Dungeons for the Devil, Dungeons for the Core (Book Version Title: A Different World Dungeon Made with the Devil)

This year's New Year's festival in Edge Village was different than usual. No, I should rightly also say (...) how the New Year's Festival is going. Changes in this remote mountain village had already begun at the summer festival the previous year.

When the summer festival ended, Crowe and Hobb returned to the village in anticipation of the meeting, the residents of the surrounding villages were asked to change the color of their eyes to the villagers' accessories. That was the momentum that could have been abducted if the two of them had been in the village that day. When they heard the story, they realized they were scared, and they thought about keeping themselves safe… they pulled other villagers into making accessories to increase the number of people - also known as victims - but once they were dismissed as just impossible given the population and workforce in the village.

But things change from when it comes to the autumn mouth and Crowe teaches Ms Mildred to dye the grass at a mundane destination. There was naturally dye technology in this world. However, the villagers had the perception that such dyes were made by several artisans in a large workshop. What Crowe did was teach him something called grass dyeing that can be easily done with a degree of hobby insecurity.

Using it as an opportunity, villagers - mainly women - began to see fashion as a total coordination rather than simply putting on accessories to go.

As a result of Ms Mildred's grass dyeing applauding this, the village was flooded with colorful cloths. The problem here is where the overflowing cloth is going. The luxury of tailoring new clothes and so on could not have been so permissible, and the stagnant flow accelerated again when the crow showed off the bath (fumigation) package (matsushi) without any concern when it was about to have a beautifully dyed cloth.

The traditional Japanese bath (furoki) is wrapped in a variety of ways depending on what is wrapped. Once used, it can be handled in small tatami (tatami) pieces, making it useful in practical terms. The grass-dyed heat in Edge Village burns again after learning about the bath (fukuro) that can be beautifully wrapped in appearance. It was the decision of the crow in condition to teach not only the bath (fukuro) laying (shiki), but also the various ways to wear a cloth for stalls, turbans, mufflers, etc.

As autumn deepens, morning and evening chills can be felt in mountainous (or so-so) villages, but during the day it is still warm and early to change clothes, and a single cloth stall is convenient in such a season. Moreover, when it is a beautifully dyed cloth and the wrapper is elaborate, it can be worn without being distracted when going out to a little nearby village or shopping in the town of Elgin. The way Crowe wore the turban, Mashiko rolled it - it was named after Mashiko Heroine's fashion in the movie "What's Your Name" - and it was the first time I taught them. The women, who were secretly ashamed of their wild outfits in the countryside, began to go outside to show off their outfits at once.

The women of Edge Village, who had always been placed in a fashion position like the epidemic outgoing place, also had unconscious self-inflicted (heavy) suggestion (sagestion) of a crow, which in this era had led to a sense of fashion that had been extruded for about one minute.

The foreground was longer, but this was the situation in Edge Village, which preceded the New Year's Festival. Nearby villages have not been mentioned yet, and the fashion of the Edge Village women has also become a target of attention in the town of Elgin. Just to see their winter outfits and to use them as a reference for their own clothes, the nearby women pushed them to the Edge Village New Year's Festival.

"Ya, the cloth I taught you how to wear is handy for the book."

"Well, fun on top of convenience"

"Just a piece of cloth would be nice to have a dress, a cape, and a headscarf"

"It's fun to bring your old clothes and do the Rifu (...)"

Crowe taught them more than just how to use baths and scarves. She also taught me how to wrap it like a dress without putting a rag (scissors) in a cloth. This is not an unusual technique. Ancient Greek himations and pepros, ancient Roman toga, Indian sarees, etc. hit this. Also known in fashion displays is the technique of creating beautiful drapes from a single cloth and decorating mannequins when it comes to pinwork. It was at one end of it that Crowe taught.

"Best of all, it's easy to get up cheap."

"Right. Loan or borrow, use the same cloth, but there are many ways to wear it."

"It's interesting to wear two different colored cloths on top of each other."

"Also, a scarf with a shawl shows a larger ornament."

Clear both cold and appearance by devising a cloth to wrap around on clothes like you normally wear. The turban or scarf shall be decorated with a large accessory as a one-point decoration.

The gaze of the women of the nearby villages, and the wise merchants of the eyes (meh) end (hashi), who came all the way from Elgin, nailed to the fashion of the women of Edge Village.