"So... it's the magic prop at the heart...?

"Did you get confirmation with those glasses?

The glasses Largin was wearing were actually magic props that allowed him to see the magic flow. By looking at the cotton confectionery machine through it, can it be possible to push the function of the magic prop and… the structure of the wabble?

It was such an eye observation...

"I could confirm that demonic props were being used. It's just... there are at least three kinds of magic involved"

"Three kinds!?

"That 'eagle' is so..."

Neither was their surprise. Normally, a demonic prop is often single-function. Not that there are any magical artifacts that combine multiple magic, but it belongs to a minority. However, they use magic props that have three kinds of magic added to their luxury to make sweets for their children.

"Oh... I was surprised too... First of all, there was a rotating part inside the demon prop from which that 'eagle' was gushing. This part seemed to use the magic of rotation and the magic of weak heating"

"... wait. Regardless of the rotation, is it the magic of heating that is used?... not alchemy or dark magic?

"It's just heating. I've made sure of it many times, no doubt about it."

The merchants were puzzled. I didn't know the only magic used to make that cotton candy was the magic of heating...... I assumed that more sophisticated magic was used.

"... the magic of rotation also seems to be used..."

"No, isn't that to scratch the ingredients?

Actually, spinning, or centrifugation, is the liver.

"Wait... Largin, you said there were three kinds of magic? What's the other one?

"Wind magic. It had a weak wind wall around the magic prop.... Probably, but don't let the weasel blow you away with a gust or something"

"Oh... as good as it gets..."

"When you do, the only thing still used to make confectionery is the magic of heating and rotation?

"That's it, that's how you can make that eagle?

"Raw materials...... yes, what are the raw materials?

The questioned Largin and the other shrugged his shoulders as if they were twilight.

"... I don't know. I couldn't confirm where I was putting the raw materials. It's just... there's only one thing I left behind.... From what I've seen, there's a glass of white, clear crystals in the bag... It doesn't even resemble the color of white sugar, but it's about the size of a pinky finger.... even seemed like a crystal or a demon stone..."

"Said it was a bag full of demon stones!?

"No... I don't think that's right..."

In some cases, people who had seen white bisaccharides (Shirazawa) were not present in Israelis, and traders used to quantify the identity of the raw materials.

"... at least... when three kinds of magic are used... it's not easy to create something similar."

"Hmmm... I also thought about the need to overlap the prototype... unfortunately, the effort and revenue are not matched"

In modern Japan, it is easy to make it with a commercial hand mixer and an empty can, but that is because the parts are produced in large quantities. How much does it cost to make each and every part by hand? In addition, since the process of centrifugation is included, the shape and weight of the rotating parts are required to be balanced. Crowe had a solid image and made it crisp by using dungeon magic and alchemy, but the technical standards in this world show that it struggles.

"… this is… rather than developing it on its own…"

"Hmmm... looks like you should ask for the help of the non-fumes..."

The Cotton Confectionery Machine, which Crowe offered without a deep thought, was trying to expand the handwriting of the non-fumes (once) unexpectedly.