until just now, suddenly had a serious look (?) I wondered if I had floated and accidentally uttered such a word.

Apparently, he found something in the surrounding view.

Its presence also seemed to notice waltz floating with manoeuvre armor outside the carriage.

"Oh, that? Isn't that a scourge or something?

Listen to Waltz.

"" "What..." "

and fellow voices.

Then, when Julia, familiar with the circumstances of the Sacubas living in the land, rises in the carriage, she observes the surrounding scenery while hiding in the shadow of her front...

But from my own eyes, scouts (?) She asked Waltz if she could not confirm her appearance.

"Does it feel alert?

"Maybe...... Sacubas have been flying in the dark with flutter since last night... first of all, you must be on guard."

"You were here... Sacubus Squad..."

And Julia gives a frightened look when she hears Waltz's report too late.

Still, she didn't blame Waltz because of the appearance of loyalty or because she believed in Waltz?

Then Julia, returning to her original position, placed her hand gently over Rosemary's head, which was sitting next to her......

He began to explain the troops of the Sacubas who would defend the land.

"What if ahead, the troops of Sacubas and Incubus are going to attack us… perhaps with phantom magic or with the power of the devil's eye? We Sacubas are powerless. So, if you fight, attacks on magical spirits should dominate."

Listen to that word.

…………

and lean their necks together.

Everyone said, '... weakness? What's your lord saying?' It's just a look.

Apparently, they mistook the existence of Sacubus just a little bit (?) They do.

"No matter what you think, you're not weak, are you?

"What... no, you're weak, aren't you? From this arm, what power do you think it will take?

"... strong enough to lightly knock down the trees in the woods so thick that you don't know how old they are for years?

"That's a magical effect. It's phantom magic."

"I'm physically knocking it down, so it's not a phantom..."

and Waltz penetrating relentlessly about Julia's magical contradictions.

Others, Eve and the youngsters, are talking about Rosemary's crafty knife tweezers.

And Sylvia seemed to be thinking about her colleague Lisa, who stuck the blade against Waltz more than once.

In either of those cases, Sacubas would be able to affirm that he (...) was not weak (...).

Then Julia tried to say an extra excuse - that was the time.

"Oops...... Come on, let's go, huh?

Looks like Loricon, who was sitting on your podium, found a man standing on the carriage's path.

"Woman...... no, is that a girl?

and a cappella that mouths the look of the person who was there.

The figure should have been clearly visible to the Loricon sitting next to him as well......

Instead of stopping the carriage immediately...

"I don't know if it's a girl or a toddler, but I'm not interested in Lolibaba! Die, Yee!!

Instead of accelerating...

Dosha!!

- He seems to have mercilessly slammed the girl who was standing in the middle of the road in a carriage.

Apparently, what was distorted in him wasn't just sexuality.