Dancing Circles on the Horizon of Events

-10.5-19 People and Demons 19

... it began with such a word from a princess of a certain country.

"I wonder what's going on with Olija? Hey, Teresa. Doesn't that bother you?

"... why are you telling that to your concubine? Tell Waltz directly."

"Master Waltz... yes, he's the one on the cloud. I can't tell you how scared I am."

"... concubines say otherwise?

"What? What are you talking about? Teresa's Teresa, isn't she?

"... it's the concubine who wants to say what she's talking about..."

Before going to bed at night, at first glance, I thought of worshipping Waltz's face and then going to sleep, I just came to the bridge where Waltz would be, my own oddity (?) Theresa, who has been found by Beatrix. Her fate is apparently in a crushing carriage here, when she is caught on both shoulders with a force as if it were all-powerful and she can no longer escape.

Dog and fox daughters put the fate of the world on (?) A little further ahead of that we're having an exchange. Waltz, who was on the bridge that was spreading across the gas-style slide hatch, was in regular contact with his younger brothers in the future world.

"... so I kidnapped Alexandra and made South Fortress"

"'I don't know what you're talking about.'"

"... we're both very close, aren't we?

Apparently, it was the same inside and out of the bridge that the conversation didn't go through.

"What do you mean, you kidnapped Mr. Alexandra?"

"I'm a mercenary. You just asked Alexandra to run South Fortress as a new job?

'You wouldn't call that abduction... Did Alexandra take it on quickly?

"Yeah, well, you were already happy, weren't you? Even if I give you gold, you won't understand it's gold."

'... I see. Sure could be abduction...... it'

And Atlas, who looks frightened.

Then Waltz cuts the story off early before the pursuit from his brother comes...... Also next to Atlas tonight, we inquired against someone who would be listening to us.

"Ma, for now, leave what's done............ hey Enders. What's so different about you? I don't remember calling my sister all of a sudden?

Derek for some reason when he said he just hasn't seen each other for 2 days (?) Apparently Endels boy's reaction was still not a pleasant thing for Waltz.

To her inquiry, the future Endels youth - King Toto Endelusia - answers.

'A little more... I want you to hang out with me just a little more...'

"What, you're talking like a father..."

…………

"... well fine..."

"I'm grateful."

"If that's what you think, do you want me to change my attitude?

"Well, let's do this next time"

Shortly afterwards, Waltz felt even worse when he heard what King Endelusia had said.

'... as you say. My beloved sister, you.'

"... Atlas. Looks like Enders went crazy, so could you slap him in the head with an axe (...) for a second? Perhaps because I think the neural circuit is in poor contact, if we disconnect it completely, we'll never be connected again. Yeah, never again."

I'm not your sister, so you can't do that kind of shit.

"Ha... really, what's going on? This world......"

And while he spoke, Waltz seemed worried that history might be changing because of his actions. But we don't have the means to be sure of that... She just seemed to have to hope she hadn't changed from the bottom of her mind.

"... Endels. Anyway, no sister calls."

"My pleasure."

"... really do you know?

'Of course it is. Is that good enough for you? Ms Waltz. "

"... ha"

Why am I so tired...... It was when Waltz thought about that.

Gashon!

The bridge door opens vigorously, from the other side of it ——

"" Ah... "

—— Theresa and Beatrice show up. That's also why, with Theresa crawling on all fours and Beatrix on top of it horseback riding......

"... you guys seem to get along pretty well, don't you?/(adv, adv) (uk) (uk) (uk) (uk) (uk) (uk) (uk) (uk) (uk) (uk) (uk) (uk) (uk) (uk)

"Yes, no? Or did you just keep your ears shut with Bear when you thought you heard something in the bridge? I didn't mean to. It's true." Slow down.

"Teresa? If there's anything suspicious going on around there, first look in the mirror at ourselves, then reconsider? Because I don't think there's anything suspicious about that. I mean, why did you need to be a horse rider when you just stood there listening?

"To, if you try to escape, you get caught --"

"That's Waltz! Anything you want, huh?...... so Teresa will take you home! Come on, Teresa? Let's go, shall we? I'm not putting you to bed today! ♪ sloppy

"Hey?! ♪ sloppy

How much power do you mean you're pulling... Beatrix gently drags about Theresa, whose entire skeleton was made of special alloys. After all, tonight, Teresa's fate seems to crumble here.

But Teresa hadn't given up.

"Oh, you did. I thought Bear wanted to stop by Olija.

Speaking of things that would attract the interest of Beatrice, he bought time and tried to escape into the gap.

Is that what did it ——

………… /(adv, adv-to) (on-mim) (on-mim) (on-mim) (on-mim) perfect/

—— Beatrice stops (...) Le (...) sa (...) as (...) captured (...) eh (...) as (...).

Her usual behavior towards Teresa, although slightly (quite) crude, did not include the word "ah" of malice there either. So why was Teresa treated badly, because Beatrice wasn't really so social either, and I just didn't know how to keep my distance from my first friend I made.

Therefore, it seemed to me that a friend placed his trust in him, and on top of that, he felt discouraged to speak his wishes directly to the existence of a "waltz", both a demon and a goddess... Indirectly though, being on the spot where one's wishes entered Waltz's ear seemed to Beatrice to be a rather heart-loading event.

That's why I can't just shut up and wait for things to pass... Seems like she never decided to put her hopes to the waltz. That too, waltz in front of you in awe, dyeing your face red......