Devil's Music

Shibuya, Tokyo, Japan 7 p.m. Scramble Crossing.

Introduced in Resident Evil 5 and Furious Race 3, the intersection was filled with commuters who were leaving work as the sun went down.

There were literally thousands of people waiting for the signal to change at the intersection. At this intersection that I had to take to get to Shibuya subway station, two girls were talking loudly, waiting for a signal to get to the subway station.

“Hoshino, any new Fantasy Knights? ”

A girl in a navy uniform, neatly tied up her ponytail head, asked Hoshino, looking at the mobile crystal screen, and she shakes her head.

“No, it's been eight days since the first angel came back, and there's no follow-up since. I'm dying to know. Aren't you, Hikari? ”

Hikari rolls her feet with a look of irritation.

“I'm curious, too! Why the hell isn't Kay coming to Japan? It's right next door. It's always in the United States. It must have come back from Nepal to Korea and left again. If you could tell me about it. ”

Hoshino clasped his face in horror.

“Oh… kay. If I could actually see it, I would do anything. ”

“So am I! After I watch the fund-raiser, it's even in my dreams. ”

Hoshino looks at Hikari and smiles strangely.

“It's not because I slept through weird videos at night, is it? ”

Hikari shakes his hand in fear.

“Hiic! What are you talking about in a crowded place! I don't see that! ”

Hoshino revealed his teeth.

“Last time your sister told me she kept seeing things. Heehee”

Hikari quickly shuts Hoshino's mouth, looking around and whispering in silence.

“Quiet! Everyone around you! ”

Hoshino, whose mouth was blocked, smiles playfully and sees the signal change and sprinkles his hands.

“Let go. Signal's changed. Let's go! ”

Hoshino stepped on the sidewalk first, smiling playfully and running forward, looking back at Hikari behind him, shouting loudly.

“I can see that in a girl with a lot of blood! ”

“Hey!! You don't shut up! ”

Hikari goes after Hoshino with a swing. Hikari, who was ashamed, chases after Hoshino, but runs around, noticing him and suddenly stops, hits Hoshino and rolls back and forth.

“Ugh! What the hell, Hoshino! ”

When Hikari looks up at Hoshino, she sees his blank expression pointing at something with her hand.

Hikari, who glared at Shibuya, who was pointed at by Hoshino on the ground, said in a surprised manner.

“Kay?"

There was a smile sitting on the big TV. With the J200 on his thigh, he clicked his head and counted the beats and started playing.

The camera turned to reflect the case of playing a dazzling acoustic guitar solo from the beginning, as if it were not for a song, and the man in the black hat sat with the blue bass guitar.

The guitar sounds that the gun plays are still playing, and the grooved bass guitar sounds on top. The man in the black hat was an invisible man, but he had very pretty white and long fingers.

Another guitar sounds as the guitar and bass begin to play. This time it was the sound of an electric guitar, and shortly after that, a magnified screen flashes both hands as if dancing on it. Hikari mutters as she looks at him.

“That's the White Falcon...... Is someone else playing Kay's guitar? ”

Hoshino, standing there staring blankly at the screen, lays his hands on his mouth.

“Shh! Listen to the music. ”

The song was a beautiful song, though it was filled with feelings of longing for something. Hikari took a deep breath, feeling the hope hidden in him, rather than just drawing a picture.

Another guitar sound came down and sat down. As if three gunshots were playing, the guitar of breathing rushed to its peak, the sound of drums combined. The screen shined only on the feet of the drummer's pedal, but the rhythmic bass drum play was very groove.

The screen switched back and the headphones were placed in front of the wind screen in the recording room and the gun closed its eyes opened with a smile.

If I could change the world.

(If I could change the world.)

Back in time, I'll be back then.

(I'm going back in time, back in time.)

When I had to hide in a place where no one knew.

(When I had to hide somewhere where no one knew me, I just had to look.)

If you can go back then and save you.

(If only I could go back and save you.)

The voices that crossed the line between fiction and sincerity fascinated the listener. Lots of people who crossed Shibuya Scramble Crossing stood on the road and fixed their eyes on the big TV. It was already public through the video, so I was familiar with the ears of many people.

The screen switched to black and white screen, made a smile, and the gun that made eye contact with the screen reached out my lips like a kiss.

When Hikari saw that, she put her hands together into her chest and turned her eyes into hearts. A black and white screen appearing to be a parking lot, while the case lay on the bonnet of Mercy Vantz C class appeared to sing with the white Falcon in hand.

In front of the parking lot, there was a huge river, and his eyes sank deeply as he was looking at the river on top of his car, feeling sad for some reason.

♪ I would be the sunlight in your universe ♪

(I will be the light of your world.)

Sweetheart, if I could change the world.

(O Lord, if only I could change the world.)

And I know there 'll be no more tears in heaven.

(And I know there will be no more tears in heaven.)

Bass guitarist, who lowered his legs to the bank just in front of the river, nodded and beat.

He looked further and further away, sitting by the river by himself and playing the guitar.

If I could be Your child even for a day.

(If only I could be your child for one day.)

I'd take you as my queen.

(I could take you as queen.)

♪ But for now I find ♪

(But now I know.)

It's only in my dreams.

(That it's just my illusion.)

As the screen changed, there was a scene of standing in the river with both legs submerged and singing with arms outstretched and looking up at the sky. A white shirt in black pants was very well matched to the landscape behind the river.

But I'm different.

(But I'm different.)

Everything is different. Me and you, and now the person next to me.

(Everything changed. Me, you, and the person next to me.)

I will not miss you anymore.

(I won't miss you anymore.)

Because now everything is precious.

(Everything is now precious.)

As soon as the lyrics were finished, the screen was split into 4 pieces and eight hands playing four guitars were output.

On the top left was a hand that played the white falcon, next to it was J200, another acoustic guitar on the bottom left, and on the bottom right was a hand that played the bass guitar.

It was a medium-tempo song, but the dazzling hands seemed to be playing different notes, but they were fused together like a densely stacked block.

The hands playing the guitar were playing seamlessly as if one person had eight hands.

When one guitar played and rested, the other guitar hit and came in, and all the beats were endlessly played with high completion solos. Hikari mutters, looking at it dazed.

“Awesome…… I'm playing solo to the bass. ”

Like she said, she added harmony to the play, making heavy notes even to the bass guitar, which needs to be centered.

The bass, which was playing as if it was ripping the rope with a dazzling movement, comes in with a gorgeous drum solo. This time, the person with the dazzling stick, as well as the pedal, was illuminated on the screen, but I couldn't see his face because he was also wearing a red analogy hat.

If I could change the world.

(If I could change the world.)

♪ I would be the sunlight in your universe ♪

(I will be the light of your world.)

Sweetheart, if I could change the world.

(O Lord, if only I could change the world.)

And I know there 'll be no more tears in heaven.

(And I know there will be no more tears in heaven.)

If the song was the same lyrics as the lyrics that sang at the beginning, but the song in front gave the feeling of a poor miss, the song in the back was the same sound, but it was a song with a feeling of hope.

At the end of the last lyrics, all of the plays stopped at once.

Sitting on top of the car, playing the White Falcon, I closed my eyes, felt the music, opened my eyes, and smiled at one side. As the screen continued, he sat alone by the river, illuminating the bass guitarist with his hat on, he took his hat off and threw it into the river, smiling and turning around. The surprised people looked at the screen and cried with their fingers.

“Kay! Cayda! Kay was a bassist!”

When he took off his hat, he walked and raised his hand to the guitarist holding the J200 that was sitting in the chair. On the screen, two people were smiling face to face.

“Oh my God, the J200 went down! ”

The two people looked at one side at the same time, and another guitarist who was sitting on the fishing chair stood up smiling with the two of them.

“The other one was Kay!! Cough!”

The three of them walked side-by-side in front of the drum set and raised their thumbs to the drummer. As they laughed, the drummer in the red hat raised his head and smiled. Hoshino, who was looking at him, mutters loudly next to Hikari, who is still falling.

“Th-the drummer was also Kay.... ”

A total of five Cays smiled in front of the drum set with their instruments in their hands. The camera that was filming him quickly drifted back and forth, and the handwriting was engraved on the screen as the parking lot next to the Hudson River looked up in the air.

If I could change the world……. (If I could change the world.)

On the screen, the title of the song came up with a little text on the bottom right.

Composition by Kay.

Lyrics by Kiska Miocic.

The screen was blacked out, but those who were standing on the sidewalk across the Scramble Crossing did not move as if they were stuck in place.

The signal had already changed, but no one pressed the clock because they saw everyone outside looking at the same place, looking away at the screen.

At Shibuya Street that day, thousands of people were gazing at the blackened screen as if time had stopped.

< 213: If I could change the world (4) > End

case: 21185