"Did you ask my concubine about Silanui? I'm just gonna call him back, too, 'cause I'm gonna let him in, right? When it's over... Unlike your sister, I'm busy, so I'm going home fast."

"Ugh, yeah... I'm... free?.................. yeah...... free time......" Boosh

And, with a voice that's going to disappear, a squeaking waltz.

Apparently, she couldn't find a word to say back to her brother's words.

Such were they, now, on the sky.

If you want to be more specific, inside the bridge of energy.

In other words, the waltzes stopped traveling in the carriage, rode the energy they had called in from Mid-Eden, and were moving through the sky.

By the way, the carriages that have come this far, along with you and the horses, can be stored in the cargo room of the energy.

Otherwise, naturally, there is no appearance of potential here.

He's...

Gogogogogogogogo......

He was flying beside the energy, back to his original appearance - that is, that of an aerial battleship of the same type as Energy.

In him like that, along with the Feilongs and Polaris, the Grounddragons are packed in large quantities...

They, by now, enjoy flying for the first time in their lives (?) I guess so.

It should be noted that as to how we brought about the grounddragons, if we leave as many as 48 grounddragons around the town of Wespel, can you guess why?

Well.

Such were they, as aforementioned, flying in the sky.

If you travel by carriage, to the towns of ghosts that are about three days away, if you use energy and potential, it's about minutes short.

At present, Waltz decided to use the energy and travel at high speeds because it was not a good idea to devote a lot of time solely to Silanui.

If this were the massive Boreas people who were following the Waltz and were still traveling together, they would still be traveling by carriage.

But the waltzes were light because they left those people in the town of Wespel, where the Ardelheits were.

Well, in this case, maybe I should describe it as not being able to travel fast because there are no people, but as having left people to travel fast.

However, even though we are in a hurry, we are not flying at a cruising speed of subsonic speed......

Something was going on and it seemed to be flying slowly.

"Nevertheless, where is it? The... ghosts' town. Do you know who it is?

In that inquiry...

…………

Naturally I don't know, so I can't answer you, mates.

After all, no one there knew the location of the city.

It should be noted that the capella, which serves as a road guide in the realm of the Demonic Nation, is still in the carriage, along with Loricon.

And the nulls familiar with the land are not here because they are not boarding energy in the first place.

"Ah, I should have brought null or someone..."

Waltz whines those words, as he regrets......

It seemed there was such a stumbling figure in her words.

"... your sister. Is that vegan mess? Or is it a storage system error? You seem to have completely forgotten about Master Yuki in the infirmary. So immediately, kidd...... no. Nothing."

"Ah... if you say so..."

"... you really forgot..."

and a tempo pointing a dazzling gaze at Waltz, who usually has a lot of ambiguous parts in his memory system.

Only for a moment like that, she seemed to be trying to say something, but in the end, she kept her mouth shut and left the bridge...

Looks like he went straight to the infirmary and called for Yuki.

Meanwhile.

Naturally, there were other figures of fellow men on the bridge where the Waltz and the others had such exchanges.

Most of them seemed somewhat accustomed to the view over the monitor of the bridge of Energia….

In some cases, there seems to have been an exception.

"It's empty......! It's on the clouds......! It's fast......!

It is a rosemary that was stuck on a wall monitor and watched as it devoured the view you could see from it.

Then, next to her like that, Julia comes and crouches in there......

She, too, joined Rosemary and began to look out.

"Beautiful view"

Just mouth that, Julia with Rosemary for a distant view.

In contrast to her like that, Rosemary said these words in confusion.

"Uh... Julia... Oh, Mother?

Listen to that.

"Hey... uh... Marie can call you what you want, right? Yeah, even your mother..."

And Julia, who looks like she accidentally smiled bitterly.

Apparently, as for her, she had just a little refusal to be called 'Mom' or 'Mother' anyway.

Then Rosemary roared, hauntingly, um.

On the Domestic Register (?) said this to Julia, who became her mother.

"Well, after all, Marie wants to call me 'Sister Julia' about Sister Julia!

"... yeah. I guess I'll be better off with that too."

That's what I say and make you laugh, Julia.

If Ardelheit asks you about this conversation, maybe she'll be scolded for being tough...

But still, Julia seems to have decided to accept Rosemary's statement.

Or maybe that was her, now 'mother', manifestation of that readiness.

And there was another person on the spot, the first person to board the energy...

Though it was at first that she had her sparkling gaze pointed out, she was now sitting quietly in her chair with some contemplative look on her face.

It is the Beatrice, princess of the Kingdom of Orija.

Theresa seemed to have a bad feeling about her reaction like that and tried to ask what was going on......

Unfortunately, it appears that the situation did not allow it.

"... what shall I do, Teresa..."

"... No, I don't know what that means. Why do you need to stick to your concubine's back..."

Somehow, she had Betty and Lucia stuck on her back.

It's also as if, using adhesive, I stuck it......

"Hmm? What's going on? Lucia and Teresa?

You couldn't swallow the two circumstances, see how it goes, and tilt your neck Atlas.

By the way, describing the structure, Lucia lowered her shoulders and hid behind Teresa's back, while peering through the shadows, chilling, and Atlas.

As a result, Teresa, who was in a pinched position, had a gessy look on her face, but there was no way Lucia, who was behind her, was noticing that look...

Lucia stayed stuck on Teresa's back and said to Atlas:

"Ah, ah... Atlas! Hello?"

"What?"

"Uh... uh... nice weather, huh?

"Well... that's because it's on the clouds... I mean, what's going on? Lucia, are you acting crazy?

"Ugh, yeah? It's nothing. Hey, Teresa?

"No, even if my concubine asks me..."

That's what I said, Teresa, who sighs deeply.

Apparently, she wanted to escape the scene now, imagining what the conversation would be between Lucia and Atlas from now on.

... especially.

I can't escape any more than I'm disappointed in Lucia......