The next morning, after going for a morning walk with Krull and Lucy, I think sideways about everyone getting ready for the morning, getting ready for breakfast. It's

”Why didn't you know how to cheat?"

That is. I “know" where to beat when waving hammers on sheet metal.

It's due to cheats, but I didn't know how to get magic into Megistium.

I also thought maybe the cheats had disappeared, but I came up with that before I prepared my breakfast, so I went into the blacksmith just a little bit, but I could still see the sheet metal and flicker how it seemed to be processed.

I mean, the cheats didn't disappear, that's all.

Therefore, if it is not processed directly by other factors, all cheats will not work, or the cheats of production will become better.

Production can't be beaten by the craftsmen there, only at such a level. If I compete with Sandro's old man in the cooking, I'm sure I'll lose the mess.

After the battle, he said, "I'll knock you in from scratch!" He seems to think of a yelling old man.

Together, if it's going to be that way, I don't know if I can help but come up with a case like megistium.

Maybe we should take a moment to find out what the terms apply once and for all. I don't tell my family about the cheats, so I won't go in parallel with the rest of the work.

After breakfast and after the worship to the shrine, he started operating the Eizo workshop by putting fire in the furnace and on the fire floor.

Today, Lique is asked to produce knives and long swords. Everyone else makes long swords of vegetables. It will be divided into a group that makes moulds and a group that flows iron.

Of course I'm working on megistium. First I take the sheet metal, and I do my magic on the gold floor.

Something glittering gets rubbed on the dong and the sheet metal. I ”know" what to do to do this. It's proof that the cheats are working properly. After all, they didn't lose cheats from the ground up.

I can feel relieved that I can confirm this clearly. I drove anxiety and doubt out of my head and immersed myself in the task of magic in sheet metal.

Magic was cast on about five sheets of sheet metal. I feel like I have a little bit of a lot on my mind, but I also have a lot of problems.

So at the moment, I decided not to care, and by yesterday I messed around, just a little stiff megistium, cut into about two-thirds, still soft.

Mix together.

It's the same material to say that magic is strong, and if you can transfer magic from sheet metal by tapping it, you can do it with megistium against each other, repeatedly tapping it with hammer and folding it when it thins, eventually you got just a little bit of magic megistium chunk throughout.

At this time, I somehow figured out where to tap, so it's still likely to only work if I process the material directly.

I doubt how much material there is that isn't, because it's a different world......

If, for example, the processing of orihalcon, adamantite, or hyilocane could not be done otherwise via something similar to megistium, then that alone would be a task that would break the bone considerably.

In the case of megistium, it could have been steel sheet metal, but Orihalcon had to be misrilled, or something like that, and it would start with the selection of materials that could transfer magic.

I just hope not now, but I guess it's a good idea to ask Camilo to get it somewhere...... Fortunately, I have money.

For now, it's megistium.

"Come on, it's the real deal from here."

When I gently lift my cheeks and change my mind, I place the sheet metal over the megistium and shake down the hammer.

I can see the sound and response of saying the kid, and the magic coming out of the steel. Repeat this over and over again, aiming first at a degree of hardness that is not difficult to process.

As I slap the megistium together again, which has spread to the shape of a sheet, I guess Lique is hitting the knife, the sound of a rhythmic hammer intersects the sound of my hammer.

The symphony between me and Rike's boneless sound lasted until lunch.