Dinner after cleaning up but today it is as usual unfermented bread. Fermented bread is still labour-intensive, be it straight or medium seed.
Don't feel like making it every now and then. When I said that, I was not dissatisfied against expectations.
"No... it would feel like soft bread comes out every day in a regular blacksmith or any nobleman.
Nilda says in a frightened voice, and everyone around her nods. That's certainly true if you ask me. No matter how much soft bread was normal in this world, it doesn't matter if civilians who are not aristocrats can eat all the time.
"I see. So Nilda, who was eaten by a guest, was lucky.
"Uhm."
Nilda nodded loudly and the bread story was cut off.
After staying for four or five days, Nilda seems to be getting used to it, too, and has a lot of mouth count when eating. Yesterday and today he talked to me about the demonic world to the extent Nilda seemed to be able to talk.
Demons need little magic supplies, borders (boundaries?) is that it is quite far from this forest, that the demonic world is even more powerful than this forest, etc. But he didn't tell me the exact geography. Well, the exact geography at any time in any world is military intelligence...
From what you've told me further, he basically doesn't change his lifestyle as much as this one. Speaking of very different points, to say that demons are intense means that demons are prone to occur, but even when demons occur, demons are not basically attacked by demons.
Even though the Demons don't seem to be attacked by demons, they don't seem to follow the orders of the Demons. You treat me like a wild dog we call you. It's terribly noisy for a wild dog, considering the hobgoblins I fought for.
There seems to be some movement of merchants from the human world. They can't go too far back in a normal person because of too much magic, and they seem to have nothing but a deal on the edge of the demon world. Maybe Camilo has a deal too. I wouldn't bother to ask.
The next day, I will finally make the final process of the knife, the sheath "Saya". This is also made by specialist craftsmen if it's not elaborate at all, but you can manage it with cheese.
The shape of the sheath itself is not a difficult story if done with cheats. We have made knives and sword sheaths before, but they are basically the same.
However, the sheath must also match the opposite, since the knife has an opposition. If this isn't the right place, the unplugging will be affected. I don't know if I'd say the same thing in the North, but it's a source of "inconsistent”.
Use a knife to sharpen and roughly shape the wood you keep in the workplace. Afterwards, it is made by shredding the part of the body that can be satisfied while putting the object on. It is good that only the building and the "splash" are in contact with the sheath, and the others are not touched, so that it is so.
The kokokoguchi of the sheath is only slightly narrower than the kokokuchi, so that it does not fall out of the soap.
I make one piece at a time from left to right and stick it together, but I stick it together with the paste that was originally made of rice, and because it doesn't have it, I stick it with glue "Kawawa". I tried to have as few glue points as possible so that it was not difficult when stripping.
After the left and right tension, the exterior is neatly shaped. There is no lacquer, so it remains white wood this time. If you want something beautiful, you just have to make it with a national license.
Once the left and right sides are tied together, the sheet metal is machined to make the parts. A piece that fits into the buttocks side of the sheath, a chestnut-shaped piece that fastens around the carp, a ring for clamping the sheath, and a chestnut-shaped piece that passes through the "Sassao" for clamping.
Fix the sheath so that the left and right sides of the sheath do not come off while hammering and tightening the sheath clamping ring. Attach a chestnut shape to that ring. Once you've done that, now insert the mouthpiece at Koguchi's.
Finally, the sheath was finally completed with the insertion of the sheath (which was also designed to cover simply).
Finally, though, it would take about two to three weeks if it were meant to be (although of course we are talking about lacquering and other processes), a day is not to say cheat don't be afraid. Even the whole thing has only taken a week.
Ordinary work requires little fine-tuning, and it takes little effort to measure the length. Suffice it to say that they are almost the only ones to fit in. It's just that it's been almost a week, and we're not talking about making mass production easier.
"Okay, now you're done...
I'll try to unplug the knife into the sheath I can. It can never be too firm or too loose when you put it away or cut the carp.
A knife or whatever, but I think the most important thing is that the weapon can be used properly when I want to. You can't do harm when you're not thinking about using it, or you can't use it when you're thinking about using it.
So let's just say that the sheath I made this time falls into a pretty good category for me.
"You made it!?
They ask me like Nilda can't wait. She was disciplined to tour the whole process. I don't know if it was funny or if I was monitoring you for not planting something weird.
"Oh. Try it outside.
"Okay!
Nilda popped out when she grabbed the Scarecrow and the knife that fit in her sheath.