Galactic Garbage Station

At first glance, Su Zheng painted something chaotic and piecemeal, like a pile of garbage. Paint this later. Paint that later, and draw only a part of it all together. It's messy. However, people had to be surprised when they took a closer look at Su Zheng's pen.

It is obvious that Su Jing is not deliberately drawing something, but learning various techniques.

The technique of Chinese painting can actually be understood as the method by which Chinese painters use brushes, that is, the method of using pens and ink resulting from brushes, where ink method contains the technique of color. In the course of the development of Chinese painting, especially after the yuan (the intervention of literary painters), the lyrical significance of Chinese painting is getting stronger and stronger. The meaning of Chinese painting pen ink is no longer a simple technical question, but a synonym for Chinese painting. In the ink pen view of Chinese painting, the spirit of Chinese painting is infiltrated. Simply put, the pen method of Chinese painting consists of dots, lines and surfaces, and the application of lines is of the utmost importance. The ink method, which uses water, produces thick, light, dry, wet, deep and shallow changes. The method of writing lines in Chinese painting is called “with a pen” and the method of painting ink in Chinese painting is called “with ink”. Whether you use a pen or ink, it's very deep and all-encompassing, and you can divide many and many different kinds.

For example, with a pen, there is a pen for the center and side, the pen for the center and the pen should be straight, the pen should be in the middle of the ink line, the force of the pen should be even, the pen should be perpendicular to the paper, the effect is rounded and stable. The side of the pen pen pencil is biased, the pen pen pen is at the edge of the ink line, the pen pen pen pen and paper form a certain angle, the force is uneven, the time is fast, slow, light, and heavy, its effect is rich in hairy and astringent changes.

It is also divided into smooth and reverse pens. Shunfeng generally refers to the operation of the pen pen and the inclination direction of the pen bar, the effect is clean and pulled. The reverse is the reverse direction of the pen (that is, the opposite direction of the habit of the pen), with a dry and naive effect.

Focus and scatter pens. Focus refers to a pen that is pulled together to form a single pen. Scatter refers to a pen that spreads apart and is multi-sharp (also known as a flower pen), with a dry and varied effect.

In addition, the slow use of a pen can also have a great impact on the image, when to use what pen method, what effect to achieve, constantly changing, the basic merit alone, big and deep.

Also with ink, the ancient Chinese painting has ink in five colors, namely black, white, intense, light, dry and wet six effects. The ink method is to reflect the rich changes in painting, “pen for bone, ink for meat”. So the ink method can be described as a method of using water. Depending on how much water we have, we are divided into five varying ladders: focal, thick, heavy, light and clear. Because the ink is new, old, old, old, and changed, the ink is divided into five types: new, coke, inn, retreat, and ethanol. Due to the different treatment of ink, different images of ink are produced, which can be divided into five senses: dead, dry, moist, wet and dry. In pen ink, the pen method places more emphasis on internal force, while ink speaks of “living” and “changing”.

Using ink method, the predecessor has a lot of experience. In summary, there are seven main methods: concentrated ink method, light ink method, focus ink method, indulgence ink method, ink breaking method, ink accumulation method, ink throwing method. Various ink methods are also changing.

It can be said that national painting is difficult to learn, and it is not easy to get started. Learning one of these basic techniques will probably take a lot of time, and if you want to learn them all and get them together, it will be difficult, I'm afraid, for two years, and progress will be limited. And Su Xin is now using all kinds of techniques. Originally, just starting to learn, so greedy, I'm afraid I won't learn anything. However, looking at Su Zheng, he may not have used the center for the first time, but the second time he used it, it became much better. The third time he used it, it became closer to perfection, and then he used it again. It turns out that no exception was made. The same goes for other pens and ink.

In other words, Su Zheng looked at some messy things at first, but his techniques, at an extremely horrible speed, were rapidly becoming proficient, various high-difficulty techniques, which he could easily use as a backhand.

“Oh, my God, is that my eye? Throw ink. He learned to throw ink three or two times? ”

“We couldn't learn all sorts of high-difficulty techniques for a long time, and he actually learned them three or two times. ”

“Oh, my God, look at this half of the mountain he just painted. Is this from a beginner in national painting? ”

“He wouldn't have been a national painter on purpose to play the pig to eat the tiger, would he? ”

Many people here feel that Su Xin is not a beginner, but a master of national painting who has learned for a long time. He deliberately pretends to eat a tiger here as a pig, and deliberately pretends to learn one step at a time. Otherwise, there should be no one in the world who can learn national painting so quickly. Otherwise, it would be a monster.

Cheng Shiyao and Zhu Yan looked very surprised. Huang Jinghong frowned slightly. Su Xiao was excellent in other respects, which is why he thought he had an advantage, at least in national painting, but now his confidence was greatly undermined. Regardless of whether Su Qian is a master of national painting, the result is that Su Qian's level of national painting exceeds that of him in minutes.

However, Cheng Guyi, while shocked, believed that Su Xin was indeed a beginner. Each of his drawings was to verify the problem he had just asked for. It seemed like a messy piece of painting, but he didn't waste half a pen ink. Cheng Guyi was excited. He knew he had met a genius, a super genius, a genius.

In fact, it is true that Su Xin is a genius and cannot be overstated. Su Zheng has several advantages that ordinary people do not have. First, he is already proficient in brush strokes and is a calligraphy master. Although calligraphy cannot be confused with national painting, there is something in common about using ink for pens. A calligraphy master, using ink for pens will be more skilled than ordinary people naturally. Second, his memory and thinking skills are far beyond ordinary people, and he can put every detail of every technique. Remember clearly, in the next pen, he won't be worried about this. Forget about that. In all aspects, he can think clearly all at once. He is a novice, but like the old hand, he has a bamboo in the lower chest. Third, his physical qualities are far more than normal, his eyes are clear, his hands are stable, his mind is quiet, he wants the next micron, that is a micron, he won't be extra half a minute. This kind of control makes him feel comfortable with pencil control In addition, Su Xin is also a spiritual teacher. He is able to create a picture through spiritual strength and virtual construction, which can make each painting more refined.

Combine the above points so that Su Zheng can learn and reach the point where ordinary people can't see it. He's not just a painting genius, he's practically in all walks of life, he's a genius among geniuses.